Part 2 - Page 14

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_ For a month Lucien's whole time was taken up with supper parties, dinner engagements, breakfasts, and evening parties; he was swept away by an irresistible current into a vortex of dissipation and easy work. He no longer thought of the future. The power of calculation amid the complications of life is the sign of a strong will which poets, weaklings, and men who live a purely intellectual life can never counterfeit. Lucien was living from hand to mouth, spending his money as fast as he made it, like many another journalist; nor did he give so much as a thought to those periodically recurrent days of reckoning which chequer the life of the bohemian in Paris so sadly.

In dress and figure he was a rival for the great dandies of the day. Coralie, like all zealots, loved to adorn her idol. She ruined herself to give her beloved poet the accoutrements which had so stirred his envy in the Garden of the Tuileries. Lucien had wonderful canes, and a charming eyeglass; he had diamond studs, and scarf-rings, and signet-rings, besides an assortment of waistcoats marvelous to behold, and in sufficient number to match every color in a variety of costumes. His transition to the estate of dandy swiftly followed. When he went to the German Minister's dinner, all the young men regarded him with suppressed envy; yet de Marsay, Vandenesse, Ajuda-Pinto, Maxime de Trailles, Rastignac, Beaudenord, Manerville, and the Duc de Maufrigneuse gave place to none in the kingdom of fashion. Men of fashion are as jealous among themselves as women, and in the same way. Lucien was placed between Mme. de Montcornet and Mme. d'Espard, in whose honor the dinner was given; both ladies overwhelmed him with flatteries.

"Why did you turn your back on society when you would have been so well received?" asked the Marquise. "Every one was prepared to make much of you. And I have a quarrel with you too. You owed me a call--I am still waiting to receive it. I saw you at the Opera the other day, and you would not deign to come to see me nor to take any notice of me."

"Your cousin, madame, so unmistakably dismissed me--"

"Oh! you do not know women," the Marquise d'Espard broke in upon him. "You have wounded the most angelic heart, the noblest nature that I know. You do not know all that Louise was trying to do for you, nor how tactfully she laid her plans for you.--Oh! and she would have succeeded," the Marquise continued, replying to Lucien's mute incredulity. "Her husband is dead now; died, as he was bound to die, of an indigestion; could you doubt that she would be free sooner or later? And can you suppose that she would like to be Madame Chardon? It was worth while to take some trouble to gain the title of Comtesse de Rubempre. Love, you see, is a great vanity, which requires the lesser vanities to be in harmony with itself--especially in marriage. I might love you to madness--which is to say, sufficiently to marry you--and yet I should find it very unpleasant to be called Madame Chardon. You can see that. And now that you understand the difficulties of Paris life, you will know how many roundabout ways you must take to reach your end; very well, then, you must admit that Louise was aspiring to an all but impossible piece of Court favor; she was quite unknown, she is not rich, and therefore she could not afford to neglect any means of success.

"You are clever," the Marquise d'Espard continued; "but we women, when we love, are cleverer than the cleverest man. My cousin tried to make that absurd Chatelet useful--Oh!" she broke off, "I owe not a little amusement to you; your articles on Chatelet made me laugh heartily."

Lucien knew not what to think of all this. Of the treachery and bad faith of journalism he had had some experience; but in spite of his perspicacity, he scarcely expected to find bad faith or treachery in society. There were some sharp lessons in store for him.

"But, madame," he objected, for her words aroused a lively curiosity, "is not the Heron under your protection?"

"One is obliged to be civil to one's worst enemies in society," protested she; "one may be bored, but one must look as if the talk was amusing, and not seldom one seems to sacrifice friends the better to serve them. Are you still a novice? You mean to write, and yet you know nothing of current deceit? My cousin apparently sacrificed you to the Heron, but how could she dispense with his influence for you? Our friend stands well with the present ministry; and we have made him see that your attacks will do him service--up to a certain point, for we want you to make it up again some of these days. Chatelet has received compensations for his troubles; for, as des Lupeaulx said, 'While the newspapers are making Chatelet ridiculous, they will leave the Ministry in peace.'"

There was a pause; the Marquise left Lucien to his own reflections.

"M. Blondet led me to hope that I should have the pleasure of seeing you in my house," said the Comtesse de Montcornet. "You will meet a few artists and men of letters, and some one else who has the keenest desire to become acquainted with you--Mlle. des Touches, the owner of talents rare among our sex. You will go to her house, no doubt. Mlle. de Touches (or Camille Maupin, if you prefer it) is prodigiously rich, and presides over one of the most remarkable salons in Paris. She has heard that you are as handsome as you are clever, and is dying to meet you."

