Part 14

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_ Baron Montes de Montejanos was a _lion_, but a lion not accounted for. Fashionable Paris, Paris of the turf and of the town, admired the ineffable waistcoats of this foreign gentleman, his spotless patent-leather boots, his incomparable sticks, his much-coveted horses, and the negro servants who rode the horses and who were entirely slaves and most consumedly thrashed.

His fortune was well known; he had a credit account up to seven hundred thousand francs in the great banking house of du Tillet; but he was always seen alone. When he went to "first nights," he was in a stall. He frequented no drawing-rooms. He had never given his arm to a girl on the streets. His name would not be coupled with that of any pretty woman of the world. To pass his time he played whist at the Jockey-Club. The world was reduced to calumny, or, which it thought funnier, to laughing at his peculiarities; he went by the name of Combabus.

Bixiou, Leon de Lora, Lousteau, Florine, Mademoiselle Heloise Brisetout, and Nathan, supping one evening with the notorious Carabine, with a large party of _lions_ and _lionesses_, had invented this name with an excessively burlesque explanation. Massol, as being on the Council of State, and Claude Vignon, erewhile Professor of Greek, had related to the ignorant damsels the famous anecdote, preserved in Rollin's _Ancient History_, concerning Combabus, that voluntary Abelard who was placed in charge of the wife of a King of Assyria, Persia, Bactria, Mesopotamia, and other geographical divisions peculiar to old Professor du Bocage, who continued the work of d'Anville, the creator of the East of antiquity. This nickname, which gave Carabine's guests laughter for a quarter of an hour, gave rise to a series of over-free jests, to which the Academy could not award the Montyon prize; but among which the name was taken up, to rest thenceforth on the curly mane of the handsome Baron, called by Josepha the splendid Brazilian--as one might say a splendid _Catoxantha_.

Carabine, the loveliest of her tribe, whose delicate beauty and amusing wit had snatched the sceptre of the Thirteenth Arrondissement from the hands of Mademoiselle Turquet, better known by the name of Malaga--Mademoiselle Seraphine Sinet (this was her real name) was to du Tillet the banker what Josepha Mirah was to the Duc d'Herouville.

Now, on the morning of the very day when Madame de Saint-Esteve had prophesied success to Victorin, Carabine had said to du Tillet at about seven o'clock:

"If you want to be very nice, you will give me a dinner at the _Rocher de Cancale_ and bring Combabus. We want to know, once for all, whether he has a mistress.--I bet that he has, and I should like to win."

"He is still at the Hotel des Princes; I will call," replied du Tillet. "We will have some fun. Ask all the youngsters--the youngster Bixiou, the youngster Lora, in short, all the clan."

At half-past seven that evening, in the handsomest room of the restaurant where all Europe has dined, a splendid silver service was spread, made on purpose for entertainments where vanity pays the bill in bank-notes. A flood of light fell in ripples on the chased rims; waiters, whom a provincial might have taken for diplomatists but for their age, stood solemnly, as knowing themselves to be overpaid.

Five guests had arrived, and were waiting for nine more. These were first and foremost Bixiou, still flourishing in 1843, the salt of every intellectual dish, always supplied with fresh wit--a phenomenon as rare in Paris as virtue is; Leon de Lora, the greatest living painter of landscape and the sea who has this great advantage over all his rivals, that he has never fallen below his first successes. The courtesans could never dispense with these two kings of ready wit. No supper, no dinner, was possible without them.

Seraphine Sinet, _dite_ Carabine, as the mistress _en titre_ of the Amphitryon, was one of the first to arrive; and the brilliant lighting showed off her shoulders, unrivaled in Paris, her throat, as round as if turned in a lathe, without a crease, her saucy face, and dress of satin brocade in two shades of blue, trimmed with Honiton lace enough to have fed a whole village for a month.

Pretty Jenny Cadine, not acting that evening, came in a dress of incredible splendor; her portrait is too well known to need any description. A party is always a Longchamps of evening dress for these ladies, each anxious to win the prize for her millionaire by thus announcing to her rivals:

"This is the price I am worth!"

A third woman, evidently at the initial stage of her career, gazed, almost shamefaced, at the luxury of her two established and wealthy companions. Simply dressed in white cashmere trimmed with blue, her head had been dressed with real flowers by a coiffeur of the old-fashioned school, whose awkward hands had unconsciously given the charm of ineptitude to her fair hair. Still unaccustomed to any finery, she showed the timidity--to use a hackneyed phrase --inseparable from a first appearance. She had come from Valognes to find in Paris some use for her distracting youthfulness, her innocence that might have stirred the senses of a dying man, and her beauty, worthy to hold its own with any that Normandy has ever supplied to the theatres of the capital. The lines of that unblemished face were the ideal of angelic purity. Her milk-white skin reflected the light like a mirror. The delicate pink in her cheeks might have been laid on with a brush. She was called Cydalise, and, as will be seen, she was an important pawn in the game played by Ma'ame Nourrisson to defeat Madame Marneffe.

"Your arm is not a match for your name, my child," said Jenny Cadine, to whom Carabine had introduced this masterpiece of sixteen, having brought her with her.

And, in fact, Cydalise displayed to public admiration a fine pair of arms, smooth and satiny, but red with healthy young blood.

"What do you want for her?" said Jenny Cadine, in an undertone to Carabine.

"A fortune."

"What are you going to do with her?"

"Well--Madame Combabus!"

"And what are you to get for such a job?"

"Guess."

"A service of plate?"

"I have three."

"Diamonds?"

"I am selling them."

"A green monkey?"

"No. A picture by Raphael."

"What maggot is that in your brain?"

"Josepha makes me sick with her pictures," said Carabine. "I want some better than hers."

Du Tillet came with the Brazilian, the hero of the feast; the Duc d'Herouville followed with Josepha. The singer wore a plain velvet gown, but she had on a necklace worth a hundred and twenty thousand francs, pearls hardly distinguishable from her skin like white camellia petals. She had stuck one scarlet camellia in her black hair --a patch--the effect was dazzling, and she had amused herself by putting eleven rows of pearls on each arm. As she shook hands with Jenny Cadine, the actress said, "Lend me your mittens!"

Josepha unclasped them one by one and handed them to her friend on a plate.

"There's style!" said Carabine. "Quite the Duchess! You have robbed the ocean to dress the nymph, Monsieur le Duc," she added turning to the little Duc d'Herouville.

The actress took two of the bracelets; she clasped the other twenty on the singer's beautiful arms, which she kissed.

Lousteau, the literary cadger, la Palferine and Malaga, Massol, Vauvinet, and Theodore Gaillard, a proprietor of one of the most important political newspapers, completed the party. The Duc d'Herouville, polite to everybody, as a fine gentleman knows how to be, greeted the Comte de la Palferine with the particular nod which, while it does not imply either esteem or intimacy, conveys to all the world, "We are of the same race, the same blood--equals!"--And this greeting, the shibboleth of the aristocracy, was invented to be the despair of the upper citizen class.

Carabine placed Combabus on her left, and the Duc d'Herouville on her right. Cydalise was next to the Brazilian, and beyond her was Bixiou. Malaga sat by the Duke.

