Part 2

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_ As to Madame Crochard, that tender mother, almost angry at her daughter's persistent lack of decisiveness, now showed a sulky face to the "Black Gentleman," on whom she had hitherto smiled with a sort of benevolent servility. Never before had she complained so bitterly of being compelled, at her age, to do the cooking; never had her catarrh and her rheumatism wrung so many groans from her; finally, she could not, this winter, promise so many ells of net as Caroline had hitherto been able to count on.

Under these circumstances, and towards the end of December, at the time when bread was dearest, and that dearth of corn was beginning to be felt which made the year 1816 so hard on the poor, the stranger observed on the features of the girl whose name was still unknown to him, the painful traces of a secret sorrow which his kindest smiles could not dispel. Before long he saw in Caroline's eyes the dimness attributed to long hours at night. One night, towards the end of the month, the Gentleman in Black passed down the Rue du Tourniquet at the quite unwonted hour of one in the morning. The perfect silence allowed of his hearing before passing the house the lachrymose voice of the old mother, and Caroline's even sadder tones, mingling with the swish of a shower of sleet. He crept along as slowly as he could; and then, at the risk of being taken up by the police, he stood still below the window to hear the mother and daughter, while watching them through the largest of the holes in the yellow muslin curtains, which were eaten away by wear as a cabbage leaf is riddled by caterpillars. The inquisitive stranger saw a sheet of paper on the table that stood between the two work-frames, and on which stood the lamp and the globes filled with water. He at once identified it as a writ. Madame Crochard was weeping, and Caroline's voice was thick, and had lost its sweet, caressing tone.

"Why be so heartbroken, mother? Monsieur Molineux will not sell us up or turn us out before I have finished this dress; only two nights more and I shall take it home to Madame Roguin."

"And supposing she keeps you waiting as usual?--And will the money for the gown pay the baker too?"

The spectator of this scene had long practice in reading faces; he fancied he could discern that the mother's grief was as false as the daughter's was genuine; he turned away, and presently came back. When he next peeped through the hole in the curtain, Madame Crochard was in bed. The young needlewoman, bending over her frame, was embroidering with indefatigable diligence; on the table, with the writ lay a triangular hunch of bread, placed there, no doubt, to sustain her in the night and to remind her of the reward of her industry. The stranger was tremulous with pity and sympathy; he threw his purse in through a cracked pane so that it should fall at the girl's feet; and then, without waiting to enjoy her surprise, he escaped, his cheeks tingling.

Next morning the shy and melancholy stranger went past with a look of deep preoccupation, but he could not escape Caroline's gratitude; she had opened her window and affected to be digging in the square window- box buried in snow, a pretext of which the clumsy ingenuity plainly told her benefactor that she had been resolved not to see him only through the pane. Her eyes were full of tears as she bowed her head, as much as to say to her benefactor, "I can only repay you from my heart."

But the Gentleman in Black affected not to understand the meaning of this sincere gratitude. In the evening, as he came by, Caroline was busy mending the window with a sheet of paper, and she smiled at him, showing her row of pearly teeth like a promise. Thenceforth the Stranger went another way, and was no more seen in the Rue due Tourniquet.

It was one day early in the following May that, as Caroline was giving the roots of the honeysuckle a glass of water, one Saturday morning, she caught sight of a narrow strip of cloudless blue between the black lines of houses, and said to her mother:

"Mamma, we must go to-morrow for a trip to Montmorency!"

