Home > Authors Index > F. Marion Crawford > Casa Braccio > This page
Casa Braccio, a novel by F. Marion Crawford |
||
Part 1. Sister Maria Addolorata - Chapter 8 |
||
< Previous |
Table of content |
Next > |
________________________________________________
_ PART I. SISTER MARIA ADDOLORATA CHAPTER VIII
"They can have a measure of the best, if they care to pay for it," he said. "If they wish a mouthful of food, there is what there is. But I am not the village host, and Nanna is not a wine-shop cook, to fry tripe and peel onions for Titius and Caius." The old Roman expression, denoting generally the average public, survives still in polite society, and Stefanone had caught it from Sor Tommaso. Dalrymple was sitting as usual over his supper, by the light of the triple-beaked brass lamp, his measure of wine beside him, and a beefsteak, which on this occasion was really of beef, before him. Stefanone was absent in Rome, with a load of wine. Sora Nanna sat on Dalrymple's right, industriously knitting in Italian fashion, one of the needles stuck into and supported by a wooden sheath thrust into her waist-band, while she worked off the stitches with the others. Annetta sat opposite the Scotchman, but a little on one side of the lamp, so that she could see his face. "Mother," she said suddenly, without lifting her chin from the hand in which it rested, "you do not know anything! This Signor Englishman is making love with a nun in the convent! Eh--what do you think of it? Only this was wanting. A little more and the lightning will fall upon the convent! These Protestants! Oh, these blessed Protestants! They respect nothing, not even the saints!" "My daughter! what are you saying?" Sora Nanna's fingers did not pause in their work, nor did her eyes look up, but the deep furrow showed itself in her thick peasant's forehead, and her coarse, hard lips twitched clumsily with the beginning of a smile. "What am I saying? The truth. Ask rather of the Signore whether it is not true." "It is silly," said Dalrymple, growing unnaturally red, and looking up sharply at Annetta, before he took his next mouthful. "Look at him, mother!" laughed the girl. "He is red, red--he seems to me a boiled shrimp. Eh, this time I have guessed it! And as for Sister Maria Addolorata, she no longer sees with her eyes! To-day, when you were carrying in the baskets, you and the other women who went with us, I asked her whether the abbess was satisfied with the new doctor, and she answered that he was a very wise man, much wiser than Sor Tommaso. So I told her that it was a pity, because Sor Tommaso was getting well and would not allow the English doctor to come instead of him much longer. Then she looked at me. By Bacchus, I was afraid. Certain eyes! Not even a cat when you take away her kittens! A little more and she would have eaten me. And then her face made itself of marble--like that face of a woman that is built into the fountain in the piazza. Arch-priest! What a face!" The girl stared hard at Dalrymple, and her mouth laughed wickedly at his evident embarrassment, while there was something very different from laughter in her eyes. During the long speech, Sora Nanna had stopped knitting, and she looked from her daughter to the Scotchman with a sort of half-stupid, half-cunning curiosity. "But these are sins!" she exclaimed at last. "And what does it matter?" asked the girl. "Does he go to confession? So what does it matter? He keeps the account himself, of his sins. I should not like to have them on my shoulders. But as for Sister Maria Addolorata--oh, she! I told you that she sinned in her throat. Well, the sin is ready, now. What is she waiting for? For the abbess to die? Or for Sor Tommaso to get well? Then she will not see the Signor Englishman any more. It would be better for her. When she does not see him any more, she will knead her pillow with tears, and make her bread of it, to bite and eat. Good appetite, Sister Maria!" "You talk, you talk, and you conclude nothing," observed Sora Nanna. "You have certain thoughts in your head! And you do not let the Signore say even a word." "What can he say? He will say that it is not true. But then, who will believe him? I should like to see them a little together. I am sure that she shows him her face, and that it is 'Signor Doctor' here, and 'Dear Signor Doctor' there, and a thousand gentlenesses. Tell the truth, Signore. She shows you her face." "No," said Dalrymple, who had regained his self-possession. "She never shows me her face." "What a shame for a Carmelite nun to show her face to a man!" cried the girl. "But I tell you she is always veiled to her chin," insisted Dalrymple, with perfect truth. "Eh! It is you who say so!" retorted Annetta. "But then, what can it matter to me? Make love with a nun, if it goes, Signore. Youth is a flower--when it is withered, it is hay, and the