3. A Day without a Morrow - Part 11

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_ Old d'Orgemont was now in a state of almost grotesque bewilderment. The pain in his legs, the terror he felt at seeing a human being in the midst of his hoards, could be read in every wrinkle of his face, and yet at the same time his eyes expressed, with unaccustomed fire, a lively emotion excited in him by the presence of his liberator, whose white and rosy cheek invited kisses, and whose velvety black eye sent waves of blood to his heart, so hot that he was much in doubt whether they were signs of life or of death.

"Are you married?" he asked, in a trembling voice.

"No," she said, smiling.

"I have a little something," he continued, heaving a sigh, "though I am not so rich as people think for. A young girl like you must love diamonds, trinkets, carriages, money. I've got all that to give--after my death. Hey! if you will--"

The old man's eyes were so shrewd and betrayed such calculation in this ephemeral love that Mademoiselle de Verneuil, as she shook her head in sign of refusal, felt that his desire to marry her was solely to bury his secret in another himself.

"Money!" she said, with a look of scorn which made him satisfied and angry both; "money is nothing to me. You would be three times as rich as you are, if you had all the gold that I have refused--" she stopped suddenly.

"Don't go near that wall, or--"

"But I hear a voice," she said; "it echoes through that wall,--a voice that is more to me than all your riches."

Before the miser could stop her Marie had laid her hand on a small colored engraving of Louis XV. on horseback; to her amazement it turned, and she saw, in a room beneath her, the Marquis de Montauran, who was loading a musket. The opening, hidden by a little panel on which the picture was gummed, seemed to form some opening in the ceiling of the adjoining chamber, which, no doubt, was the bedroom of the royalist general. D'Orgemont closed the opening with much precaution, and looked at the girl sternly.

"Don't say a word if you love your life. You haven't thrown your grappling-iron on a worthless building. Do you know that the Marquis de Montauran is worth more than one hundred thousand francs a year from lands which have not yet been confiscated? And I read in the Primidi de l'Ille-et-Vilaine a decree of the Consuls putting an end to confiscation. Ha! ha! you'll think the Gars a prettier fellow than ever, won't you? Your eyes are shining like two new louis d'or."

Mademoiselle de Verneuil's face was, indeed, keenly excited when she heard that well-known voice so near her. Since she had been standing there, erect, in the midst as it were of a silver mine, the spring of her mind, held down by these strange events, recovered itself. She seemed to have formed some sinister resolution and to perceive a means of carrying it out.

"There is no return from such contempt," she was saying to herself; "and if he cannot love me, I will kill him--no other woman shall have him."

"No, abbe, no!" cried the young chief, in a loud voice which was heard through the panel, "it must be so."

"Monsieur le marquis," replied the Abbe Gudin, haughtily; "you will scandalize all Brittany if you give that ball at Saint James. It is preaching, not dancing, which will rouse our villagers. Take guns, not fiddles."

"Abbe, you have sense enough to know that it is not in a general assembly of our partisans that I can learn to know these people, or judge of what I may be able to undertake with them. A supper is better for examining faces than all the spying in the world, of which, by the bye, I have a horror; they can be made to talk with glasses in their hand."

Marie quivered, as she listened, and conceived the idea of going to the ball and there avenging herself.

"Do you take me for an idiot with your sermon against dancing?" continued Montauran. "Wouldn't you yourself dance a reed if it would restore your order under its new name of Fathers of the Faith? Don't you know that Bretons come away from the mass and go to dancing? Are you aware that Messieurs Hyde de Neuville and d'Andigne had a conference, five days ago, with the First Consul, on the question of restoring his Majesty Louis XVIII.? Ah, monsieur, the princes are deceived as to the true state of France. The devotions which uphold them are solely those of rank. Abbe, if I have set my feet in blood, at least I will not go into it to my middle without full knowledge of what I do. I am devoted to the king, but not to four hot-heads, not to a man crippled with debt like Rifoel, not to 'chauffeurs,' not to--"

"Say frankly, monsieur, not to abbes who force contributions on the highway to carry on the war," retorted the Abbe Gudin.

"Why should I not say it?" replied the marquis, sharply; "and I'll say, further, that the great and heroic days of La Vendee are over."

"Monsieur le marquis, we can perform miracles without you."