She had scarcely uttered the words, in a tone of glee, when the Gentleman in Black came by, sadder and more dejected than ever. Caroline's innocent and ingratiating glance might have been taken for an invitation. And, in fact, on the following day, when Madame Crochard, dressed in a pelisse of claret-colored merinos, a silk bonnet, and striped shawl of an imitation Indian pattern, came out to choose seats in a chaise at the corner of the Rue du Faubourg Saint-Denis and the Rue d'Enghien, there she found her Unknown standing like a man waiting for his wife. A smile of pleasure lighted up the Stranger's face when his eye fell on Caroline, her neat feet shod in plum-colored prunella gaiters, and her white dress tossed by a breeze that would have been fatal to an ill-made woman, but which displayed her graceful form. Her face, shaded by a rice-straw bonnet lined with pink silk, seemed to beam with a reflection from heaven; her broad, plum-colored belt set off a waist he could have spanned; her hair, parted in two brown bands over a forehead as white as snow, gave her an expression of innocence which no other feature contradicted. Enjoyment seemed to have made Caroline as light as the straw of her hat; but when she saw the Gentleman in Black, radiant hope suddenly eclipsed her bright dress and her beauty. The Stranger, who appeared to be in doubt, had not perhaps made up his mind to be the girl's escort for the day till this revelation of the delight she felt on seeing him. He at once hired a vehicle with a fairly good horse, to drive to Saint-Leu-Taverny, and he offered Madame Crochard and her daughter seats by his side. The mother accepted without ado; but presently, when they were already on the way to Saint-Denis, she was by way of having scruples, and made a few civil speeches as to the possible inconvenience two women might cause their companion.

"Perhaps, monsieur, you wished to drive alone to Saint-Leu-Taverny," said she, with affected simplicity.

Before long she complained of the heat, and especially of her cough, which, she said, had hindered her from closing her eyes all night; and by the time the carriage had reached Saint-Denis, Madame Crochard seemed to be fast asleep. Her snores, indeed, seemed, to the Gentleman in Black, rather doubtfully genuine, and he frowned as he looked at the old woman with a very suspicious eye.

"Oh, she is fast asleep," said Caroline quilelessly; "she never ceased coughing all night. She must be very tired."

Her companion made no reply, but he looked at the girl with a smile that seemed to say:

"Poor child, you little know your mother!"

However, in spite of his distrust, as the chaise made its way down the long avenue of poplars leading to Eaubonne, the Stranger thought that Madame Crochard was really asleep; perhaps he did not care to inquire how far her slumbers were genuine or feigned. Whether it were that the brilliant sky, the pure country air, and the heady fragrance of the first green shoots of the poplars, the catkins of willow, and the flowers of the blackthorn had inclined his heart to open like all the nature around him; or that any long restraint was too oppressive while Caroline's sparkling eyes responded to his own, the Gentleman in Black entered on a conversation with his young companion, as aimless as the swaying of the branches in the wind, as devious as the flitting of the butterflies in the azure air, as illogical as the melodious murmur of the fields, and, like it, full of mysterious love. At that season is not the rural country as tremulous as a bride that has donned her marriage robe; does it not invite the coldest soul to be happy? What heart could remain unthawed, and what lips could keep its secret, on leaving the gloomy streets of the Marais for the first time since the previous autumn, and entering the smiling and picturesque valley of Montmorency; on seeing it in the morning light, its endless horizons receding from view; and then lifting a charmed gaze to eyes which expressed no less infinitude mingled with love?

The Stranger discovered that Caroline was sprightly rather than witty, affectionate, but ill educated; but while her laugh was giddy, her words promised genuine feeling. When, in response to her companion's shrewd questioning, the girl spoke with the heartfelt effusiveness of which the lower classes are lavish, not guarding it with reticence like people of the world, the Black Gentleman's face brightened, and seemed to renew its youth. His countenance by degrees lost the sadness that lent sternness to his features, and little by little they gained a look of handsome youthfulness which made Caroline proud and happy. The pretty needlewoman guessed that her new friend had been long weaned from tenderness and love, and no longer believed in the devotion of woman. Finally, some unexpected sally in Caroline's light prattle lifted the last veil that concealed the real youth and genuine character of the Stranger's physiognomy; he seemed to bid farewell to the ideas that haunted him, and showed the natural liveliness that lay beneath the solemnity of his expression.