beasts eat it." "This is true," said Sora Nanna, returning to her knitting. "But do not pay attention to her, Signore. She is stupid. She does not know what she says. Eat, drink, and manage your own affairs. It is better. What can a child understand? It is like a little dog that sees and barks, without understanding. But you are a much instructed man and have been round the whole world. Therefore you know many things. It seems natural." Though Dalrymple was not diffident, as has been said, he was far from vain, on the whole, and in particular he had none of that contemptible vanity which makes a man readily believe that every woman he meets is in love with him. He had not the slightest idea at that time that Annetta, the peasant girl, looked upon him with anything more than the curiosity and vague interest usually bestowed on a foreigner in Italy. He was annoyed, however, by what she said this evening, though he was also secretly surprised and delighted. The contradiction is a common one. The miser is half mad with joy on discovering that he has much more than he supposed, and bitterly resents, at the same time, any notice which may be taken of the fact by others. Annetta did not enjoy his discomfiture and evident embarrassment, for she was far more deeply hurt herself than she realized, and every word she had spoken about Maria Addolorata had hurt her, though she had taken a sort of vague delight in teasing Dalrymple. She relapsed into silence now, alternately wishing that he loved her, and then, that she might kill him. If she could not have his heart, she would be satisfied with his blood. There was a passionate animal longing in the instinct to have him for herself, even dead, rather than that any other woman should get his love. Dalrymple was aware only that the girl's words had annoyed him, while inwardly conscious that if what she said were true, the truth would make a difference in his life. He showed no inclination to talk any more, and finished his supper in a rather morose silence, turning to his book as soon as he had done. Then Gigetto came in with his guitar and sang and talked with the two women. But he was restless that night, and did not fall asleep until the moon had set and his window grew dark. And even in his dreams he was restless still, so that when he awoke in the morning he said to himself that he had been foolish in his behaviour towards Maria Addolorata on the previous day. He felt tired, too, and his colour was less brilliant than usual. It was Sunday, and he remembered that if he chose he could go in the afternoon to the Benediction in the convent church and hear Maria's voice perhaps. But at the usual hour, just before noon, he went to make his visit to the abbess. It was his intention to forget his stiff manner, and to behave as he had always behaved until yesterday. Strange to say, however, he felt a constraint coming upon him as soon as he was in the nun's presence. She received him as usual, there was the usual comic scene at the abbess's door, and, as every day, the two were alone together after her door was shut. "Are you ill?" asked Maria Addolorata, after a moment's silence which, short as it was, both felt to be awkward. Dalrymple was taken by surprise. The tone in which she had spoken was cold and distant rather than expressive of any concern for his welfare, but he did not think of that. He only realized that his manner must seem to her very unusual, since she asked such a question. An Italian would have observed that his own face was pale, and would have told her that he was dying of love. "No, I am not ill," answered the Scotchman, simply, and in his most natural tone of voice. "Then what is the matter with you since yesterday?" asked Maria Addolorata, less coldly, and as though she were secretly amused. "There is nothing the matter--at least, nothing that I could explain to you." She sat down in the big easy-chair and, as formerly, he took his seat opposite to her. "There is something," she insisted, speaking thoughtfully. "You cannot deceive a woman, Signor Doctor." Dalrymple smiled and looked at her veiled head. "You said the other day that I was not a man, but a doctor," he answered. "I suppose I might answer that you are not a woman, but a nun." "And is not a nun a woman?" asked Maria Addolorata, and he knew that she was smiling, too. "You would not forgive me if I answered you," he said. "Who knows? I might be obliged to, since I am obliged to meet you every day. It may be a sin, but I am curious." "Shall I tell you?" As though instinctively, Maria was silent for a moment, and turned her veiled face towards the abbess's door. But Dalrymple needed no such warning to lower his voice. "Tell me," she said, and under her veil she could feel that her eyes were growing deep and the pupils wide and dark, and she knew that she had done wrong. "How should I know