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Modeste Mignon, a novel by Honore de Balzac |
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Chapter 10. The Marriage Of Souls |
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_ CHAPTER X. THE MARRIAGE OF SOULS To Monsieur de Canalis: My Friend,--Your letter gives me as much pain as pleasure. But perhaps some day we shall find nothing but pleasure in writing to each other. Understand me thoroughly. The soul speaks to God and asks him for many things; he is mute. I seek to obtain in you the answers that God does not make to me. Cannot the friendship of Mademoiselle de Gournay and Montaigne be revived in us? Do you not remember the household of Sismonde de Sismondi in Geneva? The most lovely home ever known, as I have been told; something like that of the Marquis de Pescaire and his wife,--happy to old age. Ah! friend, is it impossible that two hearts, two harps, should exist as in a symphony, answering each other from a distance, vibrating with delicious melody in unison? Man alone of all creation is in himself the harp, the musician, and the listener. Do you think to find me uneasy and jealous like ordinary women? I know that you go into the world and meet the handsomest and the wittiest women in Paris. May I not suppose that some one of those mermaids has deigned to clasp you in her cold and scaly arms, and that she has inspired the answer whose prosaic opinions sadden me? There is something in life more beautiful than the garlands of Parisian coquetry; there grows a flower far up those Alpine peaks called men of genius, the glory of humanity, which they fertilize with the dews their lofty heads draw from the skies. I seek to cultivate that flower and make it bloom; for its wild yet gentle fragrance can never fail,--it is eternal. Do me the honor to believe that there is nothing low or commonplace in me. Were I Bettina, for I know to whom you allude, I should never have become Madame von Arnim; and had I been one of Lord Byron's many loves, I should be at this moment in a cloister. You have touched me to the quick. You do not know me, but you shall know me. I feel within me something that is sublime, of which I dare speak without vanity. God has put into my soul the roots of that Alpine flower born on the summits of which I speak, and I cannot plant it in an earthen pot upon my window-sill and see it die. No, that glorious flower-cup, single in its beauty, intoxicating in its fragrance, shall not be dragged through the vulgarities of life! it is yours--yours, before any eye has blighted it, yours forever! Yes, my poet, to you belong my thoughts,--all, those that are secret, those that are gayest; my heart is yours without reserve and with its infinite affection. If you should personally not please me, I shall never marry. I can live in the life of the heart, I can exist on your mind, your sentiments; they please me, and I will always be what I am, your friend. Yours is a noble moral nature; I have recognized it, I have appreciated it, and that suffices me. In that is all my future. Do not laugh at a young and pretty handmaiden who shrinks not from the thought of being some day the old companion of a poet,--a sort of mother perhaps, or a housekeeper; the guide of his judgment and a source of his wealth. This handmaiden--so devoted, so precious to the lives of such as you--is Friendship, pure, disinterested friendship, to whom you will tell all, who listens and sometimes shakes her head; who knits by the light of the lamp and waits to be present when the poet returns home soaked with rain, or vexed in mind. Such shall be my destiny if I do not find that of a happy wife attached forever to her husband; I smile alike at the thought of either fate. Do you believe France will be any the worse if Mademoiselle d'Este does not give it two or three sons, and never becomes a Madame Vilquin-something-or-other? As for me, I shall never be an old maid. I shall make myself a mother, by taking care of others and by my secret co-operation in the existence of a great man, to whom also I shall carry all my thoughts and all my earthly efforts. I have the deepest horror of commonplaceness. If I am free, if I am rich (and I know that I am young and pretty), I will never belong to any ninny just because he is the son of a peer of France, nor to a merchant who could ruin himself and me in a day, nor to a handsome creature who would be a sort of woman in the household, nor