Lucien could only pour out incoherent thanks and glance enviously at Emile Blondet. There was as great a difference between a great lady like Mme. de Montcornet and Coralie as between Coralie and a girl out of the streets. The Countess was young and witty and beautiful, with the very white fairness of women of the north. Her mother was the Princess Scherbellof, and the Minister before dinner had paid her the most respectful attention.

By this time the Marquise had made an end of trifling disdainfully with the wing of a chicken.

"My poor Louise felt so much affection for you," she said. "She took me into her confidence; I knew her dreams of a great career for you. She would have borne a great deal, but what scorn you showed her when you sent back her letters! Cruelty we can forgive; those who hurt us must have still some faith in us; but indifference! Indifference is like polar snows, it extinguishes all life. So, you must see that you have lost a precious affection through your own fault. Why break with her? Even if she had scorned you, you had your way to make, had you not?--your name to win back? Louise thought of all that."

"Then why was she silent?"

"_Eh! mon Dieu!_" cried the Marquise, "it was I myself who advised her not to take you into her confidence. Between ourselves, you know, you seemed so little used to the ways of the world, that I took alarm. I was afraid that your inexperience and rash ardor might wreck our carefully-made schemes. Can you recollect yourself as you were then? You must admit that if you could see your double to-day, you would say the same yourself. You are not like the same man. That was our mistake. But would one man in a thousand combine such intellectual gifts with such wonderful aptitude for taking the tone of society? I did not think that you would be such an astonishing exception. You were transformed so quickly, you acquired the manner of Paris so easily, that I did not recognize you in the Bois de Boulogne a month ago."

Lucien heard the great lady with inexpressible pleasure; the flatteries were spoken with such a petulant, childlike, confiding air, and she seemed to take such a deep interest in him, that he thought of his first evening at the Panorama-Dramatique, and began to fancy that some such miracle was about to take place a second time. Everything had smiled upon him since that happy evening; his youth, he thought, was the talisman that worked this change. He would prove this great lady; she should not take him unawares.

"Then, what were these schemes which have turned to chimeras, madame?" asked he.

"Louise meant to obtain a royal patent permitting you to bear the name and title of Rubempre. She wished to put Chardon out of sight. Your opinions have put that out of the question now, but _then_ it would not have been so hard to manage, and a title would mean a fortune for you.

"You will look on these things as trifles and visionary ideas," she continued; "but we know something of life, and we know, too, all the solid advantages of a Count's title when it is borne by a fashionable and extremely charming young man. Announce 'M. Chardon' and 'M. le Comte de Rubempre' before heiresses or English girls with a million to their fortune, and note the difference of the effect. The Count might be in debt, but he would find open hearts; his good looks, brought into relief by his title, would be like a diamond in a rich setting; M. Chardon would not be so much as noticed. WE have not invented these notions; they are everywhere in the world, even among the burgeois. You are turning your back on fortune at this minute. Do you see that good-looking young man? He is the Vicomte Felix de Vandenesse, one of the King's private secretaries. The King is fond enough of young men of talent, and Vandenesse came from the provinces with baggage nearly as light as yours. You are a thousand times cleverer than he; but do you belong to a great family, have you a name? You know des Lupeaulx; his name is very much like yours, for he was born a Chardin; well, he would not sell his little farm of Lupeaulx for a million, he will be Comte des Lupeaulx some day, and perhaps his grandson may be a duke. --You have made a false start; and if you continue in that way, it will be all over with you. See how much wiser M. Emile Blondet has been! He is engaged on a Government newspaper; he is well looked on by those in authority; he can afford to mix with Liberals, for he holds sound opinions; and soon or later he will succeed. But then he understood how to choose his opinions and his protectors.

"Your charming neighbor" (Mme. d'Espard glanced at Mme. de Montcornet) "was a Troisville; there are two peers of France in the family and two deputies. She made a wealthy marriage with her name; she sees a great deal of society at her house; she has influence, she will move the political world for young M. Blondet. Where will a Coralie take you? In a few years' time you will be hopelessly in debt and weary of pleasure. You have chosen badly in love, and you are arranging your life ill. The woman whom you delight to wound was at the Opera the other night, and this was how she spoke of you. She deplored the way in which you were throwing away your talent and the prime of youth; she was thinking of you, and not of herself, all the while."

"Ah! if you were only telling me the truth, madame!" cried Lucien.