whether you are a saint or only a woman, since I have never seen your face?" he asked. "I shall never know--for in a few days Doctor Taddei will be well again, and you will not need my services." He saw the quick tightening of one hand upon the other, and the slight start of the head, and in a flash he knew that all Annetta had told him was true. The silence that followed seemed longer than the awkward pause which had preceded the conversation. "It cannot be so soon," she said in a very low tone. "It may be to-morrow," he answered, and to his own astonishment his voice almost broke in his throat, and he felt that his own hands were twisting each other, as though he were in pain. "I shall die without seeing you," he added almost roughly. Again there was a short silence in the still room. Suddenly, with quick movements of both hands at once, Maria Addolorata threw back the veil from her face, and drew away the folds that covered her mouth. "There, see me!" she exclaimed. "Look at me well this once!" Her face was as white as marble, and her dark eyes had a wild and startled look in them, as though she saw the world for the first time. A ringlet of red-gold hair had escaped from the bands of white that crossed her forehead in an even line and were drawn down straight on either side, for in the quick movement she had made she had loosened the pin that held them together under her chin, and had freed the dazzling throat down to the high collar. Dalrymple's pale, bright blue eyes caught fire, and he looked at her with all his being, at her face, her throat, her eyes, the ringlet of her hair. He breathed audibly, with parted lips, between his clenched teeth. Gradually, as he looked, he saw the red blush rise from the throat to the cheeks, from the cheeks to the forehead, and the marble grew more beautiful with womanly life. Then, all at once, he saw the hot tears welling up in her eyes, and in an instant the vision was gone. With a passionate movement she had covered her face with the veil, and throwing herself sideways against the high back of the chair, she pressed the dark stuff still closer to her eyes and mouth and cheeks. Her whole body shook convulsively, and a moment later she was sobbing, not audibly, but visibly, as though her heart were breaking. Dalrymple was again taken by surprise. He had been so completely lost in the utterly selfish contemplation of her beauty that he had been very far from realizing what she herself must have felt as soon as she appreciated what she had done. He at once accused himself of having looked too rudely at her, but at the same time he was himself too much disturbed to argue the matter. Quite instinctively he rose to his feet and tried to take one of her hands from her veil, touching it comfortingly. But she made a wild gesture, as though to drive him away. "Go!" she cried in a low and broken voice, between her sobs. "Go! Go quickly!" She could not say more for her sobbing, but he did not obey her. He only drew back a little and watched her, all his blood on fire from the touch of her soft white hand. She stifled her sobs in her veil, and gradually grew more calm. She even arranged the veil itself a little better, her face still turned away towards the back of the chair. "Maria! Maria!" The abbess's voice was calling her, hoarsely and almost desperately, from the next room. She started and sat up straight, listening. Then the cry was heard again, more desperate, less loud. With a quick skill which seemed marvellous in Dalrymple's eyes, Maria adjusted her veil almost before she had sprung to her feet. "Wait!" she said. "Something is the matter!" She was at the bedroom door in an instant, and in an instant more she was at her aunt's bedside. "Maria--I am dying," said the abbess's voice faintly, as she felt the nun's arm under her head. Dalrymple heard the words, and did not hesitate as he hastily felt for something in his pocket. "Come!" cried Maria Addolorata. But he was already there, on the other side of the bed, pouring something between the sick lady's lips. It was fortunate that he was there at that moment. He had indeed anticipated the possibility of a sudden failure in the action of the heart, and he never came to the convent without a small supply of a powerful stimulant of his own invention. The liquid, however, was of such a nature that he did not like to leave the use of it to Maria Addolorata's discretion, for he was aware that she might easily be mistaken in the symptoms of the collapse which would really require its use. The abbess swallowed a sufficient quantity of it, and Dalrymple allowed her head to lie again upon the pillow. She looked almost as though she were dead. Her eyes were turned up, and her jaw had dropped. Maria Addolorata believed that all was over. "She is dead," she said. "Let us leave her in peace." It is a very ancient custom