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The Girl with the Golden Eyes, a novel by Honore de Balzac |
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Part 7 |
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_ Paquita seemed to have been created for love by a particular effort of nature. In a night her feminine genius had made the most rapid progress. Whatever might be the power of this young man, and his indifference in the matter of pleasures, in spite of his satiety of the previous night, he found in the girl with the golden eyes that seraglio which a loving woman knows how to create and which a man never refuses. Paquita responded to that passion which is felt by all really great men for the infinite--that mysterious passion so dramatically expressed in Faust, so poetically translated in Manfred, and which urged Don Juan to search the heart of women, in his hope to find there that limitless thought in pursuit of which so many hunters after spectres have started, which wise men think to discover in science, and which mystics find in God alone. The hope of possessing at last the ideal being with whom the struggle could be constant and tireless ravished De Marsay, who, for the first time for long, opened his heart. His nerves expanded, his coldness was dissipated in the atmosphere of that ardent soul, his hard and fast theories melted away, and happiness colored his existence to the tint of the rose and white boudoir. Experiencing the sting of a higher pleasure, he was carried beyond the limits within which he had hitherto confined passion. He would not be surpassed by this girl, whom a somewhat artificial love had formed all ready for the needs of his soul, and then he found in that vanity which urges a man to be in all things a victor, strength enough to tame the girl; but, at the same time, urged beyond that line where the soul is mistress over herself, he lost himself in these delicious limboes, which the vulgar call so foolishly "the imaginary regions." He was tender, kind, and confidential. He affected Paquita almost to madness. "Why should we not go to Sorrento, to Nice, to Chiavari, and pass all our life so? Will you?" he asked of Paquita, in a penetrating voice. "Was there need to say to me: 'Will you'?" she cried. "Have I a will? I am nothing apart from you, except in so far as I am a pleasure for you. If you would choose a retreat worthy of us, Asia is the only country where love can unfold his wings. . . ." "You are right," answered Henri. "Let us go to the Indies, there where spring is eternal, where the earth grows only flowers, where man can display the magnificence of kings and none shall say him nay, as in the foolish lands where they would realize the dull chimera of equality. Let us go to the country where one lives in the midst of a nation of slaves, where the sun shines ever on a palace which is always white, where the air sheds perfumes, the birds sing of love and where, when one can love no more, one dies. . . ." "And where one dies together!" said Paquita. "But do not let us start to-morrow, let us start this moment . . . take Cristemio." "Faith! pleasure is the fairest climax of life. Let us go to Asia; but to start, my child, one needs much gold, and to have gold one must set one's affairs in order." She understood no part of these ideas. "Gold! There is a pile of it here--as high as that," she said holding up her hand. "It is not mine." "What does that matter?" she went on; "if we have need of it let us take it." "It does not belong to you." "Belong!" she repeated. "Have you not taken me? When we have taken it, it will belong to us." He gave a laugh. "Poor innocent! You know nothing of the world." "Nay, but this is what I know," she cried, clasping Henri to her. At the very moment when De Marsay was forgetting all, and conceiving the desire to appropriate this creature forever, he received in the midst of his joy a dagger-thrust, which Paquita, who had lifted him vigorously in the air, as though to contemplate him, exclaimed: "Oh, Margarita!" "Margarita!" cried the young man, with a roar; "now I know all that I still tried to disbelieve." He leaped upon the cabinet in which the long poniard was kept. Happily for Paquita and for himself, the cupboard was shut. His fury waxed at this impediment, but he recovered his tranquillity, went and found his cravat, and advanced towards her with an air of such ferocious meaning that, without knowing of what crime she had been guilty, Paquita understood, none the less, that her life was in question. With one bound she rushed to the other end of the room to escape the fatal knot which De Marsay tried to pass round her neck. There was a struggle. On either side there was an equality of strength, agility, and suppleness. To end the combat Paquita threw between the legs of her lover a cushion which made him fall, and profited by the respite which this advantage gave to her, to push the button of the spring which caused the bell to ring. Promptly the mulatto arrived. In a second Cristemio leaped on De Marsay and held him down with one foot on his chest, his heel turned towards the throat. De Marsay realized that, if he struggled, at a single sign from Paquita he would be instantly crushed. "Why did you want to kill me, my beloved?" she said. De Marsay made no reply. "In what have I angered you?" she asked. "Speak, let us understand each other." Henri maintained the phlegmatic attitude of a strong man who feels himself vanquished; his countenance, cold, silent, entirely English, revealed the consciousness of his dignity in a momentary resignation. Moreover, he had already thought, in spite of the vehemence of his anger, that it was scarcely prudent to compromise himself with the law by killing this girl on the spur of the moment, before he had arranged the murder in such a manner as should insure his impunity. "My beloved," went on Paquita, "speak to me; do not leave me without one loving farewell! I would not keep in my heart the terror which you have just inspired in it. . . . Will you speak?" she said, stamping her foot with anger. De Marsay, for all reply, gave her a glance, which signified so plainly, "_You must die!