"What object should I have in telling lies?" returned the Marquise, with a glance of cold disdain which annihilated him. He was so dashed by it, that the conversation dropped, for the Marquise was offended, and said no more.

Lucien was nettled by her silence, but he felt that it was due to his own clumsiness, and promised himself that he would repair his error. He turned to Mme. de Montcornet and talked to her of Blondet, extolling that young writer for her benefit. The Countess was gracious to him, and asked him (at a sign from Mme. d'Espard) to spend an evening at her house. It was to be a small and quiet gathering to which only friends were invited--Mme. de Bargeton would be there in spite of her mourning; Lucien would be pleased, she was sure, to meet Mme. de Bargeton.

"Mme. la Marquise says that all the wrong is on my side," said Lucien; "so surely it rests with her cousin, does it not, to decide whether she will meet me?"

"Put an end to those ridiculous attacks, which only couple her name with the name of a man for whom she does not care at all, and you will soon sign a treaty of peace. You thought that she had used you ill, I am told, but I myself have seen her in sadness because you had forsaken her. Is it true that she left the provinces on your account?"

Lucien smiled; he did not venture to make any other reply.

"Oh! how could you doubt the woman who made such sacrifices for you? Beautiful and intellectual as she is, she deserves besides to be loved for her own sake; and Mme. de Bargeton cared less for you than for your talents. Believe me, women value intellect more than good looks," added the Countess, stealing a glance at Emile Blondet.

In the Minister's hotel Lucien could see the differences between the great world and that other world beyond the pale in which he had lately been living. There was no sort of resemblance between the two kinds of splendor, no single point in common. The loftiness and disposition of the rooms in one of the handsomest houses in the Faubourg Saint-Germain, the ancient gilding, the breadth of decorative style, the subdued richness of the accessories, all this was strange and new to him; but Lucien had learned very quickly to take luxury for granted, and he showed no surprise. His behavior was as far removed from assurance or fatuity on the one hand as from complacency and servility upon the other. His manner was good; he found favor in the eyes of all who were not prepared to be hostile, like the younger men, who resented his sudden intrusion into the great world, and felt jealous of his good looks and his success.

When they rose from table, he offered his arm to Mme. d'Espard, and was not refused. Rastignac, watching him, saw that the Marquise was gracious to Lucien, and came in the character of a fellow-countryman to remind the poet that they had met once before at Mme. du Val-Noble's. The young patrician seemed anxious to find an ally in the great man from his own province, asked Lucien to breakfast with him some morning, and offered to introduce him to some young men of fashion. Lucien was nothing loath.

"The dear Blondet is coming," said Rastignac.

The two were standing near the Marquis de Ronquerolles, the Duc de Rhetore, de Marsay, and General Montriveau. The Minister came across to join the group.

"Well," said he, addressing Lucien with a bluff German heartiness that concealed his dangerous subtlety; "well, so you have made your peace with Mme. d'Espard; she is delighted with you, and we all know," he added, looking round the group, "how difficult it is to please her."

"Yes, but she adores intellect," said Rastignac, "and my illustrious fellow-countryman has wit enough to sell."

"He will soon find out that he is not doing well for himself," Blondet put in briskly. "He will come over; he will soon be one of us."

Those who stood about Lucien rang the changes on this theme; the older and responsible men laid down the law with one or two profound remarks; the younger ones made merry at the expense of the Liberals.

"He simply tossed up head or tails for Right or Left, I am sure," remarked Blondet, "but now he will choose for himself."

Lucien burst out laughing; he thought of his talk with Lousteau that evening in the Luxembourg Gardens.

"He has taken on a bear-leader," continued Blondet, "one Etienne Lousteau, a newspaper hack who sees a five-franc piece in a column. Lousteau's politics consist in a belief that Napoleon will return, and (and this seems to me to be still more simple) in a confidence in the gratitude and patriotism of their worships the gentlemen of the Left. As a Rubempre, Lucien's sympathies should lean towards the aristocracy; as a journalist, he ought to be for authority, or he will never be either Rubempre or a secretary-general."

The Minister now asked Lucien to take a hand at whist; but, to the great astonishment of those present, he declared that he did not know the game.

"Come early to me on the day of that breakfast affair," Rastignac whispered, "and I will teach you to play. You are a discredit to the royal city of Angouleme; and, to repeat M. de Talleyrand's saying, you are laying up an unhappy old age for yourself."