Their conversation had insensibly become so intimate, that by the time when the carriage stopped at the first houses of the straggling village of Saint-Leu, Caroline was calling the gentleman Monsieur Roger. Then for the first time the old mother awoke.

"Caroline, she has heard everything!" said Roger suspiciously in the girl's ear.

Caroline's reply was an exquisite smile of disbelief, which dissipated the dark cloud that his fear of some plot on the old woman's part had brought to this suspicious mortal's brow. Madame Crochard was amazed at nothing, approved of everything, followed her daughter and Monsieur Roger into the park, where the two young people had agreed to wander through the smiling meadows and fragrant copses made famous by the taste of Queen Hortense.

"Good heavens! how lovely!" exclaimed Caroline when standing on the green ridge where the forest of Montmorency begins, she saw lying at her feet the wide valley with its combes sheltering scattered villages, its horizon of blue hills, its church towers, its meadows and fields, whence a murmur came up, to die on her ear like the swell of the ocean. The three wanderers made their way by the bank of an artificial stream and came to the Swiss valley, where stands a chalet that had more than once given shelter to Hortense and Napoleon. When Caroline had seated herself with pious reverence on the mossy wooden bench where kings and princesses and the Emperor had rested, Madame Crochard expressed a wish to have a nearer view of a bridge that hung across between two rocks at some little distance, and bent her steps towards that rural curiosity, leaving her daughter in Monsieur Roger's care, though telling them that she would not go out of sight.

"What, poor child!" cried Roger, "have you never longed for wealth and the pleasures of luxury? Have you never wished that you might wear the beautiful dresses you embroider?"

"It would not be the truth, Monsieur Roger, if I were to tell you that I never think how happy people must be who are rich. Oh yes! I often fancy, especially when I am going to sleep, how glad I should be to see my poor mother no longer compelled to go out, whatever the weather, to buy our little provisions, at her age. I should like her to have a servant who, every morning before she was up, would bring her up her coffee, nicely sweetened with white sugar. And she loves reading novels, poor dear soul! Well, and I would rather see her wearing out her eyes over her favorite books than over twisting her bobbins from morning till night. And again, she ought to have a little good wine. In short, I should like to see her comfortable--she is so good."

"Then she has shown you great kindness?"

"Oh yes," said the girl, in a tone of conviction. Then, after a short pause, during which the two young people stood watching Madame Crochard, who had got to the middle of the rustic bridge, and was shaking her finger at them, Caroline went on:

"Oh yes, she has been so good to me. What care she took of me when I was little! She sold her last silver forks to apprentice me to the old maid who taught me to embroider.--And my poor father! What did she not go through to make him end his days in happiness!" The girl shivered at the remembrance, and hid her face in her hands.--"Well! come! let us forget past sorrows!" she added, trying to rally her high spirits. She blushed as she saw that Roger too was moved, but she dared not look at him.

"What was your father?" he asked.

"He was an opera-dancer before the Revolution," said she, with an air of perfect simplicity, "and my mother sang in the chorus. My father, who was leader of the figures on the stage, happened to be present at the siege of the Bastille. He was recognized by some of the assailants, who asked him whether he could not lead a real attack, since he was used to leading such enterprises on the boards. My father was brave; he accepted the post, led the insurgents, and was rewarded by the nomination to the rank of captain in the army of Sambre-et-Meuse, where he distinguished himself so far as to rise rapidly to be a colonel. But at Lutzen he was so badly wounded that, after a year's sufferings, he died in Paris.--The Bourbons returned; my mother could obtain no pension, and we fell into such abject misery that we were compelled to work for our living. For some time past she has been ailing, poor dear, and I have never known her so little resigned; she complains a good deal, and, indeed, I cannot wonder, for she has known the pleasures of an easy life. For my part, I cannot pine for delights I have never known, I have but one thing to wish for."

"And that is?" said Roger eagerly, as if roused from a dream.

"That women may continue to wear embroidered net dresses, so that I may never lack work."