Oysters appeared at seven o'clock; at eight they were drinking iced punch. Every one is familiar with the bill of fare of such a banquet. By nine o'clock they were talking as people talk after forty-two bottles of various wines, drunk by fourteen persons. Dessert was on the table, the odious dessert of the month of April. Of all the party, the only one affected by the heady atmosphere was Cydalise, who was humming a tune. None of the party, with the exception of the poor country girl, had lost their reason; the drinkers and the women were the experienced _elite_ of the society that sups. Their wits were bright, their eyes glistened, but with no loss of intelligence, though the talk drifted into satire, anecdote, and gossip. Conversation, hitherto confined to the inevitable circle of racing, horses, hammerings on the Bourse, the different occupations of the _lions_ themselves, and the scandals of the town, showed a tendency to break up into intimate _tete-a-tete_, the dialogues of two hearts.

And at this stage, at a signal from Carabine to Leon de Lora, Bixiou, la Palferine, and du Tillet, love came under discussion.

"A doctor in good society never talks of medicine, true nobles never speak of their ancestors, men of genius do not discuss their works," said Josepha; "why should we talk business? If I got the opera put off in order to dine here, it was assuredly not to work.--So let us change the subject, dear children."

"But we are speaking of real love, my beauty," said Malaga, "of the love that makes a man fling all to the dogs--father, mother, wife, children--and retire to Clichy."

"Talk away, then, 'don't know yer,'" said the singer.

The slang words, borrowed from the Street Arab, and spoken by these women, may be a poem on their lips, helped by the expression of the eyes and face.

"What, do not I love you, Josepha?" said the Duke in a low voice.

"You, perhaps, may love me truly," said she in his ear, and she smiled. "But I do not love you in the way they describe, with such love as makes the world dark in the absence of the man beloved. You are delightful to me, useful--but not indispensable; and if you were to throw me over to-morrow, I could have three dukes for one."

"Is true love to be found in Paris?" asked Leon de Lora. "Men have not even time to make a fortune; how can they give themselves over to true love, which swamps a man as water melts sugar? A man must be enormously rich to indulge in it, for love annihilates him--for instance, like our Brazilian friend over there. As I said long ago, 'Extremes defeat--themselves.' A true lover is like an eunuch; women have ceased to exist for him. He is mystical; he is like the true Christian, an anchorite of the desert!--See our noble Brazilian."

Every one at table looked at Henri Montes de Montejanos, who was shy at finding every eye centred on him.

"He has been feeding there for an hour without discovering, any more than an ox at pasture, that he is sitting next to--I will not say, in such company, the loveliest--but the freshest woman in all Paris."

"Everything is fresh here, even the fish; it is what the house is famous for," said Carabine.

Baron Montes looked good-naturedly at the painter, and said:

"Very good! I drink to your very good health," and bowing to Leon de Lora, he lifted his glass of port wine and drank it with much dignity.

"Are you then truly in love?" asked Malaga of her neighbor, thus interpreting his toast.

The Brazilian refilled his glass, bowed to Carabine, and drank again.

"To the lady's health then!" said the courtesan, in such a droll tone that Lora, du Tillet, and Bixiou burst out laughing.

The Brazilian sat like a bronze statue. This impassibility provoked Carabine. She knew perfectly well that Montes was devoted to Madame Marneffe, but she had not expected this dogged fidelity, this obstinate silence of conviction.

A woman is as often gauged by the attitude of her lover as a man is judged from the tone of his mistress. The Baron was proud of his attachment to Valerie, and of hers to him; his smile had, to these experienced connoisseurs, a touch of irony; he was really grand to look upon; wine had not flushed him; and his eyes, with their peculiar lustre as of tarnished gold, kept the secrets of his soul. Even Carabine said to herself:

"What a woman she must be! How she has sealed up that heart!"

"He is a rock!" said Bixiou in an undertone, imagining that the whole thing was a practical joke, and never suspecting the importance to Carabine of reducing this fortress.

While this conversation, apparently so frivolous, was going on at Carabine's right, the discussion of love was continued on her left between the Duc d'Herouville, Lousteau, Josepha, Jenny Cadine, and Massol. They were wondering whether such rare phenomena were the result of passion, obstinacy, or affection. Josepha, bored to death by it all, tried to change the subject.

"You are talking of what you know nothing about. Is there a man among you who ever loved a woman--a woman beneath him--enough to squander his fortune and his children's, to sacrifice his future and blight his past, to risk going to the hulks for robbing the Government, to kill an uncle and a brother, to let his eye be so effectually blinded that he did not even perceive that it was done to hinder his seeing the abyss into which, as a crowning jest, he was being driven? Du Tillet has a cash-box under his left breast; Leon de Lora has his wit; Bixiou would laugh at himself for a fool if he loved any one but himself; Massol has a minister's portfolio in the place of a heart; Lousteau can have nothing but viscera, since he could endure to be thrown over by Madame de Baudraye; Monsieur le Duc is too rich to prove his love by his ruin; Vauvinet is not in it--I do not regard a bill-broker as one of the human race; and you have never loved, nor I, nor Jenny Cadine, nor Malaga. For my part, I never but once even saw the phenomenon I have described. It was," and she turned to Jenny Cadine, "that poor Baron Hulot, whom I am going to advertise for like a lost dog, for I want to find him."

"Oh, ho!" said Carabine to herself, and looking keenly at Josepha, "then Madame Nourrisson has two pictures by Raphael, since Josepha is playing my hand!"

"Poor fellow," said Vauvinet, "he was a great man! Magnificent! And what a figure, what a style, the air of Francis I.! What a volcano! and how full of ingenious ways of getting money! He must be looking for it now, wherever he is, and I make no doubt he extracts it even from the walls built of bones that you may see in the suburbs of Paris near the city gates--"

"And all that," said Bixiou, "for that little Madame Marneffe! There is a precious hussy for you!"

"She is just going to marry my friend Crevel," said du Tillet.

"And she is madly in love with my friend Steinbock," Leon de Lora put in.

These three phrases were like so many pistol-shots fired point-blank at Montes. He turned white, and the shock was so painful that he rose with difficulty.

"You are a set of blackguards!" cried he. "You have no right to speak the name of an honest woman in the same breath with those fallen creatures--above all, not to make it a mark for your slander!"

He was interrupted by unanimous bravos and applause. Bixiou, Leon de Lora, Vauvinet, du Tillet, and Massol set the example, and there was a chorus.

"Hurrah for the Emperor!" said Bixiou.

"Crown him! crown him!" cried Vauvinet.

"Three groans for such a good dog! Hurrah for Brazil!" cried Lousteau.

"So, my copper-colored Baron, it is our Valerie that you love; and you are not disgusted?" said Leon de Lora.

"His remark is not parliamentary, but it is grand!" observed Massol.

"But, my most delightful customer," said du Tillet, "you were recommended to me; I am your banker; your innocence reflects on my credit."

"Yes, tell me, you are a reasonable creature----" said the Brazilian to the banker.

"Thanks on behalf of the company," said Bixiou with a bow.

"Tell me the real facts," Montes went on, heedless of Bixiou's interjection.

"Well, then," replied du Tillet, "I have the honor to tell you that I am asked to the Crevel wedding."