Des Lupeaulx was announced. He remembered Lucien, whom he had met at Mme. du Val-Noble's, and bowed with a semblance of friendliness which the poet could not doubt. Des Lupeaulx was in favor, he was a Master of Requests, and did the Ministry secret services; he was, moreover, cunning and ambitious, slipping himself in everywhere; he was everybody's friend, for he never knew whom he might need. He saw plainly that this was a young journalist whose social success would probably equal his success in literature; saw, too, that the poet was ambitious, and overwhelmed him with protestations and expressions of friendship and interest, till Lucien felt as if they were old friends already, and took his promises and speeches for more than their worth. Des Lupeaulx made a point of knowing a man thoroughly well if he wanted to get rid of him or feared him as a rival. So, to all appearance, Lucien was well received. He knew that much of his success was owing to the Duc de Rhetore, the Minister, Mme. d'Espard, and Mme. de Montcornet, and went to spend a few moments with the two ladies before taking leave, and talked his very best for them.

"What a coxcomb!" said des Lupeaulx, turning to the Marquise when he had gone.

"He will be rotten before he is ripe," de Marsay added, smiling. "You must have private reasons of your own, madame, for turning his head in this way."

When Lucien stepped into the carriage in the courtyard, he found Coralie waiting for him. She had come to fetch him. The little attention touched him; he told her the history of his evening; and, to his no small astonishment, the new notions which even now were running in his head met with Coralie's approval. She strongly advised him to enlist under the ministerial banner.

"You have nothing to expect from the Liberals but hard knocks," she said. "They plot and conspire; they murdered the Duc de Berri. Will they upset the Government? Never! You will never come to anything through them, while you will be Comte de Rubempre if you throw in your lot with the other side. You might render services to the State, and be a peer of France, and marry an heiress. Be an Ultra. It is the proper thing besides," she added, this being the last word with her on all subjects. "I dined with the Val-Noble; she told me that Theodore Gaillard is really going to start his little Royalist _Revue_, so as to reply to your witticisms and the jokes in the _Miroir_. To hear them talk, M. Villele's party will be in office before the year is out. Try to turn the change to account before they come to power; and say nothing to Etienne and your friends, for they are quite equal to playing you some ill turn."

A week later, Lucien went to Mme. de Montcornet's house, and saw the woman whom he had so loved, whom later he had stabbed to the heart with a jest. He felt the most violent agitation at the sight of her, for Louise also had undergone a transformation. She was the Louise that she would always have been but for her detention in the provinces --she was a great lady. There was a grace and refinement in her mourning dress which told that she was a happy widow; Lucien fancied that this coquetry was aimed in some degree at him, and he was right; but, like an ogre, he had tasted flesh, and all that evening he vacillated between Coralie's warm, voluptuous beauty and the dried-up, haughty, cruel Louise. He could not make up his mind to sacrifice the actress to the great lady; and Mme. de Bargeton--all the old feeling reviving in her at the sight of Lucien, Lucien's beauty, Lucien's cleverness--was waiting and expecting that sacrifice all evening; and after all her insinuating speeches and her fascinations, she had her trouble for her pains. She left the room with a fixed determination to be revenged.

"Well, dear Lucien," she had said, and in her kindness there was both generosity and Parisian grace; "well, dear Lucien, so you, that were to have been my pride, took me for your first victim; and I forgave you, my dear, for I felt that in such a revenge there was a trace of love still left."

With that speech, and the queenly way in which it was uttered, Mme. de Bargeton recovered her position. Lucien, convinced that he was a thousand times in the right, felt that he had been put in the wrong. Not one word of the causes of the rupture! not one syllable of the terrible farewell letter! A woman of the world has a wonderful genius for diminishing her faults by laughing at them; she can obliterate them all with a smile or a question of feigned surprise, and she knows this. She remembers nothing, she can explain everything; she is amazed, asks questions, comments, amplifies, and quarrels with you, till in the end her sins disappear like stains on the application of a little soap and water; black as ink you knew them to be; and lo! in a moment, you behold immaculate white innocence, and lucky are you if you do not find that you yourself have sinned in some way beyond redemption.

In a moment old illusions regained their power over Lucien and Louise; they talked like friends, as before; but when the lady, with a hesitating sigh, put the question, "Are you happy?" Lucien was not ready with a prompt, decided answer; he was intoxicated with gratified vanity; Coralie, who (let us admit it) had made life easy for him, had turned his head. A melancholy "No" would have made his fortune, but he must needs begin to explain his position with regard to Coralie. He said that he was loved for his own sake; he said a good many foolish things that a man will say when he is smitten with a tender passion, and thought the while that he was doing a clever thing.