to a man of any kind who would make me blush twenty times a day for being his. Make yourself easy on that point. My father adores my wishes; he will never oppose them. If I please my poet, and he pleases me, the glorious structure of our love shall be built so high as to be inaccessible to any kind of misfortune. I am an eaglet; and you will see it in my eyes. I shall not repeat what I have already said, but I will put its substance in the least possible number of words, and confess to you that I should be the happiest of women if I were imprisoned by love as I am now imprisoned by the wish and will of a father. Ah! my friend, may we bring to a real end the romance that has come to us through the first exercise of my will: listen to its argument:-- A young girl with a lively imagination, locked up in a tower, is weary with longing to run loose in the park where her eyes only are allowed to rove. She invents a way to loosen her bars; she jumps from the casement; she scales the park wall; she frolics along the neighbor's sward--it is the Everlasting comedy. Well, that young girl is my soul, the neighbor's park is your genius. Is it not all very natural? Was there ever a neighbor that did not complain that unknown feet broke down his trellises? I leave it to my poet to answer. But does the lofty reasoner after the fashion of Moliere want still better reasons? Well, here they are. My dear Geronte, marriages are usually made in defiance of common-sense. Parents make inquiries about a young man. If the Leander--who is supplied by some friend, or caught in a ball-room--is not a thief, and has no visible rent in his reputation, if he has the necessary fortune, if he comes from a college or a law-school and so fulfils the popular ideas of education, and if he wears his clothes with a gentlemanly air, he is allowed to meet the young lady, whose mother has ordered her to guard her tongue, to let no sign of her heart or soul appear on her face, which must wear the smile of a danseuse finishing a pirouette. These commands are coupled with instructions as to the danger of revealing her real character, and the additional advice of not seeming alarmingly well educated. If the settlements have all been agreed upon, the parents are good-natured enough to let the pair see each other for a few moments; they are allowed to talk or walk together, but always without the slightest freedom, and knowing that they are bound by rigid rules. The man is as much dressed up in soul as he is in body, and so is the young girl. This pitiable comedy, mixed with bouquets, jewels, and theatre-parties is called "paying your addresses." It revolts me: I desire that actual marriage shall be the result of a previous and long marriage of souls. A young girl, a woman, has throughout her life only this one moment when reflection, second sight, and experience are necessary to her. She plays her liberty, her happiness, and she is not allowed to throw the dice; she risks her all, and is forced to be a mere spectator. I have the right, the will, the power to make my own unhappiness, and I use them, as did my mother, who, won by beauty and led by instinct, married the most generous, the most liberal, the most loving of men. I know that you are free, a poet, and noble-looking. Be sure that I should not have chosen one of your brothers in Apollo who was already married. If my mother was won by beauty, which is perhaps the spirit of form, why should I not be attracted by the spirit and the form united? Shall I not know you better by studying you in this correspondence than I could through the vulgar experience of "receiving your addresses"? This is the question, as Hamlet says. But my proceedings, dear Chrysale, have at least the merit of not binding us personally. I know that love has its illusions, and every illusion its to-morrow. That is why there are so many partings among lovers vowed to each other for life. The proof of love lies in two things,--suffering and happiness. When, after passing through these double trials of life two beings have shown each other their defects as well as their good qualities, when they have really observed each other's character, then they may go to their grave hand in hand. My dear Argante, who told you that our little drama thus begun was to have no future? In any case shall we not have enjoyed the pleasures of our correspondence? I await your orders, monseigneur, and I am with all my heart, Your handmaiden, O. d'Este M.