"Ah, ha! Combabus holds a brief for Madame Marneffe!" said Josepha, rising solemnly.

She went round to Montes with a tragic look, patted him kindly on the head, looked at him for a moment with comical admiration, and nodded sagely.

"Hulot was the first instance of love through fire and water," said she; "this is the second. But it ought not to count, as it comes from the Tropics."

Montes had dropped into his chair again, when Josepha gently touched his forehead, and looked at du Tillet as he said:

"If I am the victim of a Paris jest, if you only wanted to get at my secret----" and he sent a flashing look round the table, embracing all the guests in a flaming glance that blazed with the sun of Brazil,--"I beg of you as a favor to tell me so," he went on, in a tone of almost childlike entreaty; "but do not vilify the woman I love."

"Nay, indeed," said Carabine in a low voice; "but if, on the contrary, you are shamefully betrayed, cheated, tricked by Valerie, if I should give you the proof in an hour, in my own house, what then?"

"I cannot tell you before all these Iagos," said the Brazilian.

Carabine understood him to say _magots_ (baboons).

"Well, well, say no more!" she replied, smiling. "Do not make yourself a laughing-stock for all the wittiest men in Paris; come to my house, we will talk it over."

Montes was crushed. "Proofs," he stammered, "consider--"

"Only too many," replied Carabine; "and if the mere suspicion hits you so hard, I fear for your reason."

"Is this creature obstinate, I ask you? He is worse than the late lamented King of Holland!--I say, Lousteau, Bixiou, Massol, all the crew of you, are you not invited to breakfast with Madame Marneffe the day after to-morrow?" said Leon de Lora.

"_Ya_," said du Tillet; "I have the honor of assuring you, Baron, that if you had by any chance thought of marrying Madame Marneffe, you are thrown out like a bill in Parliament, beaten by a blackball called Crevel. My friend, my old comrade Crevel, has eighty thousand francs a year; and you, I suppose, did not show such a good hand, for if you had, you, I imagine, would have been preferred."

Montes listened with a half-absent, half-smiling expression, which struck them all with terror.

At this moment the head-waiter came to whisper to Carabine that a lady, a relation of hers, was in the drawing-room and wished to speak to her.

Carabine rose and went out to find Madame Nourrisson, decently veiled with black lace.

"Well, child, am I to go to your house? Has he taken the hook?"

"Yes, mother; and the pistol is so fully loaded, that my only fear is that it will burst," said Carabine.

About an hour later, Montes, Cydalise, and Carabine, returning from the _Rocher de Cancale_, entered Carabine's little sitting-room in the Rue Saint-Georges. Madame Nourrisson was sitting in an armchair by the fire.

"Here is my worthy old aunt," said Carabine.

"Yes, child, I came in person to fetch my little allowance. You would have forgotten me, though you are kind-hearted, and I have some bills to pay to-morrow. Buying and selling clothes, I am always short of cash. Who is this at your heels? The gentleman looks very much put out about something."

The dreadful Madame Nourrisson, at this moment so completely disguised as to look like a respectable old body, rose to embrace Carabine, one of the hundred and odd courtesans she had launched on their horrible career of vice.

"He is an Othello who is not to be taken in, whom I have the honor of introducing to you--Monsieur le Baron Montes de Montejanos."

"Oh! I have heard him talked about, and know his name.--You are nicknamed Combabus, because you love but one woman, and in Paris, that is the same as loving no one at all. And is it by chance the object of your affections who is fretting you? Madame Marneffe, Crevel's woman? I tell you what, my dear sir, you may bless your stars instead of cursing them. She is a good-for-nothing baggage, is that little woman. I know her tricks!"

"Get along," said Carabine, into whose hand Madame Nourrisson had slipped a note while embracing her, "you do not know your Brazilians. They are wrong-headed creatures that insist on being impaled through the heart. The more jealous they are, the more jealous they want to be. Monsieur talks of dealing death all round, but he will kill nobody because he is in love.--However, I have brought him here to give him the proofs of his discomfiture, which I have got from that little Steinbock."

Montes was drunk; he listened as if the women were talking about somebody else.

Carabine went to take off her velvet wrap, and read a facsimile of a note, as follows:--

"DEAR PUSS.--He dines with Popinot this evening, and will come to fetch me from the Opera at eleven. I shall go out at about half-past five and count on finding you at our paradise. Order dinner to be sent in from the _Maison d'or_. Dress, so as to be able to take me to the Opera. We shall have four hours to ourselves. Return this note to me; not that your Valerie doubts you--I would give you my life, my fortune, and my honor, but I am afraid of the tricks of chance."

"Here, Baron, this is the note sent to Count Steinbock this morning; read the address. The original document is burnt."

Montes turned the note over and over, recognized the writing, and was struck by a rational idea, which is sufficient evidence of the disorder of his brain.

"And, pray," said he, looking at Carabine, "what object have you in torturing my heart, for you must have paid very dear for the privilege of having the note in your possession long enough to get it lithographed?"

"Foolish man!" said Carabine, at a nod from Madame Nourrisson, "don't you see that poor child Cydalise--a girl of sixteen, who has been pining for you these three months, till she has lost her appetite for food or drink, and who is heart-broken because you have never even glanced at her?"

Cydalise put her handkerchief to her eyes with an appearance of emotion--"She is furious," Carabine went on, "though she looks as if butter would not melt in her mouth, furious to see the man she adores duped by a villainous hussy; she would kill Valerie--"

"Oh, as for that," said the Brazilian, "that is my business!"

"What, killing?" said old Nourrisson. "No, my son, we don't do that here nowadays."

"Oh!" said Montes, "I am not a native of this country. I live in a parish where I can laugh at your laws; and if you give me proof--"

"Well, that note. Is that nothing?"

"No," said the Brazilian. "I do not believe in the writing. I must see for myself."

"See!" cried Carabine, taking the hint at once from a gesture of her supposed aunt. "You shall see, my dear Tiger, all you wish to see--on one condition."

"And that is?"

"Look at Cydalise."

At a wink from Madame Nourrisson, Cydalise cast a tender look at the Baron.

"Will you be good to her? Will you make her a home?" asked Carabine. "A girl of such beauty is well worth a house and a carriage! It would be a monstrous shame to leave her to walk the streets. And besides --she is in debt.--How much do you owe?" asked Carabine, nipping Cydalise's arm.

"She is worth all she can get," said the old woman. "The point is that she can find a buyer."

"Listen!" cried Montes, fully aware at last of this masterpiece of womankind "you will show me Valerie--"

"And Count Steinbock.--Certainly!" said Madame Nourrisson.

For the past ten minutes the old woman had been watching the Brazilian; she saw that he was an instrument tuned up to the murderous pitch she needed; and, above all, so effectually blinded, that he would never heed who had led him on to it, and she spoke:--

"Cydalise, my Brazilian jewel, is my niece, so her concerns are partly mine. All this catastrophe will be the work of a few minutes, for a friend of mine lets the furnished room to Count Steinbock where Valerie is at this moment taking coffee--a queer sort of coffee, but she calls it her coffee. So let us understand each other, Brazil!--I like Brazil, it is a hot country.--What is to become of my niece?"