Mme. de Bargeton bit her lips. There was no more to be said. Mme. d'Espard brought Mme. de Montcornet to her cousin, and Lucien became the hero of the evening, so to speak. He was flattered, petted, and made much of by the three women; he was entangled with art which no words can describe. His social success in this fine and brilliant circle was at least as great as his triumphs in journalism. Beautiful Mlle. des Touches, so well known as "Camille Maupin," asked him to one of her Wednesday dinners; his beauty, now so justly famous, seemed to have made an impression upon her. Lucien exerted himself to show that his wit equaled his good looks, and Mlle. des Touches expressed her admiration with a playful outspokenness and a pretty fervor of friendship which deceives those who do not know life in Paris to its depths, nor suspect how continual enjoyment whets the appetite for novelty.

"If she should like me as much as I like her, we might abridge the romance," said Lucien, addressing de Marsay and Rastignac.

"You both of you write romances too well to care to live them," returned Rastignac. "Can men and women who write ever fall in love with each other? A time is sure to come when they begin to make little cutting remarks."

"It would not be a bad dream for you," laughed de Marsay. "The charming young lady is thirty years old, it is true, but she has an income of eighty thousand livres. She is adorably capricious, and her style of beauty wears well. Coralie is a silly little fool, my dear boy, well enough for a start, for a young spark must have a mistress; but unless you make some great conquest in the great world, an actress will do you harm in the long run. Now, my boy, go and cut out Conti. Here he is, just about to sing with Camille Maupin. Poetry has taken precedence of music ever since time began."

But when Lucien heard Mlle. des Touches' voice blending with Conti's, his hopes fled.

"Conti sings too well," he told des Lupeaulx; and he went back to Mme. de Bargeton, who carried him off to Mme. d'Espard in another room.

"Well, will you not interest yourself in him?" asked Mme. de Bargeton.

The Marquise spoke with an air half kindly, half insolent. "Let M. Chardon first put himself in such a position that he will not compromise those who take an interest in him," she said. "If he wishes to drop his patronymic and to bear his mother's name, he should at any rate be on the right side, should he not?"

"In less than two months I will arrange everything," said Lucien.

"Very well," returned Mme. d'Espard. "I will speak to my father and uncle; they are in waiting, they will speak to the Chancellor for you."

The diplomatist and the two women had very soon discovered Lucien's weak side. The poet's head was turned by the glory of the aristocracy; every man who entered the rooms bore a sounding name mounted in a glittering title, and he himself was plain Chardon. Unspeakable mortification filled him at the sound of it. Wherever he had been during the last few days, that pang had been constantly present with him. He felt, moreover, a sensation quite as unpleasant when he went back to his desk after an evening spent in the great world, in which he made a tolerable figure, thanks to Coralie's carriage and Coralie's servants.

He learned to ride, in order to escort Mme. d'Espard, Mlle. des Touches, and the Comtesse de Montcornet when they drove in the Bois, a privilege which he had envied other young men so greatly when he first came to Paris. Finot was delighted to give his right-hand man an order for the Opera, so Lucien wasted many an evening there, and thenceforward he was among the exquisites of the day.

The poet asked Rastignac and his new associates to a breakfast, and made the blunder of giving it in Coralie's rooms in the Rue de Vendome; he was too young, too much of a poet, too self-confident, to discern certain shades and distinctions in conduct; and how should an actress, a good-hearted but uneducated girl, teach him life? His guests were anything but charitably disposed towards him; it was clearly proven to their minds that Lucien the critic and the actress were in collusion for their mutual interests, and all of the young men were jealous of an arrangement which all of them stigmatized. The most pitiless of those who laughed that evening at Lucien's expense was Rastignac himself. Rastignac had made and held his position by very similar means; but so careful had he been of appearances, that he could afford to treat scandal as slander.

Lucien proved an apt pupil at whist. Play became a passion with him; and so far from disapproving, Coralie encouraged his extravagance with the peculiar short-sightedness of an all-absorbing love, which sees nothing beyond the moment, and is ready to sacrifice anything, even the future, to the present enjoyment. Coralie looked on cards as a safe-guard against rivals. A great love has much in common with childhood--a child's heedless, careless, spendthrift ways, a child's laughter and tears.

In those days there lived and flourished a set of young men, some of them rich, some poor, and all of them idle, called "free-livers" (_viveurs_); and, indeed, they lived with incredible insolence --unabashed and unproductive consumers, and yet more intrepid drinkers. These spendthrifts mingled the roughest practical jokes with a life not so much reckless as suicidal; they drew back from no impossibility, and gloried in pranks which, nevertheless, were confined within certain limits; and as they showed the most original wit in their escapades, it was impossible not to pardon them.