I cannot speak to you any more of myself; not of my past life, nor of my character, nor of an affection almost maternal on one side, filial on mine, which you have already seriously changed--an effect upon my life which must explain my use of the word "sacrifice." You have already rendered me forgetful, if not ungrateful; does that satisfy you? Oh, speak! Say to me one word, and I will love you till my eyes close in death, as the Marquis de Pescaire loved his wife, as Romeo loved Juliet, and faithfully. Our life will be, for me at least, that "felicity untroubled" which Dante made the very element of his Paradiso,--a poem far superior to his Inferno. Strange, it is not myself that I doubt in the long reverie through which, like you, I follow the windings of a dreamed existence; it is you. Yes, dear, I feel within me the power to love, and to love endlessly,--to march to the grave with gentle slowness and a smiling eye, with my beloved on my arm, and with never a cloud upon the sunshine of our souls. Yes, I dare to face our mutual old age, to see ourselves with whitening heads, like the venerable historian of Italy, inspired always with the same affection but transformed in soul by our life's seasons. Hear me, I can no longer be your friend only. Though Chrysale, Geronte, and Argante re-live, you say, in me, I am not yet old enough to drink from the cup held to my lips by the sweet hands of a veiled woman without a passionate desire to tear off the domino and the mask and see the face. Either write me no more, or give me hope. Let me see you, or let me go. Must I bid you adieu? Will you permit me to sign myself, Your Friend
Your letter has made me know the elating pleasures of the soul; the first that I have known outside of my family affections. What, says a poet, are the ties of blood which are so strong in ordinary minds, compared to those divinely forged within us by mysterious sympathies? Let me thank you--no, we must not thank each other for such things--but God bless you for the happiness you have given me; be happy in the joy you have shed into my soul. You explain to me some of the apparent injustices in social life. There is something, I know not what, so dazzling, so virile in glory, that it belongs only to man; God forbids us women to wear its halo, but he makes love our portion, giving us the tenderness which soothes the brow scorched by his lightnings. I have felt my mission, and you have now confirmed it. Sometimes, my friend, I rise in the morning in a state of inexpressible sweetness; a sort of peace, tender and divine, gives me an idea of heaven. My first thought is then like a benediction. I call these mornings my little German wakings, in opposition to my Southern sunsets, full of heroic deeds, battles, Roman fetes and ardent poems. Well, after reading your letter, so full of feverish impatience, I felt in my heart all the freshness of my celestial wakings, when I love the air about me and all nature, and fancy that I am destined to die for one I love. One of your poems, "The Maiden's Song," paints these delicious moments, when gaiety is tender, when aspiration is a need; it is one of my favorites. Do you want me to put all my flatteries into one?--well then, I think you worthy to be _me_! Your letter, though short, enables me to read within you. Yes, I have guessed your tumultuous struggles, your piqued curiosity, your projects; but I do not yet know you well enough to satisfy your wishes. Hear me, dear; the mystery in which I am shrouded allows me to use that word, which lets you see to the bottom of my heart. Hear me: if we once meet, adieu to our mutual comprehension! Will you make a compact with me? Was the first disadvantageous to you? But remember it won you my esteem, and it is a great deal, my friend, to gain an admiration lined throughout with esteem. Here is the compact: write me your life in a few words; then tell me what you do in Paris, day by day, with no reservations, and as if you were talking to some old friend. Well, having done that, I will take a step myself--I will see you, I promise you that. And it is a great deal. This, dear, is no intrigue, no adventure; no gallantry, as you men say, can come of it, I warn you frankly. It involves my life, and more than that,--something that causes me remorse for the many thoughts that fly to you in flocks--it involves my father's and my mother's life. I adore them, and my choice must please them; they must find a son in you. Tell me, to what extent can the superb spirits of your kind, to whom God has given the wings of his angels, without always adding their amiability,--how far can they bend under a family yoke, and put up with its little miseries? That is a text I have meditated upon. Ah! though I said to my heart before I came to you, Forward! Onward! it did not tremble and palpitate any the less on the way; and I did not conceal from myself the stoniness of the path nor the Alpine difficulties I had to encounter. I thought of all in my long, long meditations. Do I not know that eminent men like you have known the love they have inspired quite as well as that which they