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Goldsmith, a novel by William Black |
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Chapter 11. The Vicar Of Wakefield |
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_ CHAPTER XI. THE VICAR OF WAKEFIELD The _Vicar of Wakefield_, considered structurally, follows the lines of the Book of Job. You take a good man, overwhelm him with successive misfortunes, show the pure flame of his soul burning in the midst of the darkness, and then, as the reward of his patience and fortitude and submission, restore him gradually to happiness, with even larger flocks and herds than before. The machinery by which all this is brought about is, in the _Vicar of Wakefield_, the weak part of the story. The plot is full of wild improbabilities; in fact, the expedients by which all the members of the family are brought together and made happy at the same time, are nothing short of desperate. It is quite clear, too, that the author does not know what to make of the episode of Olivia and her husband; they are allowed to drop through; we leave him playing the French horn at a relation's house; while she, in her father's home, is supposed to be unnoticed, so much are they all taken up with the rejoicings over the double wedding. It is very probable that when Goldsmith began the story he had no very definite plot concocted; and that it was only when the much-persecuted Vicar had to be restored to happiness, that he found the entanglements surrounding him, and had to make frantic efforts to break through them. But, be that as it may, it is not for the plot that people now read the _Vicar of Wakefield_; it is not the intricacies of the story that have made it the delight of the world. Surely human nature must be very much the same when this simple description of a quiet English home went straight to the heart of nations in both hemispheres. And the wonder is that Goldsmith of all men should have produced such a perfect picture of domestic life. What had his own life been but a moving about between garret and tavern, between bachelor's lodgings and clubs? Where had he seen--unless, indeed, he looked back through the mist of years to the scenes of his childhood--all this gentle government, and wise blindness; all this affection, and consideration, and respect? There is as much human nature in the character of the Vicar alone as would have furnished any fifty of the novels of that day, or of this. Who has not been charmed by his sly and quaint humour, by his moral dignity and simple vanities, even by the little secrets he reveals to us of his paternal rule. "'Ay,' returned I, not knowing well what to think of the matter, 'heaven grant they may be both the better for it this day three months!' This was one of those observations I usually made to impress my wife with an opinion of my sagacity; for if the girls succeeded, then it was a pious wish fulfilled; but if anything unfortunate ensued, then it might be looked on as a prophecy." We know how Miss Olivia was answered, when, at her mother's prompting, she set up for being well skilled in controversy:-- "'Why, my dear, what controversy can she have read?' cried I. 'It does not occur to me that I ever put such books into her hands: you certainly overrate her merit.'--'Indeed, papa,' replied Olivia, 'she does not; I have read a great deal of controversy. I have read the disputes between Thwackum and Square; the controversy between Robinson Crusoe and Friday, the savage; and I am now employed in reading the controversy in Religious Courtship.'--'Very well,' cried I, 'that's a good girl; I find you are perfectly qualified for making converts, and so go help your mother to make the gooseberry pie.'" It is with a great gentleness that the good man reminds his wife and daughters that, after their sudden loss of fortune, it does not become them to wear much finery. "The first Sunday, in particular, their behaviour served to mortify me. I had desired my girls the preceding night to be dressed early the next day; for I always loved to be at church a good while before the rest of the congregation. They punctually obeyed my directions; but when we were to assemble in the morning at breakfast, down came my wife and daughters, dressed out in all their former splendour; their hair plastered up with pomatum, their faces patched to taste, their trains bundled up in a heap behind, and rustling at every motion. I could not help smiling at their vanity, particularly that of my wife, from whom I expected more discretion. In this exigence, therefore, my only resource was to order my son, with an important air, to call our coach. The girls were amazed at the command; but I repeated it with more solemnity than before. 'Surely, my dear, you jest,' cried my wife; 'we can walk it perfectly well: we want no coach to carry us now.'--'You mistake, child,' returned I, 'we do want a coach; for if we walk to church in this trim, the very children in the parish will hoot after us.'--'Indeed,' replied my wife, 'I always imagined that my Charles was fond of seeing his children neat and handsome about him.'