"You old ostrich," said Montes, the plumes in the woman's bonnet catching his eye, "you interrupted me.--If you show me--if I see Valerie and that artist together--"

"As you would wish to be--" said Carabine; "that is understood."

"Then I will take this girl and carry her away--"

"Where?" asked Carabine.

"To Brazil," replied the Baron. "I will make her my wife. My uncle left me ten leagues square of entailed estate; that is how I still have that house and home. I have a hundred negroes--nothing but negroes and negresses and negro brats, all bought by my uncle--"

"Nephew to a nigger-driver," said Carabine, with a grimace. "That needs some consideration.--Cydalise, child, are you fond of the blacks?"

"Pooh! Carabine, no nonsense," said the old woman. "The deuce is in it! Monsieur and I are doing business."

"If I take up another Frenchwoman, I mean to have her to myself," the Brazilian went on. "I warn you, mademoiselle, I am king there, and not a constitutional king. I am Czar; my subjects are mine by purchase, and no one can escape from my kingdom, which is a hundred leagues from any human settlement, hemmed in by savages on the interior, and divided from the sea by a wilderness as wide as France."

"I should prefer a garret here."

"So thought I," said Montes, "since I sold all my land and possessions at Rio to come back to Madame Marneffe."

"A man does not make such a voyage for nothing," remarked Madame Nourrisson. "You have a right to look for love for your own sake, particularly being so good-looking.--Oh, he is very handsome!" said she to Carabine.

"Very handsome, handsomer than the _Postillon de Longjumeau_," replied the courtesan.

Cydalise took the Brazilian's hand, but he released it as politely as he could.

"I came back for Madame Marneffe," the man went on where he had left off, "but you do not know why I was three years thinking about it."

"No, savage!" said Carabine.

"Well, she had so repeatedly told me that she longed to live with me alone in a desert--"

"Oh, ho! he is not a savage after all," cried Carabine, with a shout of laughter. "He is of the highly-civilized tribe of Flats!"

"She had told me this so often," Montes went on, regardless of the courtesan's mockery, "that I had a lovely house fitted up in the heart of that vast estate. I came back to France to fetch Valerie, and the first evening I saw her--"

"Saw her is very proper!" said Carabine. "I will remember it."

"She told me to wait till that wretched Marneffe was dead; and I agreed, and forgave her for having admitted the attentions of Hulot. Whether the devil had her in hand I don't know, but from that instant that woman has humored my every whim, complied with all my demands --never for one moment has she given me cause to suspect her!--"

"That is supremely clever!" said Carabine to Madame Nourrisson, who nodded in sign of assent.

"My faith in that woman," said Montes, and he shed a tear, "was a match for my love. Just now, I was ready to fight everybody at table--"

"So I saw," said Carabine.

"And if I am cheated, if she is going to be married, if she is at this moment in Steinbock's arms, she deserves a thousand deaths! I will kill her as I would smash a fly--"

"And how about the gendarmes, my son?" said Madame Nourrisson, with a smile that made your flesh creep.

"And the police agents, and the judges, and the assizes, and all the set-out?" added Carabine.

"You are bragging, my dear fellow," said the old woman, who wanted to know all the Brazilian's schemes of vengeance.

"I will kill her," he calmly repeated. "You called me a savage.--Do you imagine that I am fool enough to go, like a Frenchman, and buy poison at the chemist's shop?--During the time while we were driving her, I thought out my means of revenge, if you should prove to be right as concerns Valerie. One of my negroes has the most deadly of animal poisons, and incurable anywhere but in Brazil. I will administer it to Cydalise, who will give it to me; then by the time when death is a certainty to Crevel and his wife, I shall be beyond the Azores with your cousin, who will be cured, and I will marry her. We have our own little tricks, we savages!--Cydalise," said he, looking at the country girl, "is the animal I need.--How much does she owe?"

"A hundred thousand francs," said Cydalise.

"She says little--but to the purpose," said Carabine, in a low tone to Madame Nourrisson.

"I am going mad!" cried the Brazilian, in a husky voice, dropping on to a sofa. "I shall die of this! But I must see, for it is impossible! --A lithographed note! What is to assure me that it is not a forgery? --Baron Hulot was in love with Valerie?" said he, recalling Josepha's harangue. "Nay; the proof that he did not love is that she is still alive--I will not leave her living for anybody else, if she is not wholly mine."

Montes was terrible to behold. He bellowed, he stormed; he broke everything he touched; rosewood was as brittle as glass.

"How he destroys things!" said Carabine, looking at the old woman. "My good boy," said she, giving the Brazilian a little slap, "Roland the Furious is very fine in a poem; but in a drawing-room he is prosaic and expensive."

"My son," said old Nourrisson, rising to stand in front of the crestfallen Baron, "I am of your way of thinking. When you love in that way, and are joined 'till death does you part,' life must answer for love. The one who first goes, carries everything away; it is a general wreck. You command my esteem, my admiration, my consent, especially for your inoculation, which will make me a Friend of the Negro.--But you love her! You will hark back?"

"I?--If she is so infamous, I--"

"Well, come now, you are talking too much, it strikes me. A man who means to be avenged, and who says he has the ways and means of a savage, doesn't do that.--If you want to see your 'object' in her paradise, you must take Cydalise and walk straight in with her on your arm, as if the servant had made a mistake. But no scandal! If you mean to be revenged, you must eat the leek, seem to be in despair, and allow her to bully you.--Do you see?" said Madame Nourrisson, finding the Brazilian quite amazed by so subtle a scheme.

"All right, old ostrich," he replied. "Come along: I understand."

"Good-bye, little one!" said the old woman to Carabine.

She signed to Cydalise to go on with Montes, and remained a minute with Carabine.

"Now, child, I have but one fear, and that is that he will strangle her! I should be in a very tight place; we must do everything gently. I believe you have won your picture by Raphael; but they tell me it is only a Mignard. Never mind, it is much prettier; all the Raphaels are gone black, I am told, whereas this one is as bright as a Girodet."

"All I want is to crow over Josepha; and it is all the same to me whether I have a Mignard or a Raphael!--That thief had on such pearls this evening!--you would sell your soul for them."

Cydalise, Montes, and Madame Nourrisson got into a hackney coach that was waiting at the door. Madame Nourrisson whispered to the driver the address of a house in the same block as the Italian Opera House, which they could have reached in five or six minutes from the Rue Saint-Georges; but Madame Nourrisson desired the man to drive along the Rue le Peletier, and to go very slowly, so as to be able to examine the carriages in waiting.

"Brazilian," said the old woman, "look out for your angel's carriage and servants."

The Baron pointed out Valerie's carriage as they passed it.

"She has told them to come for her at ten o'clock, and she is gone in a cab to the house where she visits Count Steinbock. She has dined there, and will come to the Opera in half an hour.--It is well contrived!" said Madame Nourrisson. "Thus you see how she has kept you so long in the dark."

The Brazilian made no reply. He had become the tiger, and had recovered the imperturbable cool ferocity that had been so striking at dinner. He was as calm as a bankrupt the day after he has stopped payment.

At the door of the house stood a hackney coach with two horses, of the kind known as a _Compagnie Generale_, from the Company that runs them.

