________________________________________________
_ Close to the serried backbone of the Cumberland ridge through a sky of
mountain clarity, the sun seemed hesitating before its descent to the
horizon. The sugar-loaf cone that towered above a creek called Misery
was pointed and edged with emerald tracery where the loftiest timber
thrust up its crest plumes into the sun. On the hillsides it would be
light for more than an hour yet, but below, where the waters tossed
themselves along in a chorus of tiny cascades, the light was already
thickening into a cathedral gloom. Down there the "furriner" would have
seen only the rough course of the creek between moss-velveted and
shaded bowlders of titanic proportions. The native would have
recognized the country road in these tortuous twistings. Now there were
no travelers, foreign or native, and no sounds from living throats
except at intervals the clear "Bob White" of a nesting partridge, and
the silver confidence of the red cardinal flitting among the pines.
Occasionally, too, a stray whisper of breeze stole along the creek-bed
and rustled the beeches, or stirred in the broad, fanlike leaves of the
"cucumber trees." A great block of sandstone, to whose summit a man
standing in his saddle could scarcely reach his fingertips, towered
above the stream, with a gnarled scrub oak clinging tenaciously to its
apex. Loftily on both sides climbed the mountains cloaked in laurel and
timber.
Suddenly the leafage was thrust aside from above by a cautious hand,
and a shy, half-wild girl appeared in the opening. For an instant she
halted, with her brown fingers holding back the brushwood, and raised
her face as though listening. Across the slope drifted the call of the
partridge, and with perfect imitation she whistled back an answer. It
would have seemed appropriate to anyone who had seen her that she
should talk bird language to the birds. She was herself as much a wood
creature as they, and very young. That she was beautiful was not
strange. The women of the mountains have a morning-glory bloom--until
hardship and drudgery have taken toll of their youth--and she could not
have been more than sixteen.
It was June, and the hills, which would be bleakly forbidding barriers
in winter, were now as blithely young as though they had never known
the scourging of sleet or the blight of wind. The world was abloom, and
the girl, too, was in her early June, and sentiently alive with the
strength of its full pulse-tide. She was slim and lithely resilient of
step. Her listening attitude was as eloquent of pausing elasticity as
that of the gray squirrel. Her breathing was soft, though she had come
down a steep mountainside, and as fragrant as the breath of the elder
bushes that dashed the banks with white sprays of blossom. She brought
with her to the greens and grays and browns of the woodland's heart a
new note of color, for her calico dress was like the red cornucopias of
the trumpet-flower, and her eyes were blue like little scraps of sky.
Her heavy, brown-red hair fell down over her shoulders in loose
profusion. The coarse dress was freshly briar-torn, and in many places
patched; and it hung to the lithe curves of her body in a fashion which
told that she wore little else. She had no hat, but the same spirit of
childlike whimsey that caused her eyes to dance as she answered the
partridge's call had led her to fashion for her own crowning a headgear
of laurel leaves and wild roses. As she stood with the toes of one bare
foot twisting in the gratefully cool moss, she laughed with the sheer
exhilaration of life and youth, and started out on the table top of the
huge rock. But there she halted suddenly with a startled exclamation,
and drew instinctively back. What she saw might well have astonished
her, for it was a thing she had never seen before and of which she had
never heard. Now she paused in indecision between going forward toward
exploration and retreating from new and unexplained phenomena. In her
quick instinctive movements was something like the irresolution of the
fawn whose nostrils have dilated to a sense of possible danger.
Finally, reassured by the silence, she slipped across the broad face of
the flat rock for a distance of twenty-five feet, and paused again to
listen.