"Yes, like that of Marie Lambrequin, whom I hear you have brought to life," said the marquis, smiling. "Come, come, let us have no rancor, abbe. I know that you run all risks and would shoot a Blue as readily as you say an /oremus/. God willing, I hope to make you assist with a mitre on your head at the king's coronation."

This last remark must have had some magic power, for the click of a musket was heard as the abbe exclaimed, "I have fifty cartridges in my pocket, monsieur le marquis, and my life is the king's."

"He's a debtor of mine," whispered the usurer to Marie. "I don't mean the five or six hundred crowns he has borrowed, but a debt of blood which I hope to make him pay. He can never suffer as much evil as I wish him, the damned Jesuit! He swore the death of my brother, and raised the country against him. Why? Because the poor man was afraid of the new laws." Then, after applying his ear to another part of his hiding-place, he added, "They are all decamping, those brigands. I suppose they are going to do some other miracle elsewhere. I only hope they won't bid me good-bye as they did the last time, by setting fire to my house."

After the lapse of about half an hour, during which time the usurer and Mademoiselle de Verneuil looked at each other as if they were studying a picture, the coarse, gruff voice of Galope-Chopine was heard saying, in a muffled tone: "There's no longer any danger, Monsieur d'Orgemont. But this time, you must allow that I have earned my thirty crowns."

"My dear," said the miser to Marie, "swear to shut your eyes."

Mademoiselle de Verneuil placed one hand over her eyelids; but for greater security d'Orgemont blew out the lamp, took his liberator by the hand, and helped her to make seven or eight steps along a difficult passage. At the end of some minutes he gently removed her hand, and she found herself in the very room the Marquis de Montauran had just quitted, and which was, in fact, the miser's own bedroom.

"My dear girl," said the old man, "you can safely go now. Don't look about you that way. I dare say you have no money with you. Here are ten crowns; they are a little shaved, but they'll pass. When you leave the garden you will see a path that leads straight to the town, or, as they say now, the district. But the Chouans will be at Fougeres, and it is to be presumed that you can't get back there at once. You may want some safe place to hide in. Remember what I say to you, but don't make use of it unless in some great emergency. You will see on the road which leads to Nid-aux-Crocs through the Val de Gibarry, a farmhouse belonging to Cibot--otherwise called Galope-Chopine. Go in, and say to his wife: 'Good-day, Becaniere,' and Barbette will hide you. If Galope-Chopine discovers you he will either take you for the ghost, if it is dark, or ten crowns will master him if it is light. Adieu, our account is squared. But if you choose," he added, waving his hand about him, "all this is yours."

Mademoiselle de Verneuil gave the strange old man a look of thanks, and succeeded in extracting a sigh from him, expressing a variety of emotions.

"You will of course return me my ten crowns; and please remark that I ask no interest. You can pay them to my credit with Maitre Patrat, the notary at Fougeres, who would draw our marriage contract if you consented to be mine. Adieu."

"Adieu," she said, smiling and waving her hand.

"If you ever want money," he called after her, "I'll lend it to you at five per cent; yes, only five--did I say five?--why, she's gone! That girl looks to me like a good one; nevertheless, I'll change the secret opening of my chimney."

Then he took a twelve-pound loaf and a ham, and returned to his hiding-place.

* * * * *

As Mademoiselle de Verneuil walked through the country she seemed to breathe a new life. The freshness of the night revived her after the fiery experience of the last few hours. She tried to follow the path explained to her by d'Orgemont, but the darkness became so dense after the moon had gone down that she was forced to walk hap-hazard, blindly. Presently the fear of falling down some precipice seized her and saved her life, for she stopped suddenly, fancying the ground would disappear before her if she made another step. A cool breeze lifting her hair, the murmur of the river, and her instinct all combined to warn her that she was probably on the verge of the Saint-Sulpice rocks. She slipped her arm around a tree and waited for dawn with keen anxiety, for she heard a noise of arms and horses and human voices; she was grateful to the darkness which saved her from the Chouans, who were evidently, as the miser had said, surrounding Fougeres.