"Stay here in the box," said the old woman to Montes. "This is not an open house like a tavern. I will send for you."

The paradise of Madame Marneffe and Wenceslas was not at all like that of Crevel--who, finding it useless now, had just sold his to the Comte Maxime de Trailles. This paradise, the paradise of all comers, consisted of a room on the fourth floor opening to the landing, in a house close to the Italian Opera. On each floor of this house there was a room which had originally served as the kitchen to the apartments on that floor. But the house having become a sort of inn, let out for clandestine love affairs at an exorbitant price, the owner, the real Madame Nourrisson, an old-clothes buyer in the Rue Nueve Saint-Marc, had wisely appreciated the great value of these kitchens, and had turned them into a sort of dining-rooms. Each of these rooms, built between thick party-walls and with windows to the street, was entirely shut in by very thick double doors on the landing. Thus the most important secrets could be discussed over a dinner, with no risk of being overheard. For greater security, the windows had shutters inside and out. These rooms, in consequence of this peculiarity, were let for twelve hundred francs a month. The whole house, full of such paradises and mysteries was rented by Madame Nourrisson the First for twenty-eight thousand francs of clear profit, after paying her housekeeper, Madame Nourrisson the Second, for she did not manage it herself.

The paradise let to Count Steinbock had been hung with chintz; the cold, hard floor, of common tiles reddened with encaustic, was not felt through a soft thick carpet. The furniture consisted of two pretty chairs and a bed in an alcove, just now half hidden by a table loaded with the remains of an elegant dinner, while two bottles with long necks and an empty champagne-bottle in ice strewed the field of bacchus cultivated by Venus.

There were also--the property, no doubt, of Valerie--a low easy-chair and a man's smoking-chair, and a pretty toilet chest of drawers in rosewood, the mirror handsomely framed _a la_ Pompadour. A lamp hanging from the ceiling gave a subdued light, increased by wax candles on the table and on the chimney-shelf.

This sketch will suffice to give an idea, _urbi et orbi_, of clandestine passion in the squalid style stamped on it in Paris in 1840. How far, alas! from the adulterous love, symbolized by Vulcan's nets, three thousand years ago.

When Montes and Cydalise came upstairs, Valerie, standing before the fire, where a log was blazing, was allowing Wenceslas to lace her stays.

This is a moment when a woman who is neither too fat nor too thin, but like Valerie, elegant and slender, displays divine beauty. The rosy skin, mostly soft, invites the sleepiest eye. The lines of her figure, so little hidden, are so charmingly outlined by the white pleats of the shift and the support of the stays, that she is irresistible--like everything that must be parted from.

With a happy face smiling at the glass, a foot impatiently marking time, a hand put up to restore order among the tumbled curls, and eyes expressive of gratitude; with the glow of satisfaction which, like a sunset, warms the least details of the countenance--everything makes such a moment a mine of memories.

Any man who dares look back on the early errors of his life may, perhaps, recall some such reminiscences, and understand, though not excuse, the follies of Hulot and Crevel. Women are so well aware of their power at such a moment, that they find in it what may be called the aftermath of the meeting.

"Come, come; after two years' practice, you do not yet know how to lace a woman's stays! You are too much a Pole!--There, it is ten o'clock, my Wenceslas!" said Valerie, laughing at him.

At this very moment, a mischievous waiting-woman, by inserting a knife, pushed up the hook of the double doors that formed the whole security of Adam and Eve. She hastily pulled the door open--for the servants of these dens have little time to waste--and discovered one of the bewitching _tableaux de genre_ which Gavarni has so often shown at the Salon.

"In here, madame," said the girl; and Cydalise went in, followed by Montes.

"But there is some one here.--Excuse me, madame," said the country girl, in alarm.

"What?--Why! it is Valerie!" cried Montes, violently slamming the door.

Madame Marneffe, too genuinely agitated to dissemble her feelings, dropped on to the chair by the fireplace. Two tears rose to her eyes, and at once dried away. She looked at Montes, saw the girl, and burst into a cackle of forced laughter. The dignity of the insulted woman redeemed the scantiness of her attire; she walked close up to the Brazilian, and looked at him so defiantly that her eyes glittered like knives.

"So that," said she, standing face to face with the Baron, and pointing to Cydalise--"that is the other side of your fidelity? You, who have made me promises that might convert a disbeliever in love! You, for whom I have done so much--have even committed crimes!--You are right, monsieur, I am not to compare with a child of her age and of such beauty!

"I know what you are going to say," she went on, looking at Wenceslas, whose undress was proof too clear to be denied. "This is my concern. If I could love you after such gross treachery--for you have spied upon me, you have paid for every step up these stairs, paid the mistress of the house, and the servant, perhaps even Reine--a noble deed!--If I had any remnant of affection for such a mean wretch, I could give him reasons that would renew his passion!--But I leave you, monsieur, to your doubts, which will become remorse.--Wenceslas, my gown!"

She took her dress and put it on, looked at herself in the glass, and finished dressing without heeding the Baron, as calmly as if she had been alone in the room.

"Wenceslas, are you ready?--Go first."

She had been watching Montes in the glass and out of the corner of her eye, and fancied she could see in his pallor an indication of the weakness which delivers a strong man over to a woman's fascinations; she now took his hand, going so close to him that he could not help inhaling the terrible perfumes which men love, and by which they intoxicate themselves; then, feeling his pulses beat high, she looked at him reproachfully.

"You have my full permission to go and tell your history to Monsieur Crevel; he will never believe you. I have a perfect right to marry him, and he becomes my husband the day after to-morrow.--I shall make him very happy.--Good-bye; try to forget me."

"Oh! Valerie," cried Henri Montes, clasping her in his arms, "that is impossible!--Come to Brazil!"

Valerie looked in his face, and saw him her slave.

"Well, if you still love me, Henri, two years hence I will be your wife; but your expression at this moment strikes me as very suspicious."

"I swear to you that they made me drink, that false friends threw this girl on my hands, and that the whole thing is the outcome of chance!" said Montes.

"Then I am to forgive you?" she asked, with a smile.

"But you will marry, all the same?" asked the Baron, in an agony of jealousy.

"Eighty thousand francs a year!" said she, with almost comical enthusiasm. "And Crevel loves me so much that he will die of it!"

"Ah! I understand," said Montes.

"Well, then, in a few days we will come to an understanding," said she.

And she departed triumphant.

"I have no scruples," thought the Baron, standing transfixed for a few minutes. "What! That woman believes she can make use of his passion to be quit of that dolt, as she counted on Marneffe's decease!--I shall be the instrument of divine wrath."

Two days later those of du Tillet's guests who had demolished Madame Marneffe tooth and nail, were seated round her table an hour after she has shed her skin and changed her name for the illustrious name of a Paris mayor. This verbal treason is one of the commonest forms of Parisian levity.

Valerie had had the satisfaction of seeing the Brazilian in the church; for Crevel, now so entirely the husband, had invited him out of bravado. And the Baron's presence at the breakfast astonished no one. All these men of wit and of the world were familiar with the meanness of passion, the compromises of pleasure.