The frankness of this confession interested the young man, who looked with less hostile eyes on Madame Crochard as she slowly made her way back to them.

"Well, children, have you had a long talk?" said she, with a half-laughing, half-indulgent air. "When I think, Monsieur Roger, that the 'little Corporal' has sat where you are sitting," she went on after a pause. "Poor man! how my husband worshiped him! Ah! Crochard did well to die, for he could not have borne to think of him where _they_ have sent him!"

Roger put his finger to his lips, and the good woman went on very gravely, with a shake of her head:

"All right, mouth shut and tongue still! But," added she, unhooking a bit of her bodice, and showing a ribbon and cross tied round her neck by a piece of black ribbon, "they shall never hinder me from wearing what _he_ gave to my poor Crochard, and I will have it buried with me."

On hearing this speech, which at that time was regarded as seditious, Roger interrupted the old lady by rising suddenly, and they returned to the village through the park walks. The young man left them for a few minutes while he went to order a meal at the best eating-house in Taverny; then, returning to fetch them, he led the way through the alleys cut in the forest.

The dinner was cheerful. Roger was no longer the melancholy shade that was wont to pass along the Rue du Tourniquet; he was not the "Black Gentleman," but rather a confiding young man ready to take life as it came, like the two hard-working women who, on the morrow, might lack bread; he seemed alive to all the joys of youth, his smile was quite affectionate and childlike.

When, at five o'clock, this happy meal was ended with a few glasses of champagne, Roger was the first to propose that they should join the village ball under the chestnuts, where he and Caroline danced together. Their hands met with sympathetic pressure, their hearts beat with the same hopes; and under the blue sky and the slanting, rosy beams of sunset, their eyes sparkled with fires which, to them, made the glory of the heavens pale. How strange is the power of an idea, of a desire! To these two nothing seemed impossible. In such magic moments, when enjoyment sheds its reflections on the future, the soul foresees nothing but happiness. This sweet day had created memories for these two to which nothing could be compared in all their past existence. Would the source prove to be more beautiful than the river, the desire more enchanting than its gratification, the thing hoped for more delightful than the thing possessed?

"So the day is already at an end!" On hearing this exclamation from her unknown friend when the dance was over, Caroline looked at him compassionately, as his face assumed once more a faint shade of sadness.

"Why should you not be as happy in Paris as you are here?" she asked. "Is happiness to be found only at Saint-Leu? It seems to me that I can henceforth never be unhappy anywhere."

Roger was struck by these words, spoken with the glad unrestraint that always carries a woman further than she intended, just as prudery often lends her greater cruelty than she feels. For the first time since that glance, which had, in a way, been the beginning of their friendship, Caroline and Roger had the same idea; though they did not express it, they felt it at the same instant, as a result of a common impression like that of a comforting fire cheering both under the frost of winter; then, as if frightened by each other's silence, they made their way to the spot where the carriage was waiting. But before getting into it, they playfully took hands and ran together down the dark avenue in front of Madame Crochard. When they could no longer see the white net cap, which showed as a speck through the leaves where the old woman was--"Caroline!" said Roger in a tremulous voice, and with a beating heart.

The girl was startled, and drew back a few steps, understanding the invitation this question conveyed; however, she held out her hand, which was passionately kissed, but which she hastily withdrew, for by standing on tiptoe she could see her mother.

Madame Crochard affected blindness, as if, with a reminiscence of her old parts, she was only required to figure as a supernumerary.

The adventures of these two young people were not continued in the Rue du Tourniquet. To see Roger and Caroline once more, we must leap into the heart of modern Paris, where, in some of the newly-built houses, there are apartments that seem made on purpose for newly-married couples to spend their honeymoon in. There the paper and paint are as fresh as the bride and bridegroom, and the decorations are in blossom like their love; everything is in harmony with youthful notions and ardent wishes.