Like fires lit at night as signals of liberty, a few gleams, faintly crimsoned, began to show upon the summits, while the bases of the mountains still retained the bluish tints which contrasted with the rosy clouds that were floating in the valley. Soon a ruby disk rose slowly on the horizon and the skies greeted it; the varied landscape, the bell-tower of Saint-Leonard, the rocks, the meadows buried in shadow, all insensibly reappeared, and the trees on the summits were defined against the skies in the rising glow. The sun freed itself with a graceful spring from the ribbons of flame and ochre and sapphire. Its vivid light took level lines from hill to hill and flowed into the vales. The dusk dispersed, day mastered Nature. A sharp breeze crisped the air, the birds sang, life wakened everywhere. But the girl had hardly time to cast her eyes over the whole of this wondrous landscape before, by a phenomenon not infrequent in these cool regions, the mists spread themselves in sheets, filled the valleys, and rose to the tops of the mountains, burying the great valley beneath a mantle of snow. Mademoiselle de Verneuil fancied for a moment she saw a /mer de glace/, like those of the Alps. Then the vaporous atmosphere rolled like the waves of ocean, lifted impenetrable billows which softly swayed, undulated, and were violently whirled, catching from the sun's rays a vivid rosy tint, and showing here and there in their depths the transparencies of a lake of molten silver. Suddenly the north wind swept this phantasmagoric scene and scattered the mists which laid a dew full of oxygen on the meadows.

Mademoiselle de Verneuil was now able to distinguish a dark mass of men on the rocks of Fougeres. Seven or eight hundred Chouans were running like ants through the suburb of Saint-Sulpice. The sleeping town would certainly have been overpowered in spite of its fortifications and its old gray towers, if Hulot had not been alert. A battery, concealed on a height at the farther end of the basin formed by the ramparts, replied to the first fire of the Chouans by taking them diagonally on the road to the castle. The balls swept the road. Then a company of Blues made a sortie from the Saint-Sulpice gate, profited by the surprise of the royalists to form in line upon the high-road, and poured a murderous fire upon them. The Chouans made no attempt to resist, seeing that the ramparts of the castle were covered with soldiers, and that the guns of the fortress sufficiently protected the Republican advance.

Meantime, however, other Chouans, masters of the little valley of the Nancon, had swarmed up the rocks and reached the Promenade, which was soon covered with goatskins, giving it to Marie's eyes the appearance of a thatched roof, brown with age. At the same moment loud reports were heard from the part of the town which overlooks the valley of Couesnon. Evidently, Fougeres was attacked on all sides and completely surrounded. Flames rising on the western side of the rock showed that the Chouans were setting fire to the suburbs; but these soon ceased, and a column of black smoke which succeeded them showed that the fire was extinguished. Brown and white clouds again hid the scene from Mademoiselle de Verneuil, but they were clouds of smoke from the fire and powder, which the wind dispersed. The Republican commander, as soon as he saw his first orders admirably executed, changed the direction of his battery so as to sweep, successively, the valley of the Nancon, the Queen's Staircase, and the base of the rock of Fougeres. Two guns posted at the gate of Saint-Leonard scattered the ant-hill of Chouans who had seized that position, and the national guard of the town, rushing in haste to the square before the Church, succeeded in dislodging the enemy. The fight lasted only half an hour, and cost the Blues a hundred men. The Chouans, beaten on all sides, retreated under orders from the Gars, whose bold attempt failed (although he did not know this) in consequence of the massacre at La Vivetiere, which had brought Hulot secretly and in all haste to Fougeres. The artillery had arrived only that evening, and the news had not reached Montauran; otherwise, he would certainly have abandoned an enterprise which, if it failed, could only have bad results. As soon as he heard the guns the marquis knew it would be madness to continue, out of mere pride, a surprise which had missed fire. Therefore, not to lose men uselessly, he sent at once to all points of the attack, ordering an immediate retreat. The commandant, seeing his adversary on the rocks of Saint-Sulpice surrounded by a council of men, endeavored to pour a volley upon him; but the spot was cleverly selected, and the young leader was out of danger in a moment. Hulot now changed parts with his opponent and became the aggressor. At the first sign of the Gars' intention, the company stationed under the walls of the castle were ordered to cut off the Chouans' retreat by seizing the upper outlet of the valley of the Nancon.