Steinbock's deep melancholy--for he was beginning to despise the woman whom he had adored as an angel--was considered to be in excellent taste. The Pole thus seemed to convey that all was at an end between Valerie and himself. Lisbeth came to embrace her dear Madame Crevel, and to excuse herself for not staying to the breakfast on the score of Adeline's sad state of health.

"Be quite easy," said she to Valerie, "they will call on you, and you will call on them. Simply hearing the words _two hundred thousand francs_ has brought the Baroness to death's door. Oh, you have them all hard and fast by that tale!--But you must tell it to me."

Within a month of her marriage, Valerie was at her tenth quarrel with Steinbock; he insisted on explanations as to Henri Montes, reminding her of the words spoken in their paradise; and, not content with speaking to her in terms of scorn, he watched her so closely that she never had a moment of liberty, so much was she fettered by his jealousy on one side and Crevel's devotion on the other.

Bereft now of Lisbeth, whose advice had always been so valuable she flew into such a rage as to reproach Wenceslas for the money she had lent him. This so effectually roused Steinbock's pride, that he came no more to the Crevels' house. So Valerie had gained her point, which was to be rid of him for a time, and enjoy some freedom. She waited till Crevel should make a little journey into the country to see Comte Popinot, with a view to arranging for her introduction to the Countess, and was then able to make an appointment to meet the Baron, whom she wanted to have at her command for a whole day to give him those "reasons" which were to make him love her more than ever.

On the morning of that day, Reine, who estimated the magnitude of her crime by that of the bribe she received, tried to warn her mistress, in whom she naturally took more interest than in strangers. Still, as she had been threatened with madness, and ending her days in the Salpetriere in case of indiscretion, she was cautious.

"Madame, you are so well off now," said she. "Why take on again with that Brazilian?--I do not trust him at all."

"You are very right, Reine, and I mean to be rid of him."

"Oh, madame, I am glad to hear it; he frightens me, does that big Moor! I believe him to be capable of anything."

"Silly child! you have more reason to be afraid for him when he is with me."

At this moment Lisbeth came in.

"My dear little pet Nanny, what an age since we met!" cried Valerie. "I am so unhappy! Crevel bores me to death; and Wenceslas is gone--we quarreled."

"I know," said Lisbeth, "and that is what brings me here. Victorin met him at about five in the afternoon going into an eating-house at five-and-twenty sous, and he brought him home, hungry, by working on his feelings, to the Rue Louis-le-Grand.--Hortense, seeing Wenceslas lean and ill and badly dressed, held out her hand. This is how you throw me over--"

"Monsieur Henri, madame," the man-servant announced in a low voice to Valerie.

"Leave me now, Lisbeth; I will explain it all to-morrow." But, as will be seen, Valerie was ere long not in a state to explain anything to anybody.

Towards the end of May, Baron Hulot's pension was released by Victorin's regular payment to Baron Nucingen. As everybody knows, pensions are paid half-yearly, and only on the presentation of a certificate that the recipient is alive: and as Hulot's residence was unknown, the arrears unpaid on Vauvinet's demand remained to his credit in the Treasury. Vauvinet now signed his renunciation of any further claims, and it was still indispensable to find the pensioner before the arrears could be drawn.

Thanks to Bianchon's care, the Baroness had recovered her health; and to this Josepha's good heart had contributed by a letter, of which the orthography betrayed the collaboration of the Duc d'Herouville. This was what the singer wrote to the Baroness, after twenty days of anxious search:--

"MADAME LA BARONNE,--Monsieur Hulot was living, two months since, in the Rue des Bernardins, with Elodie Chardin, a lace-mender, for whom he had left Mademoiselle Bijou; but he went away without a word, leaving everything behind him, and no one knows where he went. I am not without hope, however, and I have put a man on this track who believes he has already seen him in the Boulevard Bourdon.

"The poor Jewess means to keep the promise she made to the Christian. Will the angel pray for the devil? That must sometimes happen in heaven.--I remain, with the deepest respect, always your humble servant,

"JOSEPHA MIRAH."

The lawyer, Maitre Hulot d'Ervy, hearing no more of the dreadful Madame Nourrisson, seeing his father-in-law married, having brought back his brother-in-law to the family fold, suffering from no importunity on the part of his new stepmother, and seeing his mother's health improve daily, gave himself up to his political and judicial duties, swept along by the tide of Paris life, in which the hours count for days.

One night, towards the end of the session, having occasion to write up a report to the Chamber of Deputies, he was obliged to sit at work till late at night. He had gone into his study at nine o'clock, and, while waiting till the man-servant should bring in the candles with green shades, his thoughts turned to his father. He was blaming himself for leaving the inquiry so much to the singer, and had resolved to see Monsieur Chapuzot himself on the morrow, when he saw in the twilight, outside the window, a handsome old head, bald and yellow, with a fringe of white hair.

"Would you please to give orders, sir, that a poor hermit is to be admitted, just come from the Desert, and who is instructed to beg for contributions towards rebuilding a holy house."

This apparition, which suddenly reminded the lawyer of a prophecy uttered by the terrible Nourrisson, gave him a shock.

"Let in that old man," said he to the servant.

"He will poison the place, sir," replied the man. "He has on a brown gown which he has never changed since he left Syria, and he has no shirt--"

"Show him in," repeated the master.

The old man came in. Victorin's keen eye examined this so-called pilgrim hermit, and he saw a fine specimen of the Neapolitan friars, whose frocks are akin to the rags of the _lazzaroni_, whose sandals are tatters of leather, as the friars are tatters of humanity. The get-up was so perfect that the lawyer, though still on his guard, was vexed with himself for having believed it to be one of Madame Nourrisson's tricks.

"How much to you want of me?"

"Whatever you feel that you ought to give me."

Victorin took a five-franc piece from a little pile on his table, and handed it to the stranger.

"That is not much on account of fifty thousand francs," said the pilgrim of the desert.

This speech removed all Victorin's doubts.

"And has Heaven kept its word?" he said, with a frown.

"The question is an offence, my son," said the hermit. "If you do not choose to pay till after the funeral, you are in your rights. I will return in a week's time."

"The funeral!" cried the lawyer, starting up.

"The world moves on," said the old man, as he withdrew, "and the dead move quickly in Paris!"

When Hulot, who stood looking down, was about to reply, the stalwart old man had vanished.

"I don't understand one word of all this," said Victorin to himself. "But at the end of the week I will ask him again about my father, if we have not yet found him. Where does Madame Nourrisson--yes, that was her name--pick up such actors?"

On the following day, Doctor Bianchon allowed the Baroness to go down into the garden, after examining Lisbeth, who had been obliged to keep to her room for a month by a slight bronchial attack. The learned doctor, who dared not pronounce a definite opinion on Lisbeth's case till he had seen some decisive symptoms, went into the garden with Adeline to observe the effect of the fresh air on her nervous trembling after two months of seclusion. He was interested and allured by the hope of curing this nervous complaint. On seeing the great physician sitting with them and sparing them a few minutes, the Baroness and her family conversed with him on general subjects.

"You life is a very full and a very sad one," said Madame Hulot. "I know what it is to spend one's days in seeing poverty and physical suffering."