Half-way down the Rue Taitbout, in a house whose stone walls were still white, where the columns of the hall and the doorway were as yet spotless, and the inner walls shone with the neat painting which our recent intimacy with English ways had brought into fashion, there was, on the second floor, a small set of rooms fitted by the architect as though he had known what their use would be. A simple airy ante-room, with a stucco dado, formed an entrance into a drawing-room and dining-room. Out of the drawing-room opened a pretty bedroom, with a bathroom beyond. Every chimney-shelf had over it a fine mirror elegantly framed. The doors were crowded with arabesques in good taste, and the cornices were in the best style. Any amateur would have discerned there the sense of distinction and decorative fitness which mark the work of modern French architects.

For above a month Caroline had been at home in this apartment, furnished by an upholsterer who submitted to an artist's guidance. A short description of the principal room will suffice to give us an idea of the wonders it offered to Caroline's delighted eyes when Roger installed her there. Hangings of gray stuff trimmed with green silk adorned the walls of her bedroom; the seats, covered with light-colored woolen sateen, were of easy and comfortable shapes, and in the latest fashion; a chest of drawers of some simple wood, inlaid with lines of a darker hue, contained the treasures of the toilet; a writing-table to match served for inditing love-letters on scented paper; the bed, with antique draperies, could not fail to suggest thoughts of love by its soft hangings of elegant muslin; the window-curtains, of drab silk with green fringe, were always half drawn to subdue the light; a bronze clock represented Love crowning Psyche; and a carpet of Gothic design on a red ground set off the other accessories of this delightful retreat. There was a small dressing-table in front of a long glass, and here the needlewoman sat, out of patience with Plaisir, the famous hairdresser.

"Do you think you will have done to-day?" said she.

"Your hair is so long and so thick, madame," replied Plaisir.

Caroline could not help smiling. The man's flattery had no doubt revived in her mind the memory of the passionate praises lavished by her lover on the beauty of her hair, which he delighted in.

The hairdresser having done, a waiting-maid came and held counsel with her as to the dress in which Roger would like best to see her. It was the beginning of September 1816, and the weather was cold; she chose a green _grenadine_ trimmed with chinchilla. As soon as she was dressed, Caroline flew into the drawing-room and opened a window, out of which she stepped on to the elegant balcony, that adorned the front of the house; there she stood, with her arms crossed, in a charming attitude, not to show herself to the admiration of the passers-by and see them turn to gaze at her, but to be able to look out on the Boulevard at the bottom of the Rue Taitbout. This side view, really very comparable to the peephole made by actors in the drop-scene of a theatre, enabled her to catch a glimpse of numbers of elegant carriages, and a crowd of persons, swept past with the rapidity of _Ombres Chinoises_. Not knowing whether Roger would arrive in a carriage or on foot, the needlewoman from the Rue du Tourniquet looked by turns at the foot-passengers, and at the tilburies--light cabs introduced into Paris by the English.

Expressions of refractoriness and of love passed by turns over her youthful face when, after waiting for a quarter of an hour, neither her keen eye nor her heart had announced the arrival of him whom she knew to be due. What disdain, what indifference were shown in her beautiful features for all the other creatures who were bustling like ants below her feet. Her gray eyes, sparkling with fun, now positively flamed. Given over to her passion, she avoided admiration with as much care as the proudest devote to encouraging it when they drive about Paris, certainly feeling no care as to whether her fair countenance leaning over the balcony, or her little foot between the bars, and the picture of her bright eyes and delicious turned-up nose would be effaced or no from the minds of the passers-by who admired them; she saw but one face, and had but one idea. When the spotted head of a certain bay horse happened to cross the narrow strip between the two rows of houses, Caroline gave a little shiver and stood on tiptoe in hope of recognizing the white traces and the color of the tilbury. It was he!