_" that Paquita threw herself upon him. "Ah, well, you want to kill me! . . . If my death can give you any pleasure--kill me!" She made a sign to Cristemio, who withdrew his foot from the body of the young man, and retired without letting his face show that he had formed any opinion, good or bad, with regard to Paquita. "That is a man," said De Marsay, pointing to the mulatto, with a sombre gesture. "There is no devotion like the devotion which obeys in friendship, and does not stop to weigh motives. In that man you possess a true friend." "I will give him you, if you like," she answered; "he will serve you with the same devotion that he has for me, if I so instruct him." She waited for a word of recognition, and went on with an accent replete with tenderness: "Adolphe, give me then one kind word! . . . It is nearly day." Henri did not answer. The young man had one sorry quality, for one considers as something great everything which resembles strength, and often men invent extravagances. Henri knew not how to pardon. That _returning upon itself_ which is one of the soul's graces, was a non-existent sense for him. The ferocity of the Northern man, with which the English blood is deeply tainted, had been transmitted to him by his father. He was inexorable both in his good and evil impulses. Paquita's exclamation had been all the more horrible to him, in that it had dethroned him from the sweetest triumph which had ever flattered his man's vanity. Hope, love, and every emotion had been exalted with him, all had lit up within his heart and his intelligence, then these torches illuminating his life had been extinguished by a cold wind. Paquita, in her stupefaction of grief, had only strength enough to give the signal for departure. "What is the use of that!" she said, throwing away the bandage. "If he does not love me, if he hates me, it is all over." She waited for one look, did not obtain it, and fell, half dead. The mulatto cast a glance at Henri, so horribly significant, that, for the first time in his life, the young man, to whom no one denied the gift of rare courage, trembled. "_If you do not love her well, if you give her the least pain, I will kill you_." such was the sense of that brief gaze. De Marsay was escorted, with a care almost obsequious, along the dimly lit corridor, at the end of which he issued by a secret door into the garden of the Hotel San-Real. The mulatto made him walk cautiously through an avenue of lime trees, which led to a little gate opening upon a street which was at that hour deserted. De Marsay took a keen notice of everything. The carriage awaited him. This time the mulatto did not accompany him, and at the moment when Henri put his head out of the window to look once more at the gardens of the hotel, he encountered the white eyes of Cristemio, with whom he exchanged a glance. On either side there was a provocation, a challenge, the declaration of a savage war, of a duel in which ordinary laws were invalid, where treason and treachery were admitted means. Cristemio knew that Henri had sworn Paquita's death. Henri knew that Cristemio would like to kill him before he killed Paquita. Both understood each other to perfection. "The adventure is growing complicated in a most interesting way," said Henri. "Where is the gentleman going to?" asked the coachman. De Marsay was driven to the house of Paul de Manerville. For more than a week Henri was away from home, and no one could discover either what he did during this period, nor where he stayed. This retreat saved him from the fury of the mulatto and caused the ruin of the charming creature who had placed all her hope in him whom she loved as never human heart had loved on this earth before. On the last day of the week, about eleven o'clock at night, Henri drove up in a carriage to the little gate in the garden of the Hotel San-Real. Four men accompanied him. The driver was evidently one of his friends, for he stood up on his box, like a man who was to listen, an attentive sentinel, for the least sound. One of the other three took his stand outside the gate in the street; the second waited in the garden, leaning against the wall; the last, who carried in his hand a bunch of keys, accompanied De Marsay. "Henri," said his companion to him, "we are betrayed." "By whom, my good Ferragus?" "They are not all asleep," replied the chief of the Devourers; "it is absolutely certain that some one in the house has neither eaten nor drunk. . . . Look! see that light!" "We have a plan of the house; from where does it come?" "I need no plan to know," replied Ferragus; "it comes from the room of the Marquise." "Ah," cried De Marsay, "no doubt she arrived from London to-day. The woman has robbed me even of my revenge! But if she has anticipated me, my good Gratien, we will give her up to the law." "Listen, listen! . . . The thing is settled," said Ferragus to Henri. The two friends listened intently, and heard some feeble cries which might have aroused pity in the breast of a tiger. "Your marquise did not think the sound would escape by the chimney," said the chief of the Devourers, with the laugh of a critic, enchanted to detect a fault in a work of merit. "We alone, we know how to provide for every contingency," said Henri. "Wait for me. I want to see what is going on upstairs--I want to know how their domestic quarrels are managed. By God! I believe she is roasting her at a slow fire." De Marsay lightly scaled the stairs, with which he was familiar, and recognized the passage leading to the boudoir. When he opened the door he experienced the involuntary shudder which the sight of bloodshed gives to the most determined of men. The spectacle which was offered to his view was, moreover, in more than one respect astonishing to him. The Marquise was a woman; she had calculated her vengeance with that perfection of perfidy which distinguishes the weaker animals. She had dissimulated her anger in order to assure herself of the crime before she punished it. "Too late, my beloved!" said Paquita, in her death agony, casting her pale eyes upon De Marsay. The girl of the golden eyes expired in a bath of blood. The great illumination of candles, a delicate perfume which