among Italians to withdraw as soon as a dying person is unconscious, if not even before the supreme moment. "She will probably live through this," answered Dalrymple, shaking his head. Neither he nor the nun spoke again for a long time. Little by little, the abbess revived under the influence of the stimulant, the heart beat less faintly, and the mouth slowly closed, while the eyelids shut themselves tightly over the upturned eyes. The normal regular breathing began again, and the crisis was over. "It is passed," said Dalrymple. "It will not come again to-day. We can leave her now, for she will sleep." "Yes," said the abbess herself. "Let me sleep." Her voice was faint, but the words were distinctly articulated. Then she opened her eyes and looked about her quite naturally. Her glance rested on Dalrymple's face. Suddenly realizing that she was not veiled, she drew the coverlet up over her face. It is a peculiarity of such cases, that the patient returns almost immediately to ordinary consciousness when the moment of danger is past. "Go!" she said, with more energy than might have been expected. "This is a religious house. You must not be here." Dalrymple retired into the parlour again, shutting the door behind him, and waited for Maria Addolorata, for it was now indispensable that he should give her directions for the night. During the few minutes which passed while he was alone, he stood looking out of the window. The excitement of the last half-hour had cut off from his present state of mind the emotion he had felt before the abbess's cry for help, but had not decreased the impression it had left. While he was helping the sick lady there had not been one instant in which he had not felt that there was more than the life of a half-saintly old woman in the balance, and that her death meant the end of his meetings with Maria Addolorata. Annetta's words came back to him, 'she will knead her pillow with tears and make her bread of it.' Several minutes passed, and the door opened softly and closed again. Maria Addolorata came up to him, where he stood by the window. She did not speak for a moment, but he saw that her hand was pressed to her side. "I have spent a bad half-hour," she said at last, with something like a gasp. "It is the worst half-hour I ever spent in my life," answered Dalrymple. "I thought it was all over," he added. "Yes," she said, "I thought it was all over." He could hear his heart beating in his ears. He could almost hear hers. His hand went out toward her, cold and unsteady, but it fell to his side again almost instantly. But for the heart-beats, it seemed to him that there was an appalling stillness in the air of the quiet room. His manly face grew very pale. He slowly bit his lip and looked out of the window. An enormous temptation was upon him. He knew that if she moved to leave his side he should take her and hold her. There was a tiny drop of blood on his lip now. Something in him made him hope against himself that she would speak, that she would say some insignificant dry words. But every inch of his strong fibre and every ounce of his hot blood hoped that she would move, instead of speaking. She sighed, and the sigh was broken by a quick-drawn breath. Slowly Dalrymple turned his white face and gleaming eyes to her veiled head. Still she neither spoke nor moved. He, in memory, saw her face, her mouth, and her eyes through the thick stuff that hid them. The silence became awful to him. His hands opened and shut convulsively. She heard his breath and she saw the uncertain shadow of his hand, moving on the black and white squares of the pavement. She made a slight, short movement towards him and then stepped suddenly back, overcoming the temptation to go to him. "No!" He uttered the single word with a low, fierce cry. In an instant his arms were around her, pressing her, lifting her, straining her, almost bruising her. In an instant his lips were kissing a face whiter than his own, eyes that flamed like summer lightning between his kisses, lips crushed and hurt by his, but still not kissed enough, hands that were raised to resist, but lingered to be kissed in turn, lest anything should be lost. A little splintering crash, the sound of a glass falling upon a stone floor in the next room, broke the stillness. Dalrymple's arms relaxed, and the two stood for one moment facing one another, pale, with fire in their eyes and hearts beating more loudly than before. Dalrymple raised his hand to his forehead, as though he were dazed, and made an uncertain step in the direction of the door. Maria raised her white hands towards him, and her eyelids drooped, even while she looked into his face. He kissed her once more with a kiss in which all other kisses seemed to meet and live and die a lingering, sweet death. She sank into the deep old easy-chair, and when she looked up, he was gone. _ |