"I know, madame," replied the doctor, "all the scenes of which charity compels you to be a spectator; but you will get used to it in time, as we all do. It is the law of existence. The confessor, the magistrate, the lawyer would find life unendurable if the spirit of the State did not assert itself above the feelings of the individual. Could we live at all but for that? Is not the soldier in time of war brought face to face with spectacles even more dreadful than those we see? And every soldier that has been under fire is kind-hearted. We medical men have the pleasure now and again of a successful cure, as you have that of saving a family from the horrors of hunger, depravity, or misery, and of restoring it to social respectability. But what comfort can the magistrate find, the police agent, or the attorney, who spend their lives in investigating the basest schemes of self-interest, the social monster whose only regret is when it fails, but on whom repentance never dawns?

"One-half of society spends its life in watching the other half. A very old friend of mine is an attorney, now retired, who told me that for fifteen years past notaries and lawyers have distrusted their clients quite as much as their adversaries. Your son is a pleader; has he never found himself compromised by the client for whom he held a brief?"

"Very often," said Victorin, with a smile.

"And what is the cause of this deep-seated evil?" asked the Baroness.

"The decay of religion," said Bianchon, "and the pre-eminence of finance, which is simply solidified selfishness. Money used not to be everything; there were some kinds of superiority that ranked above it --nobility, genius, service done to the State. But nowadays the law takes wealth as the universal standard, and regards it as the measure of public capacity. Certain magistrates are ineligible to the Chamber; Jean-Jacques Rousseau would be ineligible! The perpetual subdivision of estate compels every man to take care of himself from the age of twenty.

"Well, then, between the necessity for making a fortune and the depravity of speculation there is no check or hindrance; for the religious sense is wholly lacking in France, in spite of the laudable endeavors of those who are working for a Catholic revival. And this is the opinion of every man who, like me, studies society at the core."

"And you have few pleasures?" said Hortense.

"The true physician, madame, is in love with his science," replied the doctor. "He is sustained by that passion as much as by the sense of his usefulness to society.

"At this very time you see in me a sort of scientific rapture, and many superficial judges would regard me as a man devoid of feeling. I have to announce a discovery to-morrow to the College of Medicine, for I am studying a disease that had disappeared--a mortal disease for which no cure is known in temperate climates, though it is curable in the West Indies--a malady known here in the Middle Ages. A noble fight is that of the physician against such a disease. For the last ten days I have thought of nothing but these cases--for there are two, a husband and wife.--Are they not connections of yours? For you, madame, are surely Monsieur Crevel's daughter?" said he, addressing Celestine.

"What, is my father your patient?" asked Celestine. "Living in the Rue Barbet-de-Jouy?"

"Precisely so," said Bianchon.

"And the disease is inevitably fatal?" said Victorin in dismay.

"I will go to see him," said Celestine, rising.

"I positively forbid it, madame," Bianchon quietly said. "The disease is contagious."

"But you go there, monsieur," replied the young woman. "Do you think that a daughter's duty is less binding than a doctor's?"

"Madame, a physician knows how to protect himself against infection, and the rashness of your devotion proves to me that you would probably be less prudent than I."

Celestine, however, got up and went to her room, where she dressed to go out.

"Monsieur," said Victorin to Bianchon, "have you any hope of saving Monsieur and Madame Crevel?"

"I hope, but I do not believe that I may," said Bianchon. "The case is to me quite inexplicable. The disease is peculiar to negroes and the American tribes, whose skin is differently constituted to that of the white races. Now I can trace no connection with the copper-colored tribes, with negroes or half-castes, in Monsieur or Madame Crevel.

"And though it is a very interesting disease to us, it is a terrible thing for the sufferers. The poor woman, who is said to have been very pretty, is punished for her sins, for she is now squalidly hideous if she is still anything at all. She is losing her hair and teeth, her skin is like a leper's, she is a horror to herself; her hands are horrible, covered with greenish pustules, her nails are loose, and the flesh is eaten away by the poisoned humors."

"And the cause of such a disease?" asked the lawyer.

"Oh!" said the doctor, "the cause lies in a form of rapid blood-poisoning; it degenerates with terrific rapidity. I hope to act on the blood; I am having it analyzed; and I am now going home to ascertain the result of the labors of my friend Professor Duval, the famous chemist, with a view to trying one of those desperate measures by which we sometimes attempt to defeat death."

"The hand of God is there!" said Adeline, in a voice husky with emotion. "Though that woman has brought sorrows on me which have led me in moments of madness to invoke the vengeance of Heaven, I hope --God knows I hope--you may succeed, doctor."

Victorin felt dizzy. He looked at his mother, his sister, and the physician by turns, quaking lest they should read his thoughts. He felt himself a murderer.

Hortense, for her part, thought God was just.

Celestine came back to beg her husband to accompany her.

"If you insist on going, madame, and you too, monsieur, keep at least a foot between you and the bed of the sufferer, that is the chief precaution. Neither you nor your wife must dream of kissing the dying man. And, indeed, you ought to go with your wife, Monsieur Hulot, to hinder her from disobeying my injunctions."

Adeline and Hortense, when they were left alone, went to sit with Lisbeth. Hortense had such a virulent hatred of Valerie that she could not contain the expression of it.

"Cousin Lisbeth," she exclaimed, "my mother and I are avenged! that venomous snake is herself bitten--she is rotting in her bed!"

"Hortense, at this moment you are not a Christian. You ought to pray to God to vouchsafe repentance to this wretched woman."

"What are you talking about?" said Betty, rising from her couch. "Are you speaking of Valerie?"

"Yes," replied Adeline; "she is past hope--dying of some horrible disease of which the mere description makes one shudder----"

Lisbeth's teeth chattered, a cold sweat broke out all over her; the violence of the shock showed how passionate her attachment to Valerie had been.

"I must go there," said she.

"But the doctor forbids your going out."

"I do not care--I must go!--Poor Crevel! what a state he must be in; for he loves that woman."

"He is dying too," replied Countess Steinbock. "Ah! all our enemies are in the devil's clutches--"

"In God's hands, my child--"

Lisbeth dressed in the famous yellow Indian shawl and her black velvet bonnet, and put on her boots; in spite of her relations' remonstrances, she set out as if driven by some irresistible power.

She arrived in the Rue Barbet a few minutes after Monsieur and Madame Hulot, and found seven physicians there, brought by Bianchon to study this unique case; he had just joined them. The physicians, assembled in the drawing-room, were discussing the disease; now one and now another went into Valerie's room or Crevel's to take a note, and returned with an opinion based on this rapid study.

These princes of science were divided in their opinions. One, who stood alone in his views, considered it a case of poisoning, of private revenge, and denied its identity with the disease known in the Middle Ages. Three others regarded it as a specific deterioration of the blood and the humors. The rest, agreeing with Bianchon, maintained that the blood was poisoned by some hitherto unknown morbid infection. Bianchon produced Professor Duval's analysis of the blood. The remedies to be applied, though absolutely empirical and without hope, depended on the verdict in this medical dilemma.

Lisbeth stood as if petrified three yards away from the bed where Valerie lay dying, as she saw a priest from Saint-Thomas d'Aquin standing by her friend's pillow, and a sister of charity in attendance. Religion could find a soul to save in a mass of rottenness which, of the five senses of man, had now only that of sight. The sister of charity who alone had been found to nurse Valerie stood apart. Thus the Catholic religion, that divine institution, always actuated by the spirit of self-sacrifice, under its twofold aspect of the Spirit and the Flesh, was tending this horrible and atrocious creature, soothing her death-bed by its infinite benevolence and inexhaustible stores of mercy.