was perceptible, a certain disorder, in which the eye of a man accustomed to amorous adventures could not but discern the madness which is common to all the passions, revealed how cunningly the Marquise had interrogated the guilty one. The white room, where the blood showed so well, betrayed a long struggle. The prints of Paquita's hands were on the cushions. Here she had clung to her life, here she had defended herself, here she had been struck. Long strips of the tapestry had been torn down by her bleeding hands, which, without a doubt, had struggled long. Paquita must have tried to reach the window; her bare feet had left their imprints on the edge of the divan, along which she must have run. Her body, mutilated by the dagger-thrusts of her executioner, told of the fury with which she had disputed a life which Henri had made precious to her. She lay stretched on the floor, and in her death-throes had bitten the ankles of Madame de San-Real, who still held in her hand her dagger, dripping blood. The hair of the Marquise had been torn out, she was covered with bites, many of which were bleeding, and her torn dress revealed her in a state of semi-nudity, with the scratches on her breasts. She was sublime so. Her head, eager and maddened, exhaled the odor of blood. Her panting mouth was open, and her nostrils were not sufficient for her breath. There are certain animals who fall upon their enemy in their rage, do it to death, and seem in the tranquillity of victory to have forgotten it. There are others who prowl around their victim, who guard it in fear lest it should be taken away from them, and who, like the Achilles of Homer, drag their enemy by the feet nine times round the walls of Troy. The Marquise was like that. She did not see Henri. In the first place, she was too secure of her solitude to be afraid of witnesses; and, secondly, she was too intoxicated with warm blood, too excited with the fray, too exalted, to take notice of the whole of Paris, if Paris had formed a circle round her. A thunderbolt would not have disturbed her. She had not even heard Paquita's last sigh, and believed that the dead girl could still hear her. "Die without confessing!" she said. "Go down to hell, monster of ingratitude; belong to no one but the fiend. For the blood you gave him you owe me all your own! Die, die, suffer a thousand deaths! I have been too kind--I was only a moment killing you. I should have made you experience all the tortures that you have bequeathed to me. I --I shall live! I shall live in misery. I have no one left to love but God!" She gazed at her. "She is dead!" she said to herself, after a pause, in a violent reaction. "Dead! Oh, I shall die of grief!" The Marquise was throwing herself upon the divan, stricken with a despair which deprived her of speech, when this movement brought her in view of Henri de Marsay. "Who are you?" she asked, rushing at him with her dagger raised. Henri caught her arm, and thus they could contemplate each other face to face. A horrible surprise froze the blood in their veins, and their limbs quivered like those of frightened horses. In effect, the two Menoechmi had not been more alike. With one accord they uttered the same phrase: "Lord Dudley must have been your father!" The head of each was drooped in affirmation. "She was true to the blood," said Henri, pointing to Paquita. "She was as little guilty as it is possible to be," replied Margarita Euphemia Porraberil, and she threw herself upon the body of Paquita, giving vent to a cry of despair. "Poor child! Oh, if I could bring thee to life again! I was wrong--forgive me, Paquita! Dead! and I live! I--I am the most unhappy." At that moment the horrible face of the mother of Paquita appeared. "You are come to tell me that you never sold her to me to kill," cried the Marquise. "I know why you have left your lair. I will pay you twice over. Hold your peace." She took a bag of gold from the ebony cabinet, and threw it contemptuously at the old woman's feet. The chink of the gold was potent enough to excite a smile on the Georgian's impassive face. "I come at the right moment for you, my sister," said Henri. "The law will ask of you----" "Nothing," replied the Marquise. "One person alone might ask for a reckoning for the death of this girl. Cristemio is dead." "And the mother," said Henri, pointing to the old woman. "Will you not always be in her power?" "She comes from a country where women are not beings, but things --chattels, with which one does as one wills, which one buys, sells, and slays; in short, which one uses for one's caprices as you, here, use a piece of furniture. Besides, she has one passion which dominates all the others, and which would have stifled her maternal love, even if she had loved her daughter, a passion----" "What?" Henri asked quickly, interrupting his sister. "Play! God keep you from it," answered the Marquise. "But whom have you," said Henri, looking at the girl of the golden eyes, "who will help you to remove the traces of this fantasy which the law would not overlook?" "I have her mother," replied the Marquise, designating the Georgian, to whom she made a sign to remain. "We shall meet again," said Henri, who was thinking anxiously of his friends and felt that it was time to leave. "No, brother," she said, "we shall not meet again. I am going back to Spain to enter the Convent of _los Dolores_." "You are too young yet, too lovely," said Henri, taking her in his arms and giving her a kiss. "Good-bye," she said; "there is no consolation when you have lost that which has seemed to you the infinite." A week later Paul de Manerville met De Marsay in the Tuileries, on the Terrasse de Feuillants. "Well, what has become of our beautiful girl of the golden eyes, you rascal?" "She is dead." "What of?" "Consumption." PARIS, March 1834-April 1835.
Note: The Girl with the Golden Eyes is the third part of a trilogy. Part one is entitled Ferragus and part two is The Duchesse de Langeais. In other addendum references all three stories are usually combined under the title The Thirteen. The following personages appear in other stories of the Human Comedy.
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