Notwithstanding her desire for revenge, Mademoiselle de Verneuil's sympathies were with the men commanded by her lover, and she turned hastily to see if the other end of the valley were clear for them; but the Blues, conquerors no doubt on the opposite side of Fougeres, were returning from the valley of Couesnon and taking possession of the Nid-aux-Crocs and that portion of the Saint-Sulpice rocks which overhang the lower end of the valley of the Nancon. The Chouans, thus hemmed in to the narrow fields of the gorge, seemed in danger of perishing to the last man, so cleverly and sagaciously were the commandant's measures taken. But Hulot's cannon were powerless at these two points; and here, the town of Fougeres being quite safe, began one of those desperate struggles which denoted the character of Chouan warfare.

Mademoiselle de Verneuil now comprehended the presence of the masses of men she had seen as she left the town, the meeting of the leaders at d'Orgemont's house, and all the other events of the night, wondering how she herself had escaped so many dangers. The attack, prompted by desperation, interested her so keenly that she stood motionless, watching the living pictures as they presented themselves to her sight. Presently the struggle at the foot of the mountain had a deeper interest for her. Seeing the Blues almost masters of the Chouans, the marquis and his friends rushed into the valley of the Nancon to support their men. The rocks were now covered with straggling groups of furious combatants deciding the question of life or death on a ground and with weapons that were more favorable to the Goatskins. Slowly this moving arena widened. The Chouans, recovering themselves, gained the rocks, thanks to the shrubs and bushes which grew here and there among them. For a moment Mademoiselle de Verneuil felt alarmed as she saw, rather late, her enemies swarming over the summit and defending the dangerous paths by which alone she could descend. Every issue on the mountain was occupied by one or other of the two parties; afraid of encountering them she left the tree behind which she had been sheltering, and began to run in the direction of the farm which d'Orgemont had mentioned to her. After running some time on the slope of Saint-Sulpice which overlooks the valley of Couesnon she saw a cow-shed in the distance, and thought it must belong to the house of Galope-Chopine, who had doubtless left his wife at home and alone during the fight. Mademoiselle de Verneuil hoped to be able to pass a few hours in this retreat until it was possible for her to return to Fougeres without danger. According to all appearance Hulot was to triumph. The Chouans were retreating so rapidly that she heard firing all about her, and the fear of being shot made her hasten to the cottage, the chimney of which was her landmark. The path she was following ended at a sort of shed covered with a furze-roof, supported by four stout trees with the bark still on them. A mud wall formed the back of this shed, under which were a cider-mill, a flail to thresh buckwheat, and several agricultural implements. She stopped before one of the posts, unwilling to cross the dirty bog which formed a sort of courtyard to the house which, in her Parisian ignorance, she had taken for a stable.

The cabin, protected from the north wind by an eminence towering above the roof, which rested against it, was not without a poetry of its own; for the tender shoots of elms, heather, and various rock-flowers wreathed it with garlands. A rustic staircase, constructed between the shed and the house, enabled the inhabitants to go to the top of the rock and breathe a purer air. On the left, the eminence sloped abruptly down, giving to view a series of fields, the first of which belonged no doubt to this farm. These fields were like bowers, separated by banks which were planted with trees. The road which led to them was barred by the trunk of an old, half-rotten tree,--a Breton method of enclosure the name of which may furnish, further on, a digression which will complete the characterization of this region. Between the stairway cut in the schist rock and the path closed by this old tree, in front of the marsh and beneath the overhanging rock, several granite blocks roughly hewn, and piled one upon the other, formed the four corners of the cottage and held up the planks, cobblestones, and pitch amalgam of which the walls were made. The fact that one half of the roof was covered with furze instead of thatch, and the other with shingles or bits of board cut into the form of slates, showed that the building was in two parts; one half, with a broken hurdle for a door, served as a stable, the other half was the dwelling of the owner. Though this hut owed to the neighborhood of the town a few improvements which were wholly absent from such buildings that were five or six miles further off, it showed plainly enough the instability of domestic life and habits to which the wars and customs of feudality had reduced the serf; even to this day many of the peasants of those parts call a seignorial chateau, "The Dwelling."