themselves have felt; that they have had many romances in their lives,--you particularly, who send forth those airy visions of your soul that women rush to buy? Yet still I cried to myself, "Onward!" because I have studied, more than you give me credit for, the geography of the great summits of humanity, which you tell me are so cold. Did you not say that Goethe and Byron were the colossi of egoism and poetry? Ah, my friend, there you shared a mistake into which superficial minds are apt to fall; but in you perhaps it came from generosity, false modesty, or the desire to escape from me. Vulgar minds may mistake the effect of toil for the development of personal character, but you must not. Neither Lord Byron, nor Goethe, nor Walter Scott, nor Cuvier, nor any inventor, belongs to himself, he is the slave of his idea. And this mysterious power is more jealous than a woman; it sucks their blood, it makes them live, it makes them die for its sake. The visible developments of their hidden existence do seem, in their results, like egotism; but who shall dare to say that the man who has abnegated self to give pleasure, instruction, or grandeur to his epoch, is an egoist? Is a mother selfish when she immolates all things to her child? Well, the detractors of genius do not perceive its fecund maternity, that is all. The life of a poet is so perpetual a sacrifice that he needs a gigantic organization to bear even the ordinary pleasures of life. Therefore, into what sorrows may he not fall when, like Moliere, he wishes to live the life of feeling in its most poignant crises; to me, remembering his personal life, Moliere's comedy is horrible. The generosity of genius seems to me half divine; and I place you in this noble family of alleged egoists. Ah! if I had found self-interest, ambition, a seared nature where I now can see my best loved flowers of the soul, you know not what long anguish I should have had to bear. I met with disappointment before I was sixteen. What would have become of me had I learned at twenty that fame is a lie, that he whose books express the feelings hidden in my heart was incapable of feeling them himself? Oh! my friend, do you know what would have become of me? Shall I take you into the recesses of my soul? I should have gone to my father and said, "Bring me the son-in-law whom you desire; my will abdicates,--marry me to whom you please." And the man might have been a notary, banker, miser, fool, dullard, wearisome as a rainy day, common as the usher of a school, a manufacturer, or some brave soldier without two ideas,--he would have had a resigned and attentive servant in me. But what an awful suicide! never could my soul have expanded in the life-giving rays of a beloved sun. No murmur should have revealed to my father, or my mother, or my children the suicide of the creature who at this instant is shaking her fetters, casting lightnings from her eyes, and flying towards you with eager wing. See, she is there, at the angle of your desk, like Polyhymnia, breathing the air of your presence, and glancing about her with a curious eye. Sometimes in the fields where my husband would have taken me to walk, I should have wept, apart and secretly, at sight of a glorious morning; and in my heart, or hidden in a bureau-drawer, I might have kept some treasure, the comfort of poor girls ill-used by love, sad, poetic souls,--but ah! I have _you_, I believe in _you_, my friend. That belief straightens all my thoughts and fancies, even the most fantastic, and sometimes--see how far my frankness leads me--I wish I were in the middle of the book we are just beginning; such persistency do I feel in my sentiments, such strength in my heart to love, such constancy sustained by reason, such heroism for the duties for which I was created,--if indeed love can ever be transmuted into duty. If you were able to follow me to the exquisite retreat where I fancy ourselves happy, if you knew my plans and projects, the dreadful word "folly!" might escape you, and I should be cruelly punished for sending poetry to a poet. Yes, I wish to be a spring of waters inexhaustible as a fertile land for the twenty years that nature allows me to shine. I want to drive away satiety by charm. I mean to be courageous for my friend as most women are for the world. I wish to vary happiness. I wish to put intelligence into tenderness, and to give piquancy to fidelity. I am filled with ambition to kill the rivals of the past, to conjure away all outside griefs by a wife's gentleness, by her proud abnegation, to take a lifelong care of the nest,--such as birds can only take for a few weeks. Tell me, do you now think me to blame for my first letter? The mysterious wind of will drove me to you, as the tempest brings the little rose-tree to the pollard window. In your letter, which I hold here upon my heart, you cried out, like your ancestor when he departed for the Crusades, "God wills it." Ah! but you will cry out, "What a chatterbox!" All the people round me say, on the contrary, "Mademoiselle is very taciturn." O. d'Este M. _ |
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