Home > Authors Index > Alice Brown > Prisoner > This page
The Prisoner, a novel by Alice Brown |
||
Chapter 5 |
||
< Previous |
Table of content |
Next > |
________________________________________________
_ CHAPTER V The house, almost of its own will, slid into order. Mary Nellen was a wonderful person. She arranged and dusted and put questions to Anne as to Cicero and Virgil, and then, when Anne convoyed her further, to the colonel, and he found a worn lexicon in the attic and began to dig out translations and chant melodious periods. The daughters could have hugged Mary Nellen, bright-eyed and intent on advancement up the hill of learning, for they gave him something to do to mitigate suspense until his son should come. And one day at twilight, when they did not know it was going to be that day at all, but when things were in a complete state of readiness and everybody disposed to start at a sound, the front door opened and Jeffrey, as if he must not actually enter until he was bidden, stood there and knocked on the casing. Mary Nellen, having more than mortal wit, seemed to guess who he was, and that the colonel must not be startled. She appeared before Lydia in the dining-room and gave her a signalling grimace. Lydia followed her, and met the man, now a step inside the hall. Lydia, too, knew who it was. She felt the blood run painfully into her face, and hoped he didn't see how confused she was with her task of receiving him exactly right after all this time of preparation. There was no question of kissing or in any way sealing her sisterly devotion. She gave him a cold little hand, and he took it with the same bewildered acquiescence. She looked at him, it seemed to her, a long time, perhaps a full minute, and found him wholly alien to her dreams of the wronged creature who was to be her brother. He was of a good height, broad in the shoulders and standing well. His face held nothing of the look she had always wrought into it from the picture of his college year. It was rather square. The outline at least couldn't be changed. The chin, she thought, was lovable. The eyes were large and blue; stern, it seemed, but really from the habit of the forehead that had been scarred with deepest lines. The high cheekbones gave him an odd look as if she saw him in bronze. They stared at each other and Jeffrey thought he ought to assure her he wasn't a tramp, when Lydia found her voice. "I'll tell Farvie," said she. She turned away from him, and immediately whirled back again. "I've got to do it carefully. You stay here." But in the library where the colonel sat over Mary Nellen's last classic riddle, she couldn't break it at all. "He's come," she said. The colonel got up and Virgil slid to the floor. "Where is he?" he called, in a sharp voice. It was a voice touched with age and apprehension. The girls hadn't known how old a man he was until they heard him calling for his son. Jeffrey heard it and came in with a few long steps, and his father met him at the door. To the two girls Jeff seemed astonished at the emotion he was awakening. How could he be, they wondered, when this instant of his release had been so terrible and so beautiful for a long time? The tears came rushing to their eyes, as they saw Farvie. He had laid aside all his gentle restraint, and put his shaking hands on Jeffrey's shoulders. And then he called him by the name he had been saying over in his heart for these last lean years: "My son! my son!" If they had kissed, Lydia would not have been surprised. But the two men looked at each other, the colonel took down his hands, and Jeffrey drew forward a chair for him. "Sit down a minute," he said, quite gently, and then the girls knew that he really had been moved, though he hadn't shown it, and, ready to seize upon anything to love in him, they decided they loved his voice. When they had got away out of the room and stood close together in the dining-room, as if he were a calamity to be fled from, that was the only thing they could think of to break their silence. "He's got a lovely voice," said Anne, and Lydia answered chokingly: "Yes." "Do you think he sings?" Anne pursued, more, Lydia knew, to loosen the tension than anything. "Farvie never told us that." But Lydia couldn't answer any more, and then they both became aware that Mary Nellen had hurried out some supper from the pantry and put quite an array of candles on the table. She had then disappeared. Mary Nellen had great delicacy of feeling. Anne began to light the candles, and Lydia went back to the library. The colonel and Jeffrey were sitting there like two men with nothing in particular to say, but, because they happened to be in the same room, exchanging commonplaces. "Supper's in the dining-room," said Lydia, in a weak little voice. The colonel was about to rise, but