--'You may be as neat as you please,' interrupted I, 'and I shall love you the better for it; but all this is not neatness, but frippery. These rufflings, and pinkings, and patchings will only make us hated by all the wives of our neighbours. No, my children,' continued I, more gravely, 'those gowns may be altered into something of a plainer cut; for finery is very unbecoming in us, who want the means of decency. I do not know whether such flouncing and shredding is becoming even in the rich, if we consider, upon a moderate calculation, that the nakedness of the indigent world might be clothed from the trimmings of the vain.' "This remonstrance had the proper effect: they went with great composure, that very instant, to change their dress; and the next day I had the satisfaction of finding my daughters, at their own request, employed in cutting up their trains into Sunday waistcoats for Dick and Bill, the two little ones; and, what was still more satisfactory, the gowns seemed improved by this curtailing." And again when he discovered the two girls making a wash for their faces:--"My daughters seemed equally busy with the rest; and I observed them for a good while cooking something over the fire. I at first supposed they were assisting their mother, but little Dick informed me, in a whisper, that they were making a wash for the face. Washes of all kinds I had a natural antipathy to; for I knew that, instead of mending the complexion, they spoil it. I therefore approached my chair by sly degrees to the fire, and grasping the poker, as if it wanted mending, seemingly by accident overturned the whole composition, and it was too late to begin another." All this is done with such a light, homely touch, that one gets familiarly to know these people without being aware of it. There is no insistance. There is no dragging you along by the collar; confronting you with certain figures; and compelling you to look at this and study that. The artist stands by you, and laughs in his quiet way; and you are laughing too, when suddenly you find that human beings have silently come into the void before you; and you know them for friends; and even after the vision has faded away, and the beautiful light and colour and glory of romance-land have vanished, you cannot forget them. They have become part of your life; you will take them to the grave with you. The story, as every one perceives, has its obvious blemishes. "There are an hundred faults in this Thing," says Goldsmith himself, in the prefixed Advertisement. But more particularly, in the midst of all the impossibilities taking place in and around the jail, when that chameleon-like _deus ex machina_, Mr. Jenkinson, winds up the tale in hot haste, Goldsmith pauses to put in a sort of apology. "Nor can I go on without a reflection," he says gravely, "on those accidental meetings, which, though they happen every day, seldom excite our surprise but upon some extraordinary occasion. To what a fortuitous concurrence do we not owe every pleasure and convenience of our lives! How many seeming accidents must unite before we can be clothed or fed! The peasant must be disposed to labour, the shower must fall, the wind fill the merchant's sail, or numbers must want the usual supply." This is Mr. Thackeray's "simple rogue" appearing again in adult life. Certainly, if our supply of food and clothing depended on such accidents as happened to make the Vicar's family happy all at once, there would be a good deal of shivering and starvation in the world. Moreover it may be admitted that on occasion Goldsmith's fine instinct deserts him; and even in describing those domestic relations which are the charm of the novel, he blunders into the unnatural. When Mr. Burchell, for example, leaves the house in consequence of a quarrel with Mrs. Primrose, the Vicar questions his daughter as to whether she had received from that poor gentleman any testimony of his affection for her. She replies No; but remembers to have heard him remark that he never knew a woman who could find merit in a man that was poor. "Such, my dear," continued the Vicar, "is the common cant of all the unfortunate or idle. But I hope you have been taught to judge properly of such men, and that it would be even madness to expect happiness from one who has been so very bad an economist of his own. Your mother and I have now better prospects for you. The next winter, which you will probably spend in town, will give you opportunities of making a more prudent choice." Now it is not at all likely that a father, however anxious to have his daughter well married and settled, would ask her so delicate a question in open domestic circle, and would then publicly inform her that she was expected to choose a husband on her forthcoming visit to town. Whatever may be said about any particular incident like this, the atmosphere of the book is true. Goethe, to whom a German translation of the _Vicar_ was read by Herder some four years after the publication in England, not only declared it at the time to be one of the best novels ever written, but again and again throughout his life reverted to the charm and delight with which he had made the acquaintance of the English "prose-idyll," and took it for granted that it was a real picture of English life. Despite all the machinery of Mr. Jenkinson's schemes, who could doubt it? Again and again there are recurrent strokes of such vividness and naturalness that we yield altogether to the necromancer. Look at this perfect picture--of human emotion and outside