No sign of the times more plainly discovered the helotism to which the Restoration had condemned the young manhood of the epoch. The younger men, being at a loss to know what to do with themselves, were compelled to find other outlets for their superabundant energy besides journalism, or conspiracy, or art, or letters. They squandered their strength in the wildest excesses, such sap and luxuriant power was there in young France. The hard workers among these gilded youths wanted power and pleasure; the artists wished for money; the idle sought to stimulate their appetites or wished for excitement; one and all of them wanted a place, and one and all were shut out from politics and public life. Nearly all the "free-livers" were men of unusual mental powers; some held out against the enervating life, others were ruined by it. The most celebrated and the cleverest among them was Eugene Rastignac, who entered, with de Marsay's help, upon a political career, in which he has since distinguished himself. The practical jokes, in which the set indulged became so famous, that not a few vaudevilles have been founded upon them.

Blondet introduced Lucien to this society of prodigals, of which he became a brilliant ornament, ranking next to Bixiou, one of the most mischievous and untiring scoffing wits of his time. All through that winter Lucien's life was one long fit of intoxication, with intervals of easy work. He continued his series of sketches of contemporary life, and very occasionally made great efforts to write a few pages of serious criticism, on which he brought his utmost power of thought to bear. But study was the exception, not the rule, and only undertaken at the bidding of necessity; dinners and breakfasts, parties of pleasure and play, took up most of his time, and Coralie absorbed all that was left. He would not think of the morrow. He saw besides that his so-called friends were leading the same life, earning money easily by writing publishers' prospectuses and articles paid for by speculators; all of them lived beyond their incomes, none of them thought seriously of the future.

Lucien had been admitted into the ranks of journalism and of literature on terms of equality; he foresaw immense difficulties in the way if he should try to rise above the rest. Every one was willing to look upon him as an equal; no one would have him for a superior. Unconsciously he gave up the idea of winning fame in literature, for it seemed easier to gain success in politics.

"Intrigue raises less opposition than talent," du Chatelet had said one day (for Lucien and the Baron had made up their quarrel); "a plot below the surface rouses no one's attention. Intrigue, moreover, is superior to talent, for it makes something out of nothing; while, for the most part, the immense resources of talent only injure a man."

So Lucien never lost sight of his principal idea; and though to-morrow, following close upon the heels of to-day in the midst of an orgy, never found the promised work accomplished, Lucien was assiduous in society. He paid court to Mme. de Bargeton, the Marquise d'Espard, and the Comtesse de Montcornet; he never missed a single party given by Mlle. des Touches, appearing in society after a dinner given by authors or publishers, and leaving the salons for a supper given in consequence of a bet. The demands of conversation and the excitement of play absorbed all the ideas and energy left by excess. The poet had lost the lucidity of judgment and coolness of head which must be preserved if a man is to see all that is going on around him, and never to lose the exquisite tact which the _parvenu_ needs at every moment. How should he know how many a time Mme. de Bargeton left him with wounded susceptibilities, how often she forgave him or added one more condemnation to the rest?

Chatelet saw that his rival had still a chance left, so he became Lucien's friend. He encouraged the poet in dissipation that wasted his energies. Rastignac, jealous of his fellow-countryman, and thinking, besides, that Chatelet would be a surer and more useful ally than Lucien, had taken up the Baron's cause. So, some few days after the meeting of the Petrarch and Laura of Angouleme, Rastignac brought about the reconciliation between the poet and the elderly beau at a sumptuous supper given at the _Rocher de Cancale_. Lucien never returned home till morning, and rose in the middle of the day; Coralie was always at his side, he could not forego a single pleasure. Sometimes he saw his real position, and made good resolutions, but they came to nothing in his idle, easy life; and the mainspring of will grew slack, and only responded to the heaviest pressure of necessity.

Coralie had been glad that Lucien should amuse himself; she had encouraged him in this reckless expenditure, because she thought that the cravings which she fostered would bind her lover to her. But tender-hearted and loving as she was, she found courage to advise Lucien not to forget his work, and once or twice was obliged to remind him that he had earned very little during the month. Their debts were growing frightfully fast. The fifteen hundred francs which remained from the purchase-money of the _Marguerites_ had been swallowed up at once, together with Lucien's first five hundred livres. In three months he had only made a thousand francs, yet he felt as though he had been working tremendously hard. But by this time Lucien had adopted the "free-livers" pleasant theory of debts.