Jeffrey said: "Not for me." "Have you had something?" his father asked, and Jeffrey answered: "None for me--thank you." The last two words seemed to be an afterthought. Lydia wondered if he hadn't felt like thanking anybody in years. There seemed to be nothing for her to do in this rigid sort of reunion, and she went back to Anne in the dining-room. "He doesn't want anything," she said. "We can clear away." They did it in their deft fashion of working together, and then sat down in the candlelight, making no pretence of reading or talk. All the time they could hear the two voices from the library, going on at regular intervals. At ten o'clock they were still going on, at eleven. Lydia felt a deadly sleepiness, but she roused then and said, in the midst of a yawn: "I'm afraid Farvie'll be tired." "Yes," said Anne. "I'll go and speak to them." She went out of the room, and crossed the hall in her delicate, soft-stepping way. She seemed to Lydia astonishingly brave. Lydia could hear her voice from the other room, such a kind voice but steadied with a little clear authority. "You mustn't get tired, Farvie." The strange voice jumped in on the heels of hers, as if it felt it ought to be reproved. "Of course not. I'd no idea how late it was." Anne turned to Jeffrey. Lydia, listening, could tell from the different direction of the voice. "Your room is all ready. It's your old room." There was a pin-prick of silence and then the strange voice said quickly: "Thank you," as if it wanted to get everything, even civilities, quickly over. Lydia sat still in the dining-room. The candles had guttered and gone down, but she didn't feel it possible to move out of her lethargy. She was not only sleepy but very tired. Yet the whole matter, she knew, was that this undramatic homecoming had deadened all her expectations. She had reckoned upon a brother ready to be called brother; she had meant to devote herself to him and see Anne devote herself, with an equal mind. And here was a gaunt creature with a sodden skin who didn't want anything they could do. She heard him say "Good-night." There was only one good-night, which must have been to the colonel, though Anne was standing by, and then she heard Anne, in a little kind voice, asking her father if he wouldn't have something hot before he went to bed. No, he said. He should sleep. His voice sounded exhilarated, with a thrill in it of some even gay relief, not at all like the voice that had said good-night. And Anne lighted his candle for him and watched him up the stairs, and Lydia felt curiously outside it all, as if they were playing the play without her. Anne came in then and looked solicitously at the guttered candles of which one was left with a winding-sheet, like a tipsy host that had drunk the rest under the table, and appeared to be comforting the others for having made such a spectacle of themselves to no purpose. Lydia was so sleepy now that there seemed to be several Annes and she heard herself saying fractiously: "Oh, let's go to bed." Through the short night she dreamed confusedly, always a dream about offering Farvie a supper tray, and his saying: "No, I never mean to eat again." And then the tray itself seemed to be the trouble, and it had to be filled all over. But nobody wanted the food. In the early morning she awoke with the sun full upon her, for she had been too tired the night before to close a blind. She got out of bed and ran to the window. The night had been so confusing that she felt in very much of a hurry to see the day. Her room overlooked the orchard, outlined by its high red wall. For the first time, the wall seemed to have a purpose. A man in shirt and trousers was walking fast inside it, and while she looked he began to run. It was Jeffrey, the real Jeffrey, she felt sure; not the Jeffrey of last night who had been so far from her old conception of him that she had to mould him all over now to fit him into the orchard scene. He was running in a foolish, half-hearted way; but suddenly he seemed to call upon his will and set his elbows and ran hard. Lydia felt herself panting in sympathy. She had a distaste for him, too, even with this ache of pity sharper than any she had felt while she dreamed about him before he came. What did he want to do it for? she thought, as she watched him run. Why need he stir up in her a deeper sorrow than any she had felt? She stepped back from her stand behind the curtain, and began to brush her hair. She wasn't very happy. It was impossible to feel triumphant because he was out of prison. She had lost a cherished dream, that was all. After this she wouldn't wake in the morning thinking: "Some day he'll be free." She would think: "He's come. What shall we do with him?" When she went down she found everybody had got up early, and Mary Nellen, with