While examining the place, with an astonishment we can readily conceive, Mademoiselle de Verneuil noticed here and there in the filth of the courtyard a few bits of granite so placed as to form stepping-stones to the house. Hearing the sound of musketry that was evidently coming nearer, she jumped from stone to stone, as if crossing a rivulet, to ask shelter. The house was closed by a door opening in two parts; the lower one of wood, heavy and massive, the upper one a shutter which served as a window. In many of the smaller towns of France the shops have the same type of door though far more decorated, the lower half possessing a call-bell. The door in question opened with a wooden latch worthy of the golden age, and the upper part was never closed except at night, for it was the only opening through which daylight could enter the room. There was, to be sure, a clumsy window, but the glass was thick like the bottom of a bottle, and the lead which held the panes in place took so much room that the opening seemed intended to intercept the light rather than admit it. As soon as Mademoiselle de Verneuil had turned the creaking hinges of the lower door she smelt an intolerable ammoniacal odor, and saw that the beasts in the stable had kicked through the inner partition which separated the stable from the dwelling. The interior of the farmhouse, for such it was, did not belie its exterior.

Mademoiselle de Verneuil was asking herself how it was possible for human beings to live in such habitual filth, when a ragged boy about eight or nine years old suddenly presented his fresh and rosy face, with a pair of fat cheeks, lively eyes, ivory teeth, and a mass of fair hair, which fell in curls upon his half-naked shoulders. His limbs were vigorous, and his attitude had the charm of that amazement and naive curiosity which widens a child's eyes. The little fellow was a picture of beauty.

"Where is your mother?" said Marie, in a gentle voice, stooping to kiss him between the eyes.

After receiving her kiss the child slipped away like an eel, and disappeared behind a muck-heap which was piled at the top of a mound between the path and the house; for, like many Breton farmers who have a system of agriculture that is all their own, Galope-Chopine put his manure in an elevated spot, so that by the time it was wanted for use the rains had deprived it of all its virtue. Alone for a few minutes, Marie had time to make an inventory. The room in which she waited for Barbette was the whole house. The most obvious and sumptuous object was a vast fireplace with a /mantle/-shelf of blue granite. The etymology of that word was shown by a strip of green serge, edged with a pale-green ribbon, cut in scallops, which covered and overhung the whole shelf, on which stood a colored plaster cast of the Holy Virgin. On the pedestal of the statuette were two lines of a religious poem very popular in Brittany:--

"I am the mother of God,
Protectress of the sod."

Behind the Virgin a hideous image, daubed with red and blue under pretence of painting, represented Saint-Labre. A green serge bed of the shape called "tomb," a clumsy cradle, a spinning-wheel, common chairs, and a carved chest on which lay utensils, were about the whole of Galope-Chopine's domestic possessions. In front of the window stood a chestnut table flanked by two benches of the same wood, to which the sombre light coming through the thick panes gave the tone of mahogany. An immense cask of cider, under the bung of which Mademoiselle de Verneuil noticed a pool of yellow mud, which had decomposed the flooring, although it was made of scraps of granite conglomerated in clay, proved that the master of the house had a right to his Chouan name, and that the pints galloped down either his own throat or that of his friends. Two enormous jugs full of cider stood on the table. Marie's attention, caught at first by the innumerable spider's-webs which hung from the roof, was fixing itself on these pitchers when the noise of fighting, growing more and more distinct, impelled her to find a hiding-place, without waiting for the woman of the house, who, however, appeared at that moment.

"Good-morning, Becaniere," said Marie, restraining a smile at the appearance of a person who bore some resemblance to the heads which architects attach to window-casings.

"Ha! you come from d'Orgemont?" answered Barbette, in a tone that was far from cordial.

"Yes, where can you hide me? for the Chouans are close by--"

"There," replied Barbette, as much amazed at the beauty as by the strange apparel of a being she could hardly believe to be of her own sex,--"there, in the priest's hiding-place."

She took her to the head of the bed, and was putting her behind it, when they were both startled by the noise of a man springing into the courtyard. Barbette had scarcely time to drop the curtain of the bed and fold it about the girl before she was face to face with a fugitive Chouan.

"Where can I hide, old woman? I am the Comte de Bauvan," said the new-comer.

Mademoiselle de Verneuil quivered as she recognized the voice of the belated guest, whose words, still a secret to her, brought about the catastrophe of La Vivetiere.

"Alas! monseigneur, don't you see, I have no place? What I'd better do is to keep outside and watch that no one gets in. If the Blues come, I'll let you know. If I stay here, and they find me with you, they'll burn my house down." _

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