Roger turned the corner of the street, saw the balcony, whipped the horse, which came up at a gallop, and stopped at the bronze-green door that he knew as well as his master did. The door of the apartment was opened at once by the maid, who had heard her mistress' exclamation of delight. Roger rushed up to the drawing-room, clasped Caroline in his arms, and embraced her with the effusive feeling natural when two beings who love each other rarely meet. He led her, or rather they went by a common impulse, their arms about each other, into the quiet and fragrant bedroom; a settee stood ready for them to sit by the fire, and for a moment they looked at each other in silence, expressing their happiness only by their clasped hands, and communicating their thoughts in a fond gaze.

"Yes, it is he!" she said at last. "Yes, it is you. Do you know, I have not seen you for three long days, an age!--But what is the matter? You are unhappy."

"My poor Caroline--"

"There, you see! 'poor Caroline'--"

"No, no, do not laugh, my darling; we cannot go to the Feydeau Theatre together this evening."

Caroline put on a little pout, but it vanished immediately.

"How absurd I am! How can I think of going to the play when I see you? Is not the sight of you the only spectacle I care for?" she cried, pushing her fingers through Roger's hair.

"I am obliged to go to the Attorney-General's. We have a knotty case in hand. He met me in the great hall at the Palais; and as I am to plead, he asked me to dine with him. But, my dearest, you can go to the theatre with your mother, and I will join you if the meeting breaks up early."

"To the theatre without you!" cried she in a tone of amazement; "enjoy any pleasure you do not share! O my Roger! you do not deserve a kiss," she added, throwing her arms round his neck with an artless and impassioned impulse.

"Caroline, I must go home and dress. The Marais is some way off, and I still have some business to finish."

"Take care what you are saying, monsieur," said she, interrupting him. "My mother says that when a man begins to talk about his business, he is ceasing to love."

"Caroline! Am I not here? Have I not stolen this hour from my pitiless--"

"Hush!" said she, laying a finger on his mouth. "Don't you see that I am in jest."

They had now come back to the drawing-room, and Roger's eye fell on an object brought home that morning by the cabinetmaker. Caroline's old rosewood embroidery-frame, by which she and her mother had earned their bread when they lived in the Rue du Tourniquet-Saint-Jean, had been refitted and polished, and a net dress, of elaborate design, was already stretched upon it.

"Well, then, my dear, I shall do some work this evening. As I stitch, I shall fancy myself gone back to those early days when you used to pass by me without a word, but not without a glance; the days when the remembrance of your look kept me awake all night. Oh my dear old frame --the best piece of furniture in my room, though you did not give it me!--You cannot think," said she, seating herself on Roger's knees; for he, overcome by irresistible feelings, had dropped into a chair. "Listen.--All I can earn by my work I mean to give to the poor. You have made me rich. How I love that pretty home at Bellefeuille, less because of what it is than because you gave it me! But tell me, Roger, I should like to call myself Caroline de Bellefeuille--can I? You must know: is it legal or permissible?"

As she saw a little affirmative grimace--for Roger hated the name of Crochard--Caroline jumped for glee, and clapped her hands.

"I feel," said she, "as if I should more especially belong to you. Usually a woman gives up her own name and takes her husband's--" An idea forced itself upon her and made her blush. She took Roger's hand and led him to the open piano.--"Listen," said she, "I can play my sonata now like an angel!" and her fingers were already running over the ivory keys, when she felt herself seized round the waist.

"Caroline, I ought to be far from hence!"

"You insist on going? Well, go," said she, with a pretty pout, but she smiled as she looked at the clock and exclaimed joyfully, "At any rate, I have detained you a quarter of an hour!"

"Good-bye, Mademoiselle de Bellefeuille," said he, with the gentle irony of love.

She kissed him and saw her lover to the door; when the sound of his steps had died away on the stairs she ran out on to the balcony to see him get into the tilbury, to see him gather up the reins, to catch a parting look, hear the crack of his whip and the sound of his wheels on the stones, watch the handsome horse, the master's hat, the tiger's gold lace, and at last to stand gazing long after the dark corner of the street had eclipsed this vision. _

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