some prescience of it, had breakfast ready. Jeff, now in his coat, stood by the dining-room door with his father, talking in a commonplace way about the house as it used to be, and the colonel was professing himself glad no newer fashions had made him change it in essentials. "Here they are," said he. "Here are the girls." Anne, while Lydia entered from the hall, was coming the other way, from the kitchen where she had been to match conclusions with Mary Nellen about bacon and toast. Anne was flushed from the kitchen heat, and she had the spirit to smile and call, "Good morning." But Lydia felt halting and speechless. She had thought proudly of the tact she should show when this moment came, but she met it like a child. They sat down, and Anne poured coffee and asked how Farvie had slept. But before anybody had begun to eat, there was a knock at the front door, and Mary Nellen, answering it, came back to Anne, in a distinct puzzle over what was to be done now: "It's a newspaper man." Lydia, in her distress, gave Jeffrey a quick look, to see if he had heard. He put his napkin down. His jaw seemed suddenly to set. "Reporters?" he asked his father. The fulness had gone out of Farvie's face. "I think you'd better let me see them," he began, but Jeffrey got up and pushed back his chair. "No," said he. "Go on with your breakfast." They heard him in the hall, giving a curt greeting. "What do you want?" it seemed to say. "Get it over." There was a deep-toned query then, and Jeffrey answered, without lowering his voice, in what seemed to Lydia and Anne, watching the effect on their father, a reckless, if not a brutal, disregard of decencies: "Nothing to say. Yes, I understand. You fellows have got to get a story. But you can't. I've been pardoned out, that's all. I'm here. That ends it." It didn't end it for them. They kept on proffering persuasive little notes of interrogative sound, and possibly they advanced their claim to be heard because they had their day's work to do. "Sorry," said Jeff, yet not too curtly. "Yes, I did write for the prison paper. Yes, it was in my hands. No, I hadn't the slightest intention of over-turning any system. Reason for doing it? Why, because that's the way the thing looked to me. Not on your life. I sha'n't write a word for any paper. Sorry. Good-bye." The front door closed. It had been standing wide, for it was a warm morning, but Lydia could imagine he shut it now in a way to make more certain his tormentors had gone. While he was out there her old sweet sympathy came flooding back, but when he strode into the room and took up his napkin again, she stole one glance at him and met his scowl and didn't like him any more. The scowl wasn't for her. It was an introspective scowl, born out of things he intimately knew and couldn't communicate if he tried. The colonel had looked quite radiantly happy that morning. Now his colour had died down, leaving in his cheeks the clear pallor of age, and his hands were trembling. It seemed that somebody had to speak, and he did it, faintly. "I hope you are not going to be pursued by that kind of thing." "It's all in the day's work," said Jeffrey. He was eating his breakfast with a careful attention to detail. Anne thought he seemed like a painstaking child not altogether sure of his manners. She thought, too, with her swift insight into the needs of man, that he was horribly hungry. She was not, like Lydia, on the verge of impulse all the time, but she broke out here, and then bit her lip: "I don't believe you did have anything to eat last night." Lydia gave a little jump in her chair. She didn't see how Anne dared bait the scowling martyr. He looked at Anne. His scowl continued. They began to see he perhaps couldn't smooth it out. But he smiled a little. "Because I'm so hungry?" he asked. His voice sounded kind. "Well, I didn't." Lydia, now conversation had begun, wanted to be in it. "Why not?" asked she, and Anne gave a little protesting note. "I don't know," said Jeffrey, considering. "I didn't feel like it." This he said awkwardly, but they all, with a rush of pity for him, thought they knew what he meant. He had eaten his food within restraining walls, probably in silence, and to take up the kind ceremonial of common life was too much for him. Anne poured him another cup of coffee. "Seen Jim Reardon?" Jeffrey asked his father. Anne and Lydia could scarcely forbear another glance at him. Here was Reardon, the evil influence behind him, too soon upon the scene. They would not have had his name mentioned until it should be brought out in Jeffrey's vindication. "No," said the colonel. "Alston Choate called." "I wonder what Reardon's doing now?" Jeffrey asked. But his father did not know. Jeffrey finished rapidly, and then leaned back in his chair, looked out of the window and forgot