nature--put in in a few sentences. The old clergyman, after being in search of his daughter, has found her, and is now--having left her in an inn--returning to his family and his home. "And now my heart caught new sensations of pleasure, the nearer I approached that peaceful mansion. As a bird that had been frighted from its nest, my affections outwent my haste, and hovered round my little fireside with all the rapture of expectation. I called up the many fond things I had to say, and anticipated the welcome I was to receive. I already felt my wife's tender embrace, and smiled at the joy of my little ones. As I walked but slowly, the night waned apace. The labourers of the day were all retired to rest; the lights were out in every cottage; no sounds were heard but of the shrilling cock, and the deep-mouthed watch-dog at hollow distance. I approached my little abode of pleasure, and, before I was within a furlong of the place, our honest mastiff came running to welcome me." "_The deep-mouthed watch-dog at hollow distance_;"--what more perfect description of the stillness of night was ever given? And then there are other qualities in this delightful _Vicar of Wakefield_ than merely idyllic tenderness, and pathos, and sly humour. There is a firm presentation of the crimes and brutalities of the world. The pure light that shines within that domestic circle is all the brighter because of the black outer ring that is here and there indicated rather than described. How could we appreciate all the simplicities of the good man's household, but for the rogueries with which they are brought in contact? And although we laugh at Moses and his gross of green spectacles, and the manner in which the Vicar's wife and daughter are imposed on by Miss Wilhelmina Skeggs and Lady Blarney, with their lords and ladies and their tributes to virtue, there is no laughter demanded of us when we find the simplicity and moral dignity of the Vicar meeting and beating the jeers and taunts of the abandoned wretches in the prison. This is really a remarkable episode. The author was under the obvious temptation to make much comic material out of the situation; while another temptation, towards the goody-goody side, was not far off. But the Vicar undertakes the duty of reclaiming these castaways with a modest patience and earnestness in every way in keeping with his character; while they, on the other hand, are not too easily moved to tears of repentance. His first efforts, it will be remembered, were not too successful. "Their insensibility excited my highest compassion, and blotted my own uneasiness from my mind. It even appeared a duty incumbent upon me to attempt to reclaim them. I resolved, therefore, once more to return, and, in spite of their contempt, to give them my advice, and conquer them by my perseverance. Going, therefore, among them again, I informed Mr. Jenkinson of my design, at which he laughed heartily, but communicated it to the rest. The proposal was received with the greatest good humour, as it promised to afford a new fund of entertainment to persons who had now no other resource for mirth but what could be derived from ridicule or debauchery. "I therefore read them a portion of the service with a loud, unaffected voice, and found my audience perfectly merry upon the occasion. Lewd whispers, groans of contrition burlesqued, winking and coughing, alternately excited laughter. However, I continued with my natural solemnity to read on, sensible that what I did might mend some, but could itself receive no contamination from any. "After reading, I entered upon my exhortation, which was rather calculated at first to amuse them than to reprove. I previously observed, that no other motive but their welfare could induce me to this; that I was their fellow-prisoner, and now got nothing by preaching. I was sorry, I said, to hear them so very profane; because they got nothing by it, but might lose a great deal: 'For be assured, my friends,' cried I,--'for you are my friends, however the world may disclaim your friendship,--though you swore twelve thousand oaths in a day, it would not put one penny in your purse. Then what signifies calling every moment upon the devil, and courting his friendship, since you find how scurvily he uses you? He has given you nothing here, you find, but a mouthful of oaths and an empty belly; and, by the best accounts I have of him, he will give you nothing that's good hereafter. "'If used ill in our dealings with one man, we naturally go elsewhere. Were it not worth your while, then, just to try how you may like the usage of another master, who gives you fair promises at least to come to him? Surely, my friends, of all stupidity in the world, his must be the greatest, who, after robbing a house, runs to the thief-takers for protection. And yet, how are you more wise? You are all seeking comfort from one that has already betrayed you, applying to a more malicious being than any thief-taker of them all; for they only decoy and then hang you; but he decoys and hangs, and, what is worst of all, will not let you loose after the hangman has done.' "When I had concluded, I received the compliments of my audience, some of whom came and shook me by the hand, swearing that I was a very honest fellow, and that they desired my further acquaintance. I therefore promised