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Godolphin, a novel by Edward Bulwer-Lytton |
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Chapter 48. In Which Two Persons, Permanently United.. |
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_ CHAPTER XLVIII. IN WHICH TWO PERSONS, PERMANENTLY UNITED, DISCOVER THAT NO TIE CAN PRODUCE UNION OF MINDS
Godolphin, too, was not without his disappointments. There was something so bright, so purely intellectual about Constance's character, that at times, when brought into constant intercourse with her, you longed for some human weakness--some wild, warm error on which to repose. Dazzling and fair as snow, like snow your eye ached to gaze upon her. She had, during the years of her ungenial marriage, cultivated her mind to the utmost; few women were so accomplished--it might be learned; her conversation flowed for ever in the same bright, flowery, adorned stream. There were times when Godolphin recollected how hard it is to read a volume of that Gibbon who in a page is so delightful. Her affection for him was intense, high, devoted; but it was wholly of the same intellectual spiritualised order; it seemed to Godolphin to want human warmth and fondness. In fact, there never was a woman who, both by original nature and after habits, was so purely and abstractedly "mind" as was Constance; there was not a single trait or taste in her character that a sensualist could have sneered at. Her heart was wholly Godolphin's; her mind was generous, sympathising, lofty; her person unrivalled in the majesty of its loveliness; all these, too, were Godolphin's, and yet the eternal something was wanting still. "I have brought you your hat, Percy," said Constance; "you forget the dews are falling fast, and your head is uncovered." "Thank you," said Percy, gently; yet Constance thought the tone might have been warmer. "How beautiful is this hour! Look yonder, the sun's rays still upon those immortal hills--that lone grey tower amongst the far plains--the pines around--hearken to their sighing! These are indeed the scenes of the Dryad and the Faun. These are scenes where we could melt our whole nature down to love: Nature never meant us for the stern and arid destinies we fulfil. Look round, Constance, in every leaf of her gorgeous book, how glowingly is written the one sentence, 'Love and be happy!' You answer not; to these thoughts you are cold." "They breathe too much of the Epicurean and his roseleaves for me," answered Constance, smilingly. "I love better that stern old tower, telling of glorious strife and great deeds, than all the softer landscape, on which the present debasement of the south seems written." "You and your English," said Godolphin, somewhat bitterly, "prate of the debasement of my poor Italians in a jargon that I confess almost enrages me. (Constance coloured and bit her lip.) Debasement! why debasement? They enjoy themselves: they take from life its just moral; they do not affect the more violent crimes; they feel their mortality, follow its common ends, are frivolous, contented, and die! Well; this is debasement. Be it so. But for what would you exchange it? The hard, cold, ferocious guilt of ancient Rome; the detestable hypocrisy, the secret villiany, fraud, murder, that stamped republican Venice? The days of glory that you lament are the days of the darkest guilt; and man shudders when he reads what the fair moralisers over the soft and idle Italy sigh to recall!" "You are severe," said Constance, with a pained voice. "Forgive me, dearest; but you are often severe on my feelings." Constance was silent; the magic of the sunset was gone; they walked back to the house, thoughtful, and somewhat cooled towards each other. Another day, on which the rain forbade them to stir from home, Godolphin, after he had remained long silent and meditating, said to Constance, who was busy writing letters to her political friends, in which, avoiding Italy and love, the scheming countess dwelt only on busy England and its eternal politics: "Will you read to me, dear Constance? my spirits are sad to-day; the weather affects them." Constance laid aside her letters, and took up one of the many books that strewed the table: it was a volume of one of our most popular poets. "I hate poetry," said Godolphin, languidly. "Here is Machiavel's history of the Prince of Lucca," said Constance, quickly. "Ah, read that, and see how odious is ambition," returned Godolphin. And Constance read, but she warmed at what Godolphin's lip curled with disdain. The sentiments, however, drew him from his apathy; and presently, with the eloquence he could command when once excited, he poured forth the doctrines of his peculiar philosophy. Constance listened, delighted and absorbed; she did not sympathise with the thought, but she was struck with the genius which clothed it. "Ah!" said she, with enthusiasm, "why should those brilliant words be thus spoken and lost for ever? Why not stamp them on the living page, or why not invest them in the oratory that would render you illustrious and them immortal?" "Excellent!" said Godolphin laughing; "the House of Commons would sympathise with philosophy warmly!" Yet Constance was right on the whole. But the curse of a life of pleasure is its aversion to useful activity. Talk of the genius that lies crushed and obscure in poverty! Wealth and station have also their mute Miltons and inglorious Hampdens. Alas! how much of deep and true wisdom do we meet among the triflers of the world! How much that in the stern middle walks of life would have obtained renown, in the withering and relaxed air of loftier ranks dies away unheeded! The two extremes meet in this,--the destruction of mental gifts. _ |