Debts are becoming to a young man, but after the age of five-and-twenty they are inexcusable. It should be observed that there are certain natures in which a really poetic temper is united with a weakened will; and these while absorbed in feeling, that they may transmute personal experience, sensation, or impression into some permanent form are essentially deficient in the moral sense which should accompany all observation. Poets prefer rather to receive their own impressions than to enter into the souls of others to study the mechanism of their feelings and thoughts. So Lucien neither asked his associates what became of those who disappeared from among them, nor looked into the futures of his so-called friends. Some of them were heirs to property, others had definite expectations; yet others either possessed names that were known in the world, or a most robust belief in their destiny and a fixed resolution to circumvent the law. Lucien, too, believed in his future on the strength of various profound axiomatic sayings of Blondet's: "Everything comes out all right at last--If a man has nothing, his affairs cannot be embarrassed--We have nothing to lose but the fortune that we seek--Swim with the stream; it will take you somewhere--A clever man with a footing in society can make a fortune whenever he pleases."

That winter, filled as it was with so many pleasures and dissipations, was a necessary interval employed in finding capital for the new Royalist paper; Theodore Gaillard and Hector Merlin only brought out the first number of the _Reveil_ in March 1822. The affair had been settled at Mme. du Val-Noble's house. Mme. du val-Noble exercised a certain influence over the great personages, Royalist writers, and bankers who met in her splendid rooms--"fit for a tale out of the _Arabian Nights_," as the elegant and clever courtesan herself used to say--to transact business which could not be arranged elsewhere. The editorship had been promised to Hector Merlin. Lucien, Merlin's intimate, was pretty certain to be his right-hand man, and a _feuilleton_ in a Ministerial paper had been promised to him besides. All through the dissipations of that winter Lucien had been secretly making ready for this change of front. Child as he was, he fancied that he was a deep politician because he concealed the preparation for the approaching transformation-scene, while he was counting upon Ministerial largesses to extricate himself from embarrassment and to lighten Coralie's secret cares. Coralie said nothing of her distress; she smiled now, as always; but Berenice was bolder, she kept Lucien informed of their difficulties; and the budding great man, moved, after the fashion of poets, by the tale of disasters, would vow that he would begin to work in earnest, and then forget his resolution, and drown his fleeting cares in excess. One day Coralie saw the poetic brow overcast, and scolded Berenice, and told her lover that everything would be settled.

Mme. d'Espard and Mme. de Bargeton were waiting for Lucien's profession of his new creed, so they said, before applying through Chatelet for the patent which should permit Lucien to bear the so-much desired name. Lucien had proposed to dedicate the _Marguerites_ to Mme. d'Espard, and the Marquise seemed to be not a little flattered by a compliment which authors have been somewhat chary of paying since they became a power in the land; but when Lucien went to Dauriat and asked after his book, that worthy publisher met him with excellent reasons for the delay in its appearance. Dauriat had this and that in hand, which took up all his time; a new volume by Canalis was coming out, and he did not want the two books to clash; M. de Lamartine's second series of _Meditations_ was in the press, and two important collections of poetry ought not to appear together.

By this time, however, Lucien's needs were so pressing that he had recourse to Finot, and received an advance on his work. When, at a supper-party that evening, the poet journalist explained his position to his friends in the fast set, they drowned his scruples in champagne, iced with pleasantries. Debts! There was never yet a man of any power without debts! Debts represented satisfied cravings, clamorous vices. A man only succeeds under the pressure of the iron hand of necessity. Debts forsooth!

"Why, the one pledge of which a great man can be sure, is given him by his friend the pawnbroker," cried Blondet.

"If you want everything, you must owe for everything," called Bixiou.

"No," corrected des Lupeaulx, "if you owe for everything, you have had everything."

The party contrived to convince the novice that his debts were a golden spur to urge on the horses of the chariot of his fortunes. There is always the stock example of Julius Caesar with his debt of forty millions, and Friedrich II. on an allowance of one ducat a month, and a host of other great men whose failings are held up for the corruption of youth, while not a word is said of their wide-reaching ideas, their courage equal to all odds.

Creditors seized Coralie's horses, carriage, and furniture at last, for an amount of four thousand francs. Lucien went to Lousteau and asked his friend to meet his bill for the thousand francs lent to pay gaming debts; but Lousteau showed him certain pieces of stamped paper, which proved that Florine was in much the same case. Lousteau was grateful, however, and offered to take the necessary steps for the sale of Lucien's _Archer of Charles IX._

"How came Florine to be in this plight?" asked Lucien.