them all. Lydia felt one of her disproportioned indignations. She was afraid the colonel was not going to have the beautiful time with him their hopes had builded. The colonel looked older still than he had an hour ago. "What shall we do, my son?" he asked. "Go for a walk--in the orchard?" A walk in the street suddenly occurred to him as the wrong thing to offer a man returned to the battery of curious eyes. "If you like," said Jeffrey indifferently. "Do you take one after breakfast?" He spoke as if it were entirely for his father, and Anne and Lydia wondered, Anne in her kind way and the other hotly, how he could forget that all their passionate interests were for him alone. "Not necessarily," said the colonel. They were rising. "I was thinking of you--my son." "What makes you call me that?" Jeffrey asked curiously. They were in the hall now, looking out beyond the great sun patch on the floor, to the lilac trees. "What did I call you?" "Son. You never used to." Lydia felt she couldn't be quick enough in teaching him how dull he was. "He calls you so because he's done it in his mind," she said, "for years and years. Your name wasn't enough. Farvie felt so--affectionate." The last word sounded silly to her, and her cheeks were so hot they seemed to scald her eyes and melt out tears in them. Jeffrey gave her a little quizzical look, and slipped his arm through his father's. Anne, at the look, was suddenly relieved. He must have some soft emotions, she thought, behind the scowl. "Don't you like it?" the colonel asked him. He straightened consciously under the touch of his son's arm. "Oh, yes," said Jeffrey. "I like it. Only you never had. Except in letters. Come in here and I'll tell you what I'm going to do." He had piloted the colonel into the library, and Anne and Lydia were disappearing into the dining-room where Mary Nellen was now supreme. The colonel called them, imperatively. There was such a note of necessity in his voice that they felt sure he didn't know how to deal, quite by himself, with this unknown quantity of a son. "Girls, come here. I have to have my girls," he said to Jeffrey, "when anything's going to be talked over. They're the head of the house and my head, too." The girls came proudly, if unwillingly. They knew the scowling young man didn't need them, might not want them indeed. But they were a part of Farvie, and he'd got to accept them until they found out, at least, how safe Farvie was going to be in his hands. Jeffrey wasn't thinking of them at all. He was accepting them, but they hadn't any share in his perspective. Lydia felt they were the merest little dots there. She giggled, one brief note to herself, and then sobered. She was as likely to laugh as to fume, and it began to seem very funny to her that in this drama of The Prisoner's Return she and Anne were barely to have speaking parts. The colonel sat in his armchair at the orchard window, and Jeffrey stood by the mantel and fingered a vase. Lydia, for the first time seeing his hands with a recognising eye, was shocked by them. They were not gentleman's hands, she thought. They were worn, and had calloused stains and ill-kept nails. "I thought you'd like to know as soon as possible what I mean to do," he said, addressing his father. "I'm glad you've got your plans," his father said. "I've tried to make some, but I couldn't--couldn't." "I want first to find out just how things are here," said Jeffrey. "I want to know how much you've got to live on, and whether these girls have anything, and whether they want to stay on with you or whether they're doing it because--" Jeffrey now had a choking sense of emotions too big for him--"because there's no other way out." "Do you mean," said Lydia, in a burst, before Anne's warning hand could stop her, "you want us to leave Farvie?" The colonel looked up with a beseeching air. "Good God, no!" said Jeffrey irritably. "I only want to know the state of things here. So I can tell what to do." The colonel had got hold of himself, and straightened in his chair. The girls knew that motion. It meant, "Come, come, you derelict old body. Get into form." "I've tried to write you fully," he said. "I hoped I gave you a--a picture of the way we lived." "You did. You have," said Jeffrey, still with that air of getting nowhere and being greatly irritated by it. "But how could I know how much these girls are sacrificing?" "Sacrificing?" repeated the colonel helplessly, and Lydia was on the point of another explosion when Jeffrey himself held up his hand to her. "Wait," he said. "Let me think. I don't know how to get on with people. They only make me mad." That put a different face on it. Anne knew what he meant. Here he was, he for whom they had meant to erect arches of welcome, floored in a moment by the perplexities of family life. "Of