The servants, in horror, refused to go into the room of either their master or mistress; they thought only of themselves, and judged their betters as righteously stricken. The smell was so foul that in spite of open windows and strong perfumes, no one could remain long in Valerie's room. Religion alone kept guard there.

How could a woman so clever as Valerie fail to ask herself to what end these two representatives of the Church remained with her? The dying woman had listened to the words of the priest. Repentance had risen on her darkened soul as the devouring malady had consumed her beauty. The fragile Valerie had been less able to resist the inroads of the disease than Crevel; she would be the first to succumb, and, indeed, had been the first attacked.

"If I had not been ill myself, I would have come to nurse you," said Lisbeth at last, after a glance at her friend's sunken eyes. "I have kept my room this fortnight or three weeks; but when I heard of your state from the doctor, I came at once."

"Poor Lisbeth, you at least love me still, I see!" said Valerie. "Listen. I have only a day or two left to think, for I cannot say to live. You see, there is nothing left of me--I am a heap of mud! They will not let me see myself in a glass.--Well, it is no more than I deserve. Oh, if I might only win mercy, I would gladly undo all the mischief I have done."

"Oh!" said Lisbeth, "if you can talk like that, you are indeed a dead woman."

"Do not hinder this woman's repentance, leave her in her Christian mind," said the priest.

"There is nothing left!" said Lisbeth in consternation. "I cannot recognize her eyes or her mouth! Not a feature of her is there! And her wit has deserted her! Oh, it is awful!"

"You don't know," said Valerie, "what death is; what it is to be obliged to think of the morrow of your last day on earth, and of what is to be found in the grave.--Worms for the body--and for the soul, what?--Lisbeth, I know there is another life! And I am given over to terrors which prevent my feeling the pangs of my decomposing body.--I, who could laugh at a saint, and say to Crevel that the vengeance of God took every form of disaster.--Well, I was a true prophet.--Do not trifle with sacred things, Lisbeth; if you love me, repent as I do."

"I!" said Lisbeth. "I see vengeance wherever I turn in nature; insects even die to satisfy the craving for revenge when they are attacked. And do not these gentlemen tell us"--and she looked at the priest --"that God is revenged, and that His vengeance lasts through all eternity?"

The priest looked mildly at Lisbeth and said:

"You, madame, are an atheist!"

"But look what I have come to," said Valerie.

"And where did you get this gangrene?" asked the old maid, unmoved from her peasant incredulity.

"I had a letter from Henri which leaves me in no doubt as to my fate. He has murdered me. And--just when I meant to live honestly--to die an object of disgust!

"Lisbeth, give up all notions of revenge. Be kind to that family to whom I have left by my will everything I can dispose of. Go, child, though you are the only creature who, at this hour, does not avoid me with horror--go, I beseech you, and leave me.--I have only time to make my peace with God!"

"She is wandering in her wits," said Lisbeth to herself, as she left the room.

The strongest affection known, that of a woman for a woman, had not such heroic constancy as the Church. Lisbeth, stifled by the miasma, went away. She found the physicians still in consultation. But Bianchon's opinion carried the day, and the only question now was how to try the remedies.

"At any rate, we shall have a splendid _post-mortem_," said one of his opponents, "and there will be two cases to enable us to make comparisons."

Lisbeth went in again with Bianchon, who went up to the sick woman without seeming aware of the malodorous atmosphere.

"Madame," said he, "we intend to try a powerful remedy which may save you--"

"And if you save my life," said she, "shall I be as good-looking as ever?"

"Possibly," said the judicious physician.

"I know your _possibly_," said Valerie. "I shall look like a woman who has fallen into the fire! No, leave me to the Church. I can please no one now but God. I will try to be reconciled to Him, and that will be my last flirtation; yes, I must try to come round God!"

"That is my poor Valerie's last jest; that is all herself!" said Lisbeth in tears.

Lisbeth thought it her duty to go into Crevel's room, where she found Victorin and his wife sitting about a yard away from the stricken man's bed.

"Lisbeth," said he, "they will not tell me what state my wife is in; you have just seen her--how is she?"

"She is better; she says she is saved," replied Lisbeth, allowing herself this play on the word to soothe Crevel's mind.

"That is well," said the Mayor. "I feared lest I had been the cause of her illness. A man is not a traveler in perfumery for nothing; I had blamed myself.--If I should lose her, what would become of me? On my honor, my children, I worship that woman."

He sat up in bed and tried to assume his favorite position.

"Oh, Papa!" cried Celestine, "if only you could be well again, I would make friends with my stepmother--I make a vow!"

"Poor little Celestine!" said Crevel, "come and kiss me."

Victorin held back his wife, who was rushing forward.

"You do not know, perhaps," said the lawyer gently, "that your disease is contagious, monsieur."

"To be sure," replied Crevel. "And the doctors are quite proud of having rediscovered in me some long lost plague of the Middle Ages, which the Faculty has had cried like lost property--it is very funny!"

"Papa," said Celestine, "be brave, and you will get the better of this disease."

"Be quite easy, my children; Death thinks twice of it before carrying off a Mayor of Paris," said he, with monstrous composure. "And if, after all, my district is so unfortunate as to lose a man it has twice honored with its suffrages--you see, what a flow of words I have! --Well, I shall know how to pack up and go. I have been a commercial traveler; I am experienced in such matters. Ah! my children, I am a man of strong mind."

"Papa, promise me to admit the Church--"

"Never," replied Crevel. "What is to be said? I drank the milk of Revolution; I have not Baron Holbach's wit, but I have his strength of mind. I am more _Regence_ than ever, more Musketeer, Abbe Dubois, and Marechal de Richelieu! By the Holy Poker!--My wife, who is wandering in her head, has just sent me a man in a gown--to me! the admirer of Beranger, the friend of Lisette, the son of Voltaire and Rousseau. --The doctor, to feel my pulse, as it were, and see if sickness had subdued me--'You saw Monsieur l'Abbe?' said he.--Well, I imitated the great Montesquieu. Yes, I looked at the doctor--see, like this," and he turned to show three-quarters face, like his portrait, and extended his hand authoritatively--"and I said:

"The slave was here,
He showed his order, but he nothing gained.

"_His order_ is a pretty jest, showing that even in death Monsieur le President de Montesquieu preserved his elegant wit, for they had sent him a Jesuit. I admire that passage--I cannot say of his life, but of his death--the passage--another joke!--The passage from life to death --the Passage Montesquieu!"

Victorin gazed sadly at his father-in-law, wondering whether folly and vanity were not forces on a par with true greatness of soul. The causes that act on the springs of the soul seem to be quite independent of the results. Can it be that the fortitude which upholds a great criminal is the same as that which a Champcenetz so proudly walks to the scaffold?

By the end of the week Madame Crevel was buried, after dreadful sufferings; and Crevel followed her within two days. Thus the marriage-contract was annulled. Crevel was heir to Valerie. _

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