"The Matifat took alarm," said Lousteau. "We have lost him; but if Florine chooses, she can make him pay dear for his treachery. I will tell you all about it."

Three days after this bootless errand, Lucien and Coralie were breakfasting in melancholy spirits beside the fire in their pretty bedroom. Berenice had cooked a dish of eggs for them over the grate; for the cook had gone, and the coachman and servants had taken leave. They could not sell the furniture, for it had been attached; there was not a single object of any value in the house. A goodly collection of pawntickets, forming a very instructive octavo volume, represented all the gold, silver, and jewelry. Berenice had kept back a couple of spoons and forks, that was all.

Lousteau's newspaper was of service now to Coralie and Lucien, little as they suspected it; for the tailor, dressmaker, and milliner were afraid to meddle with a journalist who was quite capable of writing down their establishments.

Etienne Lousteau broke in upon their breakfast with a shout of "Hurrah! Long live _The Archer of Charles IX._! And I have converted a hundred francs worth of books into cash, children. We will go halves."

He handed fifty francs to Coralie, and sent Berenice out in quest of a more substantial breakfast.

"Hector Merlin and I went to a booksellers' trade dinner yesterday, and prepared the way for your romance with cunning insinuations. Dauriat is in treaty, but Dauriat is haggling over it; he won't give more than four thousand francs for two thousand copies, and you want six thousand francs. We made you out twice as great as Sir Walter Scott! Oh! you have such novels as never were in the inwards of you. It is not a mere book for sale, it is a big business; you are not simply the writer of one more or less ingenious novel, you are going to write a whole series. The word 'series' did it! So, mind you, don't forget that you have a great historical series on hand--_La Grande Mademoiselle_, or _The France of Louis Quatorze_; _Cotillon I._, or _The Early Days of Louis Quinze_; _The Queen and the Cardinal_, or _Paris and the Fronde_; _The Son of the Concini_, or _Richelieu's Intrigue_. These novels will be announced on the wrapper of the book. We call this manoeuvre 'giving a success a toss in the coverlet,' for the titles are all to appear on the cover, till you will be better known for the books that you have not written than for the work you have done. And 'In the Press' is a way of gaining credit in advance for work that you will do. Come, now, let us have a little fun! Here comes the champagne. You can understand, Lucien, that our men opened eyes as big as saucers. By the by, I see that you have saucers still left."

"They are attached," explained Coralie.

"I understand, and I resume. Show a publisher one manuscript volume and he will believe in all the rest. A publisher asks to see your manuscript, and gives you to understand that he is going to read it. Why disturb his harmless vanity? They never read a manuscript; they would not publish so many if they did. Well, Hector and I allowed it to leak out that you might consider an offer of five thousand francs for three thousand copies, in two editions. Let me have your _Archer_; the day after to-morrow we are to breakfast with the publishers, and we will get the upper hand of them."

"Who are they?" asked Lucien.

"Two partners named Fendant and Cavalier; they are two good fellows, pretty straightforward in business. One of them used to be with Vidal and Porchon, the other is the cleverest hand on the Quai des Augustins. They only started in business last year, and have lost a little on translations of English novels; so now my gentlemen have a mind to exploit the native product. There is a rumor current that those dealers in spoiled white paper are trading on other people's capital; but I don't think it matters very much to you who finds the money, so long as you are paid."

Two days later, the pair went to a breakfast in the Rue Serpente, in Lucien's old quarter of Paris. Lousteau still kept his room in the Rue de la Harpe; and it was in the same state as before, but this time Lucien felt no surprise; he had been initiated into the life of journalism; he knew all its ups and downs. Since that evening of his introduction to the Wooden Galleries, he had been paid for many an article, and gambled away the money along with the desire to write. He had filled columns, not once but many times, in the ingenious ways described by Lousteau on that memorable evening as they went to the Palais Royal. He was dependent upon Barbet and Braulard; he trafficked in books and theatre-tickets; he shrank no longer from any attack, from writing any panegyric; and at this moment he was in some sort rejoicing to make all he could out of Lousteau before turning his back on the Liberals. His intimate knowledge of the party would stand him in good stead in future. And Lousteau, on his side, was privately receiving five hundred francs of purchase-money, under the name of commission, from Fendant and Cavalier for introducing the future Sir Walter Scott to two enterprising tradesmen in search of a French Author of "Waverley." _

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