course," said Anne. She often said "of course" to show her sympathy. "You tell it your own way." "Ah!" said Jeffrey, with a breath of gratitude. "Now you're talking. Don't you see----" he faced Anne as the only person present whose emotions weren't likely to get the upper hand----"don't you see I've got to know how father's fixed before I make any plans for myself?" Anne nodded. "We live pretty simply," she said, "but we can live. I keep the accounts. I can tell you how much we spend." The colonel had got hold of himself now. "I have twelve hundred a year," he said. "We do very well on that. I don't actually know how, except that Anne is such a good manager. She and Lydia have earned quite a little, dancing, but I always insisted on their keeping that for their own use." Here Jeffrey looked at Anne and found her pinker than she had been. Anne was thinking she rather wished she had not been so free with her offer of accounts. "Dancing," said he. "Yes. You wrote me. Do you like to dance?" He had turned upon Lydia. "Oh, yes," said she. "It's heavenly. Anne doesn't. Except when she's teaching children." "What made you learn dancing?" he asked Anne. "We wanted to do something," she said guiltily. She was afraid her tongue was going to betray her and tell the story of the lean year after their mother died when they found out that mother had lived a life of magnificent deception as to the ease of housekeeping on twelve hundred a year. "Yes," said Jeffrey, "but dancing? Why'd you pick out that?" "We couldn't do anything else," said Lydia impatiently. "Anne and I don't know anything in particular." She thought he might have been clever enough to see that, while too tactful to betray it. "But we look nice--together--and anybody can dance." "Oh!" said Jeffrey. His eyes had a shade less of gravity, but he kept an unmoved seriousness of tone. "About our living with Farvie," said Anne. "I can see you'd want to know." "Yes," said he, "I do." "We love to," said Anne. "We don't know what we should do if Farvie turned us out." "My dear!" from the colonel. "Why, he's our father," said Lydia, in a burst. "He's just as much our father as he is yours." "Good!" said Jeffrey. His voice had warmed perceptibly. "Good for you. That's what I thought." "If you'd rather not settle down here," said his father, in a tone of hoping Jeff would like it very much, "we shall be glad to let the house again and go anywhere you say. We've often talked of it, the girls and I." Jeffrey did not thank them for that, or seem to hear it even. "I want," said he, "to go West." "Well," said Farvie, with a determined cheerfulness, "I guess the girls'll agree to that. Middle West?" "No," said Jeffrey, "the West--if there is any West left. Somewhere where there's space." His voice fell, on that last word. It held wonder even. Was there such a thing, this man of four walls seemed to ask, as space? "You'd want to go alone," said Anne softly. She felt as if she were breaking something to Farvie and adjuring him to bear it. "Yes," said Jeffrey, in relief. "I've got to go alone." "My son--" said the colonel and couldn't go on. Then he did manage. "Aren't we going to live together?" "Not yet," said Jeffrey. "Not yet." The colonel had thought so much about his old age that now he was near saying: "You know I haven't so very many years," but he held on to himself. "He's got to go alone," said Anne. "But he'll come back." "Yes," said Lydia, from the habit they had learned of heartening Farvie, "he'll come back." But she was hotly resolving that he should learn his duty and stay here. Let her get a word with him alone. "What I'm going to do out there I don't know," said Jeffrey. "But I am going to work, and I'm going to turn in enough to keep you as you ought to be. I want to stay here a little while first." The colonel was rejuvenated by delight. Lydia wondered how anybody could see that look on his face and not try to keep it there. "I've got," said Jeffrey, "to write a book." "Oh, my son," said the colonel, "that's better than I hoped. The newspapers have had it all, how you've changed the prison paper, and how you built up a scheme of prison government, and I said to myself, 'When he comes out, he'll write a book, and good will come of it, and then we shall see that, under Providence, my son went to prison that he might do that.'" He was uplifted with the wonder of it. The girls felt themselves carried along at an equal pace. This was it, they thought. It was a part of the providences that make life splendid. Jeffrey had been martyred that he might do a special work. "Oh, no," said he, plainly bored by the inference. "That's not it. I'm going to write the life of a fellow I know." "Who was he?" Anne asked, with a serious uplift of her brows. "A defaulter." "In the Federal Prison?" "Yes." _ |