to repeat my lecture next day, and actually conceived some hopes of making a reformation here; for it had ever been my opinion, that no man was past the hour of amendment, every heart lying open to the shafts of reproof, if the archer could but take a proper aim." His wife and children, naturally dissuading him from an effort which seemed to them only to bring ridicule upon him, are met by a grave rebuke; and on the next morning he descends to the common prison, where, he says, he found the prisoners very merry, expecting his arrival, and each prepared to play some gaol-trick on the Doctor. "There was one whose trick gave more universal pleasure than all the rest; for, observing the manner in which I had disposed my books on the table before me, he very dexterously displaced one of them, and put an obscene jest-book of his own in the place. However, I took no notice of all that this mischievous group of little beings could do, but went on, perfectly sensible that what was ridiculous in my attempt would excite mirth only the first or second time, while what was serious would be permanent. My design succeeded, and in less than six days some were penitent, and all attentive. "It was now that I applauded my perseverance and address, at thus giving sensibility to wretches divested of every moral feeling, and now began to think of doing them temporal services also, by rendering their situation somewhat more comfortable. Their time had hitherto been divided between famine and excess, tumultuous riot and bitter repining. Their only employment was quarrelling among each other, playing at cribbage, and cutting tobacco-stoppers. From this last mode of idle industry I took the hint of setting such as choose to work at cutting pegs for tobacconists and shoemakers, the proper wood being bought by a general subscription, and, when manufactured, sold by my appointment; so that each earned something every day--a trifle indeed, but sufficient to maintain him. "I did not stop here, but instituted fines for the punishment of immorality, and rewards for peculiar industry. Thus, in less than a fortnight I had formed them into something social and humane, and had the pleasure of regarding myself as a legislator who had brought men from their native ferocity into friendship and obedience." Of course, all this about gaols and thieves was calculated to shock the nerves of those who liked their literature perfumed with rose-water. Madame Riccoboni, to whom Burke had sent the book, wrote to Garrick, "Le plaidoyer en faveur des voleurs, des petits larrons, des gens de mauvaises moeurs, est fort eloigne de me plaire." Others, no doubt, considered the introduction of Miss Skeggs and Lady Blarney as "vastly low." But the curious thing is that the literary critics of the day seem to have been altogether silent about the book--perhaps they were "puzzled" by it, as Southey has suggested. Mr. Forster, who took the trouble to search the periodical literature of the time, says that, "apart from bald recitals of the plot, not a word was said in the way of criticism about the book, either in praise or blame." The _St. James's Chronicle_ did not condescend to notice its appearance, and the _Monthly Review_ confessed frankly that nothing was to be made of it. The better sort of newspapers, as well as the more dignified reviews, contemptuously left it to the patronage of _Lloyd's Evening Post_, the _London Chronicle_, and journals of that class; which simply informed their readers that a new novel, called the _Vicar of Wakefield_, had been published, that "the editor is Doctor Goldsmith, who has affixed his name to an introductory Advertisement, and that such and such were the incidents of the story." Even his friends, with the exception of Burke, did not seem to consider that any remarkable new birth in literature had occurred; and it is probable that this was a still greater disappointment to Goldsmith, who was so anxious to be thought well of at the Club. However, the public took to the story. A second edition was published in May; a third in August. Goldsmith, it is true, received no pecuniary gain from this success, for, as we have seen, Johnson had sold the novel outright to Francis Newbery; but his name was growing in importance with the booksellers. There was need that it should, for his increasing expenses--his fine clothes, his suppers, his whist at the Devil Tavern--were involving him in deeper and deeper difficulties. How was he to extricate himself?--or rather the question that would naturally occur to Goldsmith was how was he to continue that hand-to-mouth existence that had its compensations along with its troubles? Novels like the _Vicar of Wakefield_ are not written at a moment's notice, even though any Newbery, judging by results, is willing to double that L60 which Johnson considered to be a fair price for the story at the time. There was the usual resource of hack-writing; and, no doubt, Goldsmith was compelled to fall back on that, if only to keep the elder Newbery, in whose debt he was, in a good humour. But the author of the _Vicar of Wakefield_ may be excused if he looked round to see if there was not some more profitable work for him to turn his hand to. It was at this time that he began to think of writing a comedy. _ |
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