At the far edge lay a pair of saddlebags, such as form the only
practical equipment for mountain travelers. They were ordinary
saddlebags, made from the undressed hide of a brindle cow, and they
were fat with tight packing. A pair of saddlebags lying unclaimed at
the roadside would in themselves challenge curiosity. But in this
instance they gave only the prefatory note to a stranger story. Near
them lay a tin box, littered with small and unfamiliar-looking tubes of
soft metal, all grotesquely twisted and stained, and beside the box was
a strangely shaped plaque of wood, smeared with a dozen hues. That this
plaque was a painter's sketching palette was a thing which she could
not know, since the ways of artists had to do with a world as remote
from her own as the life of the moon or stars. It was one of those
vague mysteries that made up the wonderful life of "down below." Even
the names of such towns as Louisville and Lexington meant nothing
definite to this girl who could barely spell out, "The cat caught the
rat," in the primer. Yet here beside the box and palette stood a
strange jointed tripod, and upon it was some sort of sheet. What it all
meant, and what was on the other side of the sheet became a matter of
keenly alluring interest. Why had these things been left here in such
confusion? If there was a man about who owned them he would doubtless
return to claim them. Possibly he was wandering about the broken bed of
the creek, searching for a spring, and that would not take long. No one
drank creek water. At any moment he might return and discover her. Such
a contingency held untold terrors for her shyness, and yet to turn her
back on so interesting a mystery would be insupportable. Accordingly,
she crept over, eyes and ears alert, and slipped around to the front of
the queer tripod, with all her muscles poised in readiness for flight.
A half-rapturous and utterly astonished cry broke from her lips. She
stared a moment, then dropped to the moss-covered rock, leaning back on
her brown hands and gazing intently. She sat there forgetful of
everything except the sketch which stood on the collapsible easel.
"Hit's purty!" she approved, in a low, musical murmur. "Hit's plumb
dead _beautiful_!" Her eyes were glowing with delighted approval.
She had never before seen a picture more worthy than the chromos of
advertising calendars and the few crude prints that find their way into
the roughest places, and she was a passionate, though totally
unconscious, devotee of beauty. Now she was sitting before a sketch,
its paint still moist, which more severe critics would have pronounced
worthy of accolade. Of course, it was not a finished picture--merely a
study of what lay before her--but the hand that had placed these
brushstrokes on the academy board was the sure, deft hand of a master
of landscape, who had caught the splendid spirit of the thing, and
fixed it immutably in true and glowing appreciation. Who he was; where
he had gone; why his work stood there unfinished and abandoned, were
details which for the moment this half-savage child-woman forgot to
question. She was conscious only of a sense of revelation and awe. Then
she saw other boards, like the one upon the easel, piled near the paint
-box. These were dry, and represented the work of other days; but they
were all pictures of her own mountains, and in each of them, as in this
one, was something that made her heart leap.
To her own people, these steep hillsides and "coves" and valleys were
a matter of course. In their stony soil, they labored by day: and in
their shadows slept when work was done. Yet, someone had discovered
that they held a picturesque and rugged beauty; that they were not
merely steep fields where the plough was useless and the hoe must be
used. She must tell Samson: Samson, whom she held in an artless
exaltation of hero-worship; Samson, who was so "smart" that he thought
about things beyond her understanding; Samson, who could not only read
and write, but speculate on problematical matters.
Suddenly she came to her feet with a swift-darting impulse of alarm.
Her ear had caught a sound. She cast searching glances about her, but
the tangle was empty of humanity. The water still murmured over the
rocks undisturbed. There was no sign of human presence, other than
herself, that her eyes could discover--and yet to her ears came the
sound again, and this time more distinctly. It was the sound of a man's
voice, and it was moaning as if in pain. She rose and searched vainly
through the bushes of the hillside where the rock ran out from the
woods. She lifted her skirts and splashed her bare feet in the shallow
creek water, wading persistently up and down. Her shyness was
forgotten. The groan was a groan of a human creature in distress, and
she must find and succor the person from whom it came.
Certain sounds are baffling as to direction. A voice from overhead or
broken by echoing obstacles does not readily betray its source. Finally
she stood up and listened once more intently--her attitude full of
tense earnestness.
"I'm shore a fool," she announced, half-aloud. "I'm shore a plumb
fool." Then she turned and disappeared in the deep cleft between the
gigantic bowlder upon which she had been sitting and another--small
only by comparison. There, ten feet down, in a narrow alley littered
with ragged stones, lay the crumpled body of a man. It lay with the
left arm doubled under it, and from a gash in the forehead trickled a
thin stream of blood. Also, it was the body of such a man as she had
not seen before. _
Read next: CHAPTER II
Table of content of Call of the Cumberlands
GO TO TOP OF SCREEN
Post your